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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.abc.net.au/compass/s3510122.htm"&gt;http://www.abc.net.au/compass/s3510122.htm&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>â€˜Tasmanian Gothicâ€™, Compass, ABC TV</text>
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                <text>ABC, alter cloths, Australian Broadcasting Corporation, baptismal font, Wendy Boynton, Catholic, chalice linen, church, Colebrook, Compass, cross, Geraldine Doogue, Gothic, Gothic Revival, headstone, monstrance, Oatlands, Augustus Welby Northmore Pugin, Pugin, Richmond, rood screen, Tas, Tasmania, Tasmanian Gothic, television, transcript, vestment, website, Bishop Willson, Robert William Willson.</text>
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                <text>&lt;p&gt;&amp;lsquo;Tasmanian Gothic&amp;rsquo; was an episode of the Australian Broadcasting Corporation&amp;rsquo;s Compass television programme presented by Geraldine Doogue. The story was researched by Wendy Boynton and aired on June 24, 2012 to celebrate the 200&lt;sup&gt;th&lt;/sup&gt; anniversary of the birth of English architect and designer Augustus Welby Northmore Pugin (1812-1852), one of the main&amp;nbsp;instigators of the Gothic Revival. Although he never visited Australia some consider the best examples of Pugin&amp;rsquo;s work to be in Tasmania, in part due to their preservation. When his friend Robert William Willson (1794-1866) was chosen as Tasmania&amp;rsquo;s first Catholic Bishop, Pugin provided him with the materials necessary to establish his diocese. These items, including scale models for three churches, were taken by Willson by ship from England to Hobart in 1844. Pugin artefacts in Tasmania include alter cloths, baptismal fonts, chalice linens, crosses, rood screens, headstones, vestments, and a monstrance (a vessel to hold the communion host, first used in the medieval period), the churches at Oatlands and Colebrook, and elements of the church at Richmond. The programme also deals with Pugin&amp;rsquo;s lasting legacy, including the enduring notion that Gothic style architecture is the most appropriate for ecclesiastical architecture. &amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;For the episode transcript see &lt;a href="http://www.abc.net.au/compass/s3510122.htm"&gt;http://www.abc.net.au/compass/s3510122.htm&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the Pugin churches see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1104"&gt;http://ausmed.arts.uwa.edu.au/items/show/1104&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/951"&gt;http://ausmed.arts.uwa.edu.au/items/show/951&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1117"&gt;http://ausmed.arts.uwa.edu.au/items/show/1117&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1119"&gt;http://ausmed.arts.uwa.edu.au/items/show/1119&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
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                <text>Boynton, Wendy (researcher)</text>
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&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/951"&gt;http://ausmed.arts.uwa.edu.au/items/show/951&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1117"&gt;http://ausmed.arts.uwa.edu.au/items/show/1117&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1119"&gt;http://ausmed.arts.uwa.edu.au/items/show/1119&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>This Congregational Church is in the town of Richmond, Tasmania. It was built in 1873 after the previous church, built in 1844, was damaged in a storm. The sandstone building is in the Gothic Revival style with buttresses, and a pointed arch doorway and lancet windows accentuated by the use of moulding. The congregation of the Richmond church decided to remain independent when most other Congregational Churches became part of the Uniting Church in 1977.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;St Luke the Physician&amp;rsquo;s Anglican Church is in the town of Richmond, Tasmania. It was designed by architect John Lee Archer and built with convict labour. It was completed in 1836 and consecrated by Bishop Broughton in 1838. The building is primarily in the Romanesque style with semi-circular windows, although the pointed arch stained glass window with tracery in the chancel is Gothic in style. The timber work inside the building was done by convict James Thompson, who was granted his freedom as reward. The ceiling of the church feature timber trusses, derived from Old French &amp;lsquo;trousse&amp;rsquo;: &amp;lsquo;a collection of things bound together&amp;rsquo;.&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1121"&gt;http://ausmed.arts.uwa.edu.au/items/show/1121&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;St Luke the Physician&amp;rsquo;s Anglican Church is in the town of Richmond, Tasmania. The sandstone building was designed by architect John Lee Archer and built by convict labour. It was completed in 1836 and consecrated by Bishop Broughton in 1838. The clock came from St David&amp;rsquo;s Church in Hobart and was added to the tower in 1922. The building is primarily in the Romanesque style with semi-circular windows and entrance doorway, although the pointed arch stained glass window with tracery in the chancel is Gothic in style. Other medieval inspired features are the central tower and the two small solid towers at the rear, all with crenellation.&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1124" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1124&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Brian Andrews, baptismal font, Catholic, font, Henry Edmund Goodridge, Gothic, Gothic Revival, lancet windows, John Bede Polding, pointed arch, Augustus Welby Northmore Pugin, Pugin, Richmond, St John the Evangelistâ€™s Church, Tas, Tasmania, Frederick Thomas, tiles, tracery, Robert William Willson, Bishop Willson. </text>
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                <text>&lt;p&gt;St John the Evangelist&amp;rsquo;s Church is in the village of Richmond, Tasmania, and is the oldest continuously used Catholic church in Australia. The present building is an amalgam of two designs. The earliest building was designed by the English (Bath) architect Henry Edmund Goodbridge (1800-1863) after John Bede Polding (1794-1877), Australia&amp;rsquo;s first Catholic bishop, obtained plans for several churches from Goodbridge before sailing to Australia in 1835. Polding laid the foundation stone in 1835 and the church was completed in 1837. The nave of the present building is from the original church. In 1859 additions were completed under the supervision of architect Frederick Thomas (1817-1885) from a parts of a detailed scale model made by the English architect Augustus Welby Northmore Pugin (1812-1852) in 1843. The model was made for Pugin&amp;rsquo;s friend Robert William Willson (1794-1866) who was the first Catholic Bishop in Tasmania. From Pugin&amp;rsquo;s design come the chancel (including the rear stained glass window with tracery seen in photograph two), sacristy and spire. Thomas designed the communion rails as the rood screen in Pugin&amp;rsquo;s model was too large for the building, as well as the pointed chancel arch. The interior also includes a font designed by Pugin in 1843. It was carved in England and brought to Tasmania by Bishop Wilson, and sits atop a platform of simple medieval-style tiles. &amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Augustus Welby Northmore Pugin (1812-1852) played a central role in establishing the Gothic Revival style and is best remembered for his work on the Houses of Parliament in London, and the interior of the Palace of Westminster.&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/admin/items/show/1117" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1117&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For an essay on the church by Brian Andrews see &lt;a href="http://www.puginfoundation.org/assets/Richmond_Essay.pdf" target="_self"&gt;http://www.puginfoundation.org/assets/Richmond_Essay.pdf&lt;/a&gt;&lt;/p&gt;&#13;
&lt;br /&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St John the Evangelistâ€™s Church exterior, Richmond, Tasmania </text>
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                <text>Brian Andrews, buttress, Catholic, Rod Cooper, Henry Edmund Goodridge, Gothic, Gothic Revival, lancet windows, Alexander North, John Bede Polding, pointed arch, porch, Augustus Welby Northmore Pugin, Pugin, Richmond, St John the Evangelistâ€™s Church, spire, Tas, Tasmania, Frederick Thomas, tracery, turret, Robert William Willson, Bishop Willson. </text>
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                <text>&lt;p&gt;St John the Evangelist&amp;rsquo;s Church is in the village of Richmond, Tasmania, and is the oldest continuously used Catholic church in Australia. The present building is an amalgam of two designs. The earliest building was designed by the English (Bath) architect Henry Edmund Goodbridge (1800-1863) after John Bede Polding (1794-1877), Australia&amp;rsquo;s first Catholic bishop, obtained plans for several churches from Goodbridge before sailing to Australia in 1835. Polding laid the foundation stone in 1835 and the church was completed in 1837. The nave of the present building is from the original church. In 1859 additions were completed under the supervision of architect Frederick Thomas (1817-1885) from a detailed scale model made by the English architect Augustus Welby Northmore Pugin (1812-1852) in 1843. The model was made for Pugin&amp;rsquo;s friend Robert William Willson (1794-1866) who was the first Catholic Bishop in Tasmania. From Pugin&amp;rsquo;s design come the chancel (including the rear window with tracery), sacristy and spire. The building is in the Gothic Revival style with pointed arch doorways, buttresses, tracery, spire, stair turret, and lancet windows. The present spire is the third and a scaled down version of Pugin's original designed by architect Rod Cooper and added in 1972. The cross on top of the spire is all that remains of the second spire, designed by Alexander North (1858-1945)&amp;nbsp;in 1893.&lt;/p&gt;&#13;
&lt;p&gt;Augustus Welby Northmore Pugin (1812-1852) played a central role in establishing the Gothic Revival style and is best remembered for his work on the Houses of Parliament in London, and the interior of the Palace of Westminster.&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1119" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1119&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;For an essay on the church by Brian Andrews see &lt;a href="http://www.puginfoundation.org/assets/Richmond_Essay.pdf" target="_self"&gt;http://www.puginfoundation.org/assets/Richmond_Essay.pdf&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane (Essay by Brian Andrews)</text>
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                <text>No Copyright (Essay copyright Brian Andrews; Pugin Foundation)</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1119" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1119&lt;/a&gt;</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://www.afl.com.au/news/newsarticle/tabid/208/newsid/116557/default.aspx" target="_blank"&gt;http://www.afl.com.au/news/newsarticle/tabid/208/newsid/116557/default.aspx&lt;/a&gt;</text>
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                <text>&lt;p class="MsoNormal" style="margin: 0cm 0cm 10pt;"&gt;&lt;span style="line-height: 115%; color: black; font-size: 10pt;" lang="EN-AU"&gt;An  online article on June 25 reporting comments made by Brendon Gale,  Chief Executive of the AFL  club Richmond on air at Melbourne radio station 3AW. He was responding  to earlier comments by AFL commentator Leigh Matthews that pay claims of  players against the AFL was a case of the &amp;lsquo;serfs fighting back&amp;rsquo;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 10pt;"&gt;&lt;span style="line-height: 115%; color: black; font-size: 10pt;" lang="EN-AU"&gt;The article can be found at &lt;a href="http://www.afl.com.au/news/newsarticle/tabid/208/newsid/117078/default.aspx" target="_blank"&gt;http://www.afl.com.au/news/newsarticle/tabid/208/newsid/117078/default.aspx&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span style="line-height: 115%; color: black; font-size: 10pt;" lang="EN-AU"&gt;A June18, 2011, article by Jennifer Witham about the original comments and an explanation that &amp;lsquo;serfs&amp;rsquo;  is a medieval term used to describe the lowest group in the feudal system can be found at &lt;a href="http://www.afl.com.au/news/newsarticle/tabid/208/newsid/116557/default.aspx" target="_blank"&gt; http://www.afl.com.au/news/newsarticle/tabid/208/newsid/116557/default.aspx&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Witham, Jennifer , ""Serfs Hit Back" Online Article ," in Medievalism in  Australian Cultural Memory, Item #395, &lt;a href="../../../items/show/395"&gt;http://ausmed.arts.uwa.edu.au/items/show/395&lt;/a&gt;</text>
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