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                <text>Archer Family Coat of Arms </text>
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                <text>William Archer, William Henry Davies Archer, arrow, bow, Brickendon Estate, coat of arms, helmet, heraldry, Longford, motto, Norman French, Normandy, shield, Tas, Tasmania. </text>
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                <text>&lt;p&gt;The Archer family coat of arms was designed by William Henry Davies Archer (1836-1928), the second surviving son of William Archer, who established the Brickendon estate near Longford. The coat of arms was designed whilst William H.D. Archer was studying at Cambridge between 1856 and 1863. The arms feature a white shield with a cross topped by a medieval helmet and a bear&amp;rsquo;s claw holding three arrows. The shield includes a bunch of three arrows in two of its corners, and a bow in the centre. Below the shield is a motto in Norman French, the language of Normandy in Northern France that was spread to England and elsewhere during the medieval period by the Normans. The motto roughly translates to &amp;lsquo;The End Crowns the Work&amp;rsquo;.&lt;/p&gt;&#13;
&lt;p&gt;This photograph was taken at the front desk of Brickendon Estate.&lt;br /&gt;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;For information on the symbolism of the coat of arms see &lt;a href="http://www.brickendon.com.au/about_us/family_history" target="_self"&gt;http://www.brickendon.com.au/about_us/family_history&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>September 26, 2012</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/id/1080" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/id/1080&lt;/a&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>The Rouen clock: Medieval inspiration for London Court, Perth.</text>
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                <text>&lt;p&gt;These photographs compare the clock face at the Hay Street end of London Court in Perth with Le Gros Horloge, or the Great Clock, at Rouen in Normandy, France, on which it is based. An article in The West Australian newspaper in 1937, and repeated on the official London Court website, claims that the London Court clock face designed by H. Hope-Jones is a &amp;lsquo;replica&amp;rsquo; of the one at Rouen. Yet a comparison of the photographs shows that this is not the case. Although the layout is the same the materials are different and the central sun on the Rouen clock is much larger. Le Gros Horloge also only has a single hand, to indicate the hour, whereas the London Court clock has the conventional modern two hands.&lt;/p&gt;&#13;
&lt;p&gt;The Rouen clock mechanism was installed in the early fifteenth century, whilst the clock face was added a century later. The clock includes figures associated with the day of the week appearing at noon on the appropriate day and, above the clock, a globe depicting the phase of the moon.&lt;/p&gt;&#13;
For London Court see &lt;a href="http://www.londoncourt.com.au/" target="_blank"&gt;&lt;span style="color: #800080;"&gt;www.londoncourt.com.au&lt;/span&gt;&lt;/a&gt;. For the newspaper article &amp;lsquo;Two New Clocks&amp;rsquo; see &lt;a href="http://nla.gov.au/nla.news-article41438038" target="_blank"&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;http://nla.gov.au/nla.news-article41438038&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Calibri;"&gt;.&lt;/span&gt;&lt;/span&gt;</text>
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                <text>29 November 2011</text>
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