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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Jongleur Path, Balingup Medieval Carnivale</text>
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                <text>Advertisement, Balingup, Balingup Medieval Carnivale, carnival, entertainer, fair, French, jongleur, lute, minstrel, Old French, poet, Shire of Donnybrook-Balingup, signage, South-West WA, WA, Western Australia</text>
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                <text>A photograph of a sign at the Balingup Medieval Carnivale. The sign marks the stage area of the Carnivale site, labelled the â€˜Jongleur Pathâ€™. â€˜Jongleurâ€™ is a term from Old French used during the medieval era for a wandering entertainer, usually a minstrel, as the illustration on the sign of a man playing a lute depicts, or poet.  </text>
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                <text>McLeod, Shane</text>
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                <text>27 August 2011</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>"Gargoyles of Melbourne: Quaint and Curious Carvings by John Russell Parry," in The Argus</text>
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                <text>carving, gargoyle, gargoyles, Gothic, Gothic architecture, John Russell Parry, Latin, Melbourne, Old French, sculpture, The Argus,  VIC, Victoria</text>
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                <text>A lengthy illustrated article by John Russell Parry about gargoyles in Melbourne that appeared in the Melbourne newspaper The Argus on August 10, 1929. The article provides the etymology of 'gargoyle', derived from Latin via Old French, and explains that a gargoyle must have a water spout, and that many of the carvings that the public thought were gargoyles were merely decorative. True gargoyles in Melbourne are said to exist at St Paul's Cathedral, St Patrick's Cathedral, Tower House, the E.S. and A. Bank Building, and the Church of the Immaculate Conception in Hawthorn. The article also has information on carvings in Melbourne which are not true gargoyles, and some interesting information on medieval gargoyles in France, including at Notre Dame in Paris. Gargoyles are a common feature of Gothic architecture.</text>
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                <text>Parry, John Russell</text>
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                <text>National Library of Australia: &lt;a href="National%20Library%20of%20Australia:%20http://nla.gov.au/nla.news-article4028660" target="_blank"&gt;http://nla.gov.au/nla.news-article4028660&lt;/a&gt;</text>
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                <text>The Argus</text>
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                <text>10 August 1929</text>
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                <text>National Library of Australia</text>
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