<?xml version="1.0" encoding="UTF-8"?>
<itemContainer xmlns="http://omeka.org/schemas/omeka-xml/v5" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd" uri="https://ausmed.arts.uwa.edu.au/items/browse/tag/Princess+Sabra?output=omeka-xml" accessDate="2026-05-13T00:59:50+00:00">
  <miscellaneousContainer>
    <pagination>
      <pageNumber>1</pageNumber>
      <perPage>8</perPage>
      <totalResults>1</totalResults>
    </pagination>
  </miscellaneousContainer>
  <item itemId="1206" public="1" featured="0">
    <collection collectionId="5">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34458">
                  <text>Medievalism at the Foundations</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="11">
      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
      <elementContainer>
        <element elementId="28">
          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="31300">
              <text>&lt;a href="http://www.artgallery.nsw.gov.au/collection/works/8536/" target="_self"&gt;http://www.artgallery.nsw.gov.au/collection/works/8536/&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31292">
                <text>â€˜The Fight: St George Kills the Dragon VIâ€™ by Edward Burne-Jones</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31293">
                <text>Aesthetic Pre-Raphaelitism, armor, armour, art, artwork, chivalric tradition, chivalry, damsel, dragon, gallantry, George, knight, legend, Myles Birket Foster, myth, New South Wales, NSW, Pre-Raphaelite, Princess Sabra, St George, sword, The Hill, Witley. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31294">
                <text>This oil on canvas painting by well-known nineteenth-century artist Edward Burne-Jones was gifted to the Art Gallery of New South Wales by Arthur Moon. It is one of seven paintings from a â€˜St George and the Dragonâ€™ narrative cycle that Burne-Jones was commissioned to produce in 1864 for the dining room of Myles Birket Fosterâ€™s house, The Hill, in Witley, Surrey. Completed in 1866, this is the sixth painting in the series. It depicts an armoured St George slaying a reptilian looking dragon, while a female figure wearing a flowing white gown and a wreath of flowers - Princess Sabra from the legend - clasps her hands and watches tentatively from the sidelines. The deadly threat posed by the dragon, and by extension the valour of the knight in quashing it, is evident from the skull and broken lance lying in the foreground of the painting. Although the legend of St George slaying the dragon is Eastern in origin, it is thought to have been taken back to England by medieval crusaders, where it was incorporated into the chivalric tradition. As the patron saint of England, a champion of Christianity, and an exemplar of chivalric masculinity, St George was a popular subject for Pre-Raphaelite artists such as Burne-Jones, and for the Victorian medieval revival more generally. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31295">
                <text>Edward Burne-Jones</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="31296">
                <text>The Art Gallery of New South Wales</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31297">
                <text>1866</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31298">
                <text>The Art Gallery of New South Wales</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31299">
                <text>Oil on Canvas, 105.4cm x 130.8cm</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="5937">
        <name>Aesthetic Pre-Raphaelitism</name>
      </tag>
      <tag tagId="3393">
        <name>Armor</name>
      </tag>
      <tag tagId="153">
        <name>Armour</name>
      </tag>
      <tag tagId="575">
        <name>art</name>
      </tag>
      <tag tagId="1230">
        <name>artwork</name>
      </tag>
      <tag tagId="1815">
        <name>chivalric tradition</name>
      </tag>
      <tag tagId="138">
        <name>chivalry</name>
      </tag>
      <tag tagId="3667">
        <name>damsel</name>
      </tag>
      <tag tagId="172">
        <name>dragon</name>
      </tag>
      <tag tagId="3666">
        <name>gallantry</name>
      </tag>
      <tag tagId="5938">
        <name>George</name>
      </tag>
      <tag tagId="96">
        <name>knight</name>
      </tag>
      <tag tagId="1219">
        <name>legend</name>
      </tag>
      <tag tagId="5939">
        <name>Myles Birket Foster</name>
      </tag>
      <tag tagId="1223">
        <name>myth</name>
      </tag>
      <tag tagId="106">
        <name>New South Wales</name>
      </tag>
      <tag tagId="338">
        <name>NSW</name>
      </tag>
      <tag tagId="3911">
        <name>Pre-Raphaelite</name>
      </tag>
      <tag tagId="5940">
        <name>Princess Sabra</name>
      </tag>
      <tag tagId="1822">
        <name>St George</name>
      </tag>
      <tag tagId="363">
        <name>sword</name>
      </tag>
      <tag tagId="5941">
        <name>The Hill</name>
      </tag>
      <tag tagId="5942">
        <name>Witley</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
