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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article59602764" target="_self"&gt;http://nla.gov.au/nla.news-article59602764&lt;/a&gt;</text>
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                <text>Mothers Day, &lt;em&gt;The Register,&lt;/em&gt; 7 May 1915</text>
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                <text>Adelaide, celebration, Church services, custom, duty, gifts, gratitude, family, festival, homage, Lent, May, medieval custom, mother, mothering, motherâ€™s day, observance, tradition, SA, South Australia, Sunday, white flowers, Young Womenâ€™s Christian Association.</text>
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                <text>This article from &lt;em&gt;The Register&lt;/em&gt; in 1915 traces the origins of Mothers&amp;rsquo; Day celebrations to the medieval period, when adolescent children would be afforded a holiday from work on the fourth Sunday in Lent to &amp;lsquo;go a-mothering&amp;rsquo;. On such occasions, the article explains, family members would assemble and pay homage to mothers by presenting gifts, and a general air of festivity ensued with special Church services and prayers containing more than usual reference to family life. While some elements of the festivities were not adopted in Australia, the article continues, the observance of mothers day is regularly marked by the wearing of white flowers, and by annual festivals such as the one conducted at the Young Women&amp;rsquo;s Christian Association headquarters in Adelaide.</text>
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                <text>TROVE: National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article59602764" target="_self"&gt;http://nla.gov.au/nla.news-article59602764&lt;/a&gt;</text>
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                <text>&lt;em&gt;The Register&lt;/em&gt;</text>
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                <text>7 May 1915, p.6</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://www.morris.org.au/index.html"&gt;http://www.morris.org.au/index.html&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Australian Morris Ring</text>
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                <text>ACT, Australian Capital Territory, Australian Morris Ring, Borders Morris, costume, Cotswold Morris, dance, England, folk dance, folk music, Morris Dancers, New South Wales, North West Morris, NSW, performance, Qld, Queensland, SA, Sides, South Australia, Tas, Tasmania, Vic, Victoria, WA, website, Western Australia.</text>
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                <text>&lt;p&gt;Australian Morris Ring is an organisation that represents Australian Morris dancers. It represents &amp;lsquo;sides&amp;rsquo;, or Morris dancing teams, in all Australian states and territories except the Northern Territory. The groups perform the Cotswold, Borders (the border between Wales and England), and North West (of England) versions of Morris dancing, Morris dancing is an English folk dance that is attested from the late fifteenth century. There are also other dances mentioned elsewhere in Europe that may have a common origin.&lt;/p&gt;&#13;
&lt;p&gt;For more information see &lt;a href="http://www.morris.org.au/index.html"&gt;http://www.morris.org.au/index.html&lt;/a&gt;&lt;/p&gt;</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Kimberley Brown Graphic Design</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.maxwellwines.com.au/maxwell-mead/"&gt;http://www.maxwellwines.com.au/maxwell-mead/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;The McLaren Vale, South Australia, company Maxwell Wines produce three varieties of Maxwell Mead. Their website explains that although mead was first drunk much earlier than the medieval period, it has a particularly strong association with Scandinavian culture during the Viking Age (c. 790-1000), where the Mead of Poetry is a mythical drink that allows one to become a poet. Mead is also drunk by the Danish warriors in the Anglo-Saxon epic poem &lt;em&gt;Beowulf&lt;/em&gt;. The website also claims that the term &amp;lsquo;honeymoon&amp;rsquo; comes from a newlywed couple being given mead as an aphrodisiac in the hope of conceiving a child (this etymology is difficult to prove).&lt;/p&gt;&#13;
&lt;p&gt;The label of Maxwell Mead features a medieval king standing in front of a stained glass window and holding a sword.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.maxwellwines.com.au/maxwell-mead/"&gt;http://www.maxwellwines.com.au/maxwell-mead/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Maxwell Wines</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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&lt;p&gt;&lt;a href="http://recordsearch.naa.gov.au/scripts/PhotoSearchItemDetail.asp?M=0&amp;amp;B=11660094&amp;amp;SE=1"&gt;http://recordsearch.naa.gov.au/scripts/PhotoSearchItemDetail.asp?M=0&amp;amp;B=11660094&amp;amp;SE=1&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://mylibrary.wollongong.nsw.gov.au/cgi-bin/spydus.exe/ENQ/PIC/BIBENQ?IRN=10828109&amp;amp;FMT=PA"&gt;http://mylibrary.wollongong.nsw.gov.au/cgi-bin/spydus.exe/ENQ/PIC/BIBENQ?IRN=10828109&amp;amp;FMT=PA&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://www.picturevictoria.vic.gov.au/site/maribyrnong/miscellaneous/4774.html"&gt;http://www.picturevictoria.vic.gov.au/site/maribyrnong/miscellaneous/4774.html&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://nla.gov.au/nla.cs-pa-http%253A%252F%252Fhandle.slv.vic.gov.au%252F10381%252F45357"&gt;http://nla.gov.au/nla.cs-pa-http%253A%252F%252Fhandle.slv.vic.gov.au%252F10381%252F45357&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=388815"&gt;http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=388815&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://nla.gov.au/nla.cs-pa-http%253A%252F%252Fhdl.handle.net%252F10462%252Fderiv%252F137235"&gt;http://nla.gov.au/nla.cs-pa-http%253A%252F%252Fhdl.handle.net%252F10462%252Fderiv%252F137235&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://www.greataussieroadtrip.com.au/reviews/attraction-reviews/national-folk-festival-canberra.html"&gt;http://www.greataussieroadtrip.com.au/reviews/attraction-reviews/national-folk-festival-canberra.html&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://images.slsa.sa.gov.au/searcy/33/PRG280_1_33_118.htm"&gt;http://images.slsa.sa.gov.au/searcy/33/PRG280_1_33_118.htm&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://innopac.slwa.wa.gov.au/record=b2214859"&gt;http://innopac.slwa.wa.gov.au/record=b2214859&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://catalogue.statelibrary.tas.gov.au/item/?id=AB713-1-1794"&gt;http://catalogue.statelibrary.tas.gov.au/item/?id=AB713-1-1794&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://recordsearch.naa.gov.au/scripts/PhotoSearchItemDetail.asp?M=0&amp;amp;B=7883724&amp;amp;SE=1"&gt;http://recordsearch.naa.gov.au/scripts/PhotoSearchItemDetail.asp?M=0&amp;amp;B=7883724&amp;amp;SE=1&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Maypoles and the folk dance associated with them are a popular event, often involving children, at festivals throughout Australia. The origins, and possible symbolism, of Maypole dancing are uncertain but they can be traced back at least as far as the late medieval period, with a mid-fourteenth-century Welsh poem describing a Maypole of birch. The top of the pole often has coloured ribbons attached and the dance involves the participants moving in a circle around the pole weaving in and out, thereby forming a woven pattern with the ribbons around the Maypole. The links in this entry are of early Maypole dances from all States and Territories of Australia, as well as Norfolk Island. The age of some of the photographs suggest that the tradition of Maypole dancing may have arrived with the earliest European settlers.</text>
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&#13;
About the Mitchell Building:&#13;
&#13;
The Mitchell Building was designed by South Australian architect Willliam McMinn in the Victorian Academic Gothic style. It was completed between 1879 and 1881, and officially opened in 1882. The Mitchell Building was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was named the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today it is used as an administrative hub. The Mitchell Buildingâ€™s neo-gothic features include its steeply gabled roof, lancet windows, decorative stone tracery and the roof fleche/spire.</text>
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&#13;
About the Mitchell Building:&#13;
&#13;
The Mitchell Building officially opened in 1882. It was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was named the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today the Mitchell Building is used as an administrative hub. </text>
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The Mitchell Building was designed by South Australian architect Willliam McMinn in the Victorian Academic Gothic style. It was completed between 1879 and 1881, and officially opened in 1882. The Mitchell Building was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was named the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today it is used as an administrative hub. The Mitchell Buildingâ€™s other neo-gothic features include its steeply gabled roof, lancet windows, decorative stone tracery and the roof fleche/spire.</text>
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The Mitchell Building was designed by South Australian architect Willliam McMinn in the Victorian Academic Gothic style. It was completed between 1879 and 1881, and officially opened in 1882. The Mitchell Building was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was named the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today it is used as an administrative hub. The Mitchell Buildingâ€™s neo-gothic features include its steeply gabled roof, lancet windows, decorative stone tracery and the roof fleche/spire.</text>
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