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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.rognvaldslith.com/"&gt;http://www.rognvaldslith.com/&lt;/a&gt;</text>
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                <text>Rognvaldâ€™s Lith: Lismore Medieval Re-enactment Society </text>
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                <text>&lt;p&gt;Rognvald&amp;rsquo;s Lith: Lismore Medieval Re-enactment Society is a re-enactment group founded in 2003 and based in Lismore, New South Wales. The group concentrate on the period 700-1200 and such peoples as Anglo-Saxons, Normans, Rus, and Vikings. Combat and weapon training with swords, spears, axes, staves, shields, javelins, archery, chain mail, and helmets is carried out. Rognvald&amp;rsquo;s Lith (Rognvald&amp;rsquo;s troop) do public performances, including educational performances for schools.&lt;/p&gt;&#13;
&lt;p&gt;The group is named after Rognvald Ingvarson, a commander of the Varangian Guard (who fought for the Byzantine Empire) from Sweden. The club&amp;rsquo;s banner is based on the serpent design of a eleventh-century runic inscription in Uppsala that Rognvald had made. Their website includes photographs of the runestone, as well as other designs based on Viking Art, including the &amp;lsquo;gripping-beast&amp;rsquo; motif.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.rognvaldslith.com/"&gt;http://www.rognvaldslith.com/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://www.freewebs.com/coffsmedguild/"&gt;http://www.freewebs.com/coffsmedguild/&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Korffs Haven Medieval Guild </text>
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                <text>Anglo-Norman, Anglo-Saxon, archery, chain mail, Coffs Harbour, combat, cooking, costume, craft, Crusades, Crusader, dyeing, embroidery, feast, felting, food, games, helmet, Highlanders, Korffs Haven Medieval Guild, leatherwork, living history, New South Wales, Norman, NSW, performance, re-enactment, sewing, shield, slingshot, spear, stave, sword, Viking, website, woodwork.</text>
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                <text>&lt;p&gt;Korffs Haven Medieval Guild are a re-enactment group based in Coffs Harbour, or Korffs Haven, in New South Wales. The group concentrate on the period 1066-1166 and such peoples as Anglo-Saxons, Anglo-Normans, Crusaders, Highlanders (of Scotland), and Vikings. Combat and weapon training with swords, spears, staves, shields, slingshots, archery, chain mail, and helmets is carried out. Other medieval activities are also re-created, including cooking, clothes-making, feasting, games, and craft (woodwork, leatherwork, felting, embroidery, dyeing, sewing etc.). The group&amp;rsquo;s website features a useful section on making medieval clothes, including patterns.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.freewebs.com/coffsmedguild/"&gt;http://www.freewebs.com/coffsmedguild/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>2007</text>
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                <text>Â©2007 Korffs Haven Medieval Guild</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Norman baptismal font, St Maryâ€™s Cathedral, Hobart, Tasmania</text>
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                <text>Arch, baptismal font, Catholic, column, font, Hobart, Norman, Norman font, Romanesque, St Maryâ€™s Cathedral, Tas, Tasmania, Robert William Willson, Bishop Willson.</text>
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                <text>&lt;p&gt;Repair work on St Mary&amp;rsquo;s Catholic Cathedral, Hobart, in 2008 brought to light the possibility that a baptismal font in the Cathedral may be from the medieval Norman period. The cylindrical font has elaborately carved columns and Romanesque arches. The Romanesque style was popular in Normandy and was introduced to England following the Norman conquest in 1066. It is thought that the font was brought to Hobart from England by Tasmania&amp;rsquo;s first Catholic bishop, Robert William Willson (1794-1866) in 1844. When the antiquity of the font was first discovered, the Cathedral administrator told ABC News in 2008 that it may date&lt;br /&gt;back to the ninth century, but as Normandy was not formally established until 911 this is unlikely. More recently it has been suggested that the font comes&lt;br /&gt;from the Norman period in England and is dated c. 1066-1200. Research into the font is continuing.&lt;/p&gt;&#13;
&lt;p&gt;The baptismal font is a rare example of the Australian&lt;br /&gt;public&amp;rsquo;s practical use of, and interaction with, an actual medieval item for many generations.&lt;/p&gt;&#13;
&lt;p&gt;For the original dating see &lt;a href="http://www.cathnews.com/article.aspx?aeid=7424"&gt;http://www.cathnews.com/article.aspx?aeid=7424&lt;/a&gt;.&lt;/p&gt;&#13;
&lt;p&gt;For the revised dating see &lt;a href="http://hobart.catholic.org.au/history/st-marys-cathedral"&gt;http://hobart.catholic.org.au/history/st-marys-cathedral&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>ACT, Alfred the Great, Ancient Arts Fellowship, Anglo-Saxon, armour, Australian Capital Territory, Canberra, clothing, costume, craft, Dark Ages, display, early medieval, education, language, law, monetary system, Norman, Old English, performance, re-creation, re-enactment, religion, school, school displays, society, Viking, website, William the Conqueror.  </text>
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                <text>&lt;p&gt;Ancient Arts Fellowship, Inc. is a medieval re-enactment group based in Canberra in the Australian Capital Territory. They focus on the &amp;lsquo;Dark Ages&amp;rsquo;, or early medieval period, especially the 8&lt;sup&gt;th&lt;/sup&gt; century through to the Norman invasion of England in 1066. Geographically the focus is on northern Europe and Britain, featuring such peoples as Anglo-Saxons, Normans, and Vikings. The group run educational classes for school groups from primary through to tertiary students. The sessions usually run for two hours and include a mixture of fighting and speaking. They have a number &amp;lsquo;Display Packages&amp;rsquo; to choose from that focus on major figures such as Alfred the Great and William the Conqueror, and various aspects of society including crafts, clothing, the Old English language, religion, law, monetary systems, armour and weapons.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.aaf.org.au/displays"&gt;http://www.aaf.org.au/displays&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Ancient Arts Fellowship, Inc</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1075" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1075&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1069" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1069&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>ACT, Ancient Arts Fellowship, Anglo-Saxon, archery, armour, Australian Capital Territory, Bayeux Tapestry, bows, Canberra, costume, Dark Ages, early medieval, education, feast, jewellery, Norman, performance, re-creation, re-enactment, Viking, website, William the Conqueror.  </text>
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                <text>&lt;p&gt;Ancient Arts Fellowship, Inc. is a medieval re-enactment group based in Canberra in the Australian Capital Territory. They focus on the &amp;lsquo;Dark Ages&amp;rsquo;, or early medieval period, especially the 8&lt;sup&gt;th&lt;/sup&gt; century through to the Norman invasion of England in 1066 (images about this event from the Bayeux tapestry are featured on their website). Geographically the focus is on northern Europe and Britain, featuring such peoples as Anglo-Saxons, Normans, and Vikings. Members participate in combat, arts and crafts, and food, with their website claiming that you can &amp;lsquo;feast on food that William the Conqueror [c. 1028-1087] would have eaten&amp;rsquo;. The group run educational classes for school groups and do public performances.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.aaf.org.au/"&gt;http://www.aaf.org.au/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Ancient Arts Fellowship, Inc</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1075" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1075&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1071" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1071&lt;/a&gt;&lt;/p&gt;</text>
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                <text>James Adams, Anglo-Saxon, archery, armour, axe-throwing, battle, catapult, Celt, Crusades, Danelaw, Danelaw Medieval Fighting Society, England, fort, knife-throwing, knight, law, Medieval Martial Arts Association of Southern Sydney, New South Wales, Norman, NSW, re-enactment, Saracen, siege engine, sword, tournament, trebuchet, Viking, website.</text>
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                <text>&lt;p&gt;Danelaw Medieval Fighting Society are a New South Wales re-enactment group who own The Danelaw, a 120 acre property in a pine forest between Sydney and Canberra that is used by re-enactment groups. The property includes a fort, axe- and knife-throwing areas, a tournament ring, as well as trebuchet&amp;rsquo;s, a type of catapult used in siege warfare from the twelfth century. The Danelaw Medieval Fighting Society were formed in the mid-1980s by James Adams as the Medieval Martial Arts Association of Southern Sydney. They adopted the current name in 2002. Members re-enact warfare methods with authentic costumes and weapons from throughout the medieval period, including such groups as Anglo-Saxons, Celts, Crusaders, Normans, Saracens, and the knights of the High Middle Ages. The property is named after the Danelaw of England, that part of England conquered and settled by the Vikings in the second half of the ninth century, and where aspects of &amp;lsquo;Danish&amp;rsquo; law were used.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.danelaw.org.au/home.htm"&gt;http://www.danelaw.org.au/home.htm&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Arched window, blind arcading, Boer War, Boer War Memorial, Gothic, heraldry, kite shield, Launceston, lion, lion passant, memorial, monument, niche, Norman, pointed arch, sculpture, shield, statue, Tas, Tasmania, war memorial, Sylvanus Wilmot.</text>
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                <text>This memorial commemorating troops from Northern Tasmania who participated in the Boer War, referred to as the 'War in South Africa' on the monument, was erected in 1904. It can be found in City Park in the city of Launceston and was made by the local stonemason Sylvanus Wilmot. The memorial is inspired by medieval ecclesiastical Gothic architecture, and features a pointed arched â€˜windowâ€™, blind arcading, and statues. There are four niches that in a Gothic church would usually contain statues of saints, but here they instead contain statues of soldiers. The statue of a woman on top of the memorial holds a wreath and a kite, or Norman, shield. The heraldic shield features a lion in the passant position. </text>
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                <text>McLeod, Shane</text>
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            <description>Information about rights held in and over the resource</description>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Andrewâ€™s Cathedral on George Street in central Sydney was consecrated in 1868, making it the oldest cathedral in Australia. The Anglican cathedral is in the Gothic Revival style and was designed by the English architect Edmund Blacket. These photographs show two medieval artifacts, and a replica of a medieval original, that were donated to the Cathedral in the early twentieth century. The Anglo-Saxon cross found in Canterbury, also known as the Canterbury cross, is a replica mounted on a stone taken from Canterbury Cathedral. Another mounted replica of the cross can be found at St Georges Cathedral in Perth (see item 333). The decorated stone originally formed part of a Norman arch in Canterbury Cathedral. The piece of oak came from the 1079 Norman foundations of Winchester Cathedral.   </text>
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            <description>Information about rights held in and over the resource</description>
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                <text>3 x Digital Photographs; JPEGs</text>
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