1 8 1 https://ausmed.arts.uwa.edu.au/files/original/2072f8be2f9c53ac085d7b5674251593.pdf d00844bc9985c0acc0430477c514503c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Review, newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Hunchback of Notre Dame, film, 1925 - review Subject The topic of the resource Victor Hugo, Notre-Dame de Paris, gothic revival architecture, gothic, gothic revival, neo-gothic, The Hunchback of Notre Dame, Quasimodo, medieval right of sanctuary, bell-ringing, religious fanaticism, gypsies, Esmeralda, Catholics in Australia, influential novel, novel, novels Description An account of the resource Victor Hugo’s novel, Notre-Dame de Paris, anglicised to ‘The Hunchback of Notre Dame’ explores a number of themes: the role of religious fanaticism in medieval theology, passion and, for Hugo, old versus new Paris. France’s most famous medieval cathedral is the ‘star’ of the show and functions as a backdrop for and focus of the story. The cathedral is portrayed as a place of political and criminal sanctuary (Westminster Church in fourteenth-century London) and a symbol of all that is decaying in Paris. The novel mobilized interest in the cathedral to such an extent that a restoration project followed shortly after. It strengthened a worldwide interest in gothic revival architecture. The review in the West Australian suggests that ‘religious offence’ occurs in the novel but has been ironed out in the film. Whether this offence is anti-Catholic rhetoric or sensitivity to Catholic sentiment in Australia is speculative. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia Date A point or period of time associated with an event in the lifecycle of the resource 1925 Rights Information about rights held in and over the resource Public Domain National Library of Australia Format The file format, physical medium, or dimensions of the resource Review of Film Launch Language A language of the resource English bell-ringing Catholics in Australia Esmeralda Gothic Gothic Revival gothic revival architecture gypsies influential novel medieval right of sanctuary neo-Gothic Notre-Dame de Paris novel novels Quasimodo religious fanaticism The Hunchback of Notre Dame Victor Hugo