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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.osta.org.au/Welcome.htm"&gt;http://www.osta.org.au/Welcome.htm&lt;/a&gt;</text>
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                <text>The Order of St Thomas of Acre</text>
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                <text>&lt;p&gt;The Order of St Thomas of Acre was re-established in 2005 and is dedicated to both St Thomas of Acre and St Thomas of Canterbury. The original Hospitaller&amp;rsquo;s of St Thomas of Canterbury at Acre were founded by King Richard I (the Lionheart) of England (1157-1199) in Acre in 1190 while he was on the third crusade. They were later re-organised into a military order during the fifth crusade. It is usually referred to as the Knights of St Thomas. Membership was restricted to Englishmen. The Knights of St Thomas were dissolved by Henry VIII (1491-1547) in 1538. The current Order has adopted the habit of the original &amp;ndash; a white mantle with a red cross with a scallop shell at its centre. The Order of St Thomas of Acre are an &amp;lsquo;ecumenical society concerned with fostering of the values of traditional chivalry&amp;rsquo;, and their website includes a &amp;lsquo;Chivalric Code&amp;rsquo;. The inclusion on the website of a section on the stained glass windows at St Thomas&amp;rsquo; Anglican Church in the Victorian town of Werribee suggests that someone from the town leads the order.&lt;/p&gt;&#13;
&lt;p&gt;St Thomas of Canterbury (Thomas Becket) (1118-1170) was appointed Archbishop of Canterbury by Henry II (1133-1189) of England, father of Richard I. After a series of disputes with Henry he was martyred in Canterbury Cathedral by the king&amp;rsquo;s followers.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.osta.org.au/Welcome.htm"&gt;http://www.osta.org.au/Welcome.htm&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>â€˜An I.O.G.T. Idyllâ€™</text>
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                <text>Crusades, doggerel, idyll, I.O.G.T., drunkenness, military order, Order of Knights Templar, Order of the Temple, sobriety, Soldiers of Christ, templar, templar knights, temperance, temperance society, The International Order of Good Templars</text>
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                <text>This amusing temperance â€˜dittyâ€™ describes the adventures of â€œa burly Templar chiefâ€ whose carefree night of drinking turns out to be more than he expected or bargained for. The I.O.G.T. was a temperance society (The International Order of Good Templars). There were people from all walks of life and religious persuasions involved in the temperance movement in 1880s Australia, Britain, America and Sweden. Presumably the I.O.G.T. hierarchy viewed themselves as crusader knights fighting the â€œGood Fight,â€ and clearly a good fight was one that ended well for â€˜true believersâ€™ and badly for their foes (i.e. â€˜winebibbersâ€™, â€˜publicansâ€™ and â€˜sinners). However, it should be noted that the Order of Knights Templar, a powerful military order and charitable organisation in the Middle Ages, was never actually forbidden the use of wine, and occasionally instances of over-indulgence were recorded (See Dominic Selwood, Knights of the Cloister: Templars and Hospitallers in central-southern Occitania c.1100-c.1300, Woodbridge, Boydell, 2001, p.205). This oversight reveals the mindset of those who supported the adoption of quasi-medieval terminology and ceremony in the nineteenth-century, without fully appreciating the history and behaviour of those whose names they had chosen to adopt.</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>â€˜The Questâ€™ Range Wine Labels, Chalice Bridge Estate</text>
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                <text>â€˜The Questâ€™, Arthurian legend, beverage, chainmail, Chalice Bridge Estate, Holy Grail, knight, label, Margaret River, medieval imagery, military order, Order of the Temple, shield, St George cross, sword, Templar Knights, WA, Western Australia, wine.</text>
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                <text>&lt;p&gt;&amp;lsquo;The Quest&amp;rsquo; is a wine range produced by Chalice Bridge Estate winery in Margaret River, Western Australia. The name evokes the Arthurian legend of the Quest for the Holy Grail, and this medieval association is enhanced by the elaborately illustrated Templar Knights that feature on the five individualised labels contained within the series. The Knights Templar formed what was probably the most powerful and well-known of the Christian military orders in the medieval period. The order was endorsed by the Catholic Church in the early twelfth century and was particularly active during the Crusades, before it was forcefully disbanded in the early fourteenth century. The immense power of the Order at its height and speculation about it&amp;rsquo;s suppression fuelled rumours that members of the Order had discovered (and re-located) the Holy Grail. Each of &amp;lsquo;The Quest&amp;rsquo; wine labels depicts a knight dressed in the distinctive outfit of the Knights Templar &amp;ndash; the red Cross of St George on the breast of a white tunics &amp;ndash; complete with chainmail, a sword and a shield that also features the red cross. Each of the knights strikes a different pose; three are engaged in combat and two are resting.&lt;/p&gt;&#13;
&lt;p&gt;The Chalice Bridge Estate can be found at &lt;a href="http://chalicebridge.com.au/" target="_blank"&gt;http://chalicebridge.com.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;Designer: Daniel McKeating, Studio Lost &amp;amp; Found, Western Australia: &lt;a href="http://www.studiolostandfound.com" target="_blank"&gt;http://www.studiolostandfound.com&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Illustrator: Skye Ogden - Tokyo, Japan: &lt;a href="http://www.skyeogden.com" target="_blank"&gt;http://www.skyeogden.com&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>Chalice Bridge Estate: &lt;a href="http://www.chalicebridge.com.au/" target="_blank"&gt;http://www.chalicebridge.com.au/&lt;/a&gt;</text>
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                <text>&lt;p&gt;&amp;lsquo;The Chalice&amp;rsquo; is a limited release, reserve wine range produced by Chalice Bridge Estate winery in Margaret River, Western Australia. The name evokes the legends of the Quest for the Holy Grail, and this medieval association is enhanced by the illustrations on the bottle labels. The label features a chalice, or goblet/footed cup, surrounded by a floral design. A chalice is often depicted as the vessel of the Holy Grail, although during the medieval period it was also sometimes depicted as a platter. The Quest for the Holy Grail was a popular part of the legendary Arthurian cycle involving Lancelot and/or Galahad during the medieval period, particularly in the work of Chr&amp;eacute;tien de Troyes and Wolfram von Eschenbach. Now, however, the Quest is often more readily associated with the Knights Templar, for example in the 1989 film &lt;em&gt;Indiana Jones and the Last Crusade&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p&gt;Chalice Bridge Estate can be found at &lt;a href="http://chalicebridge.com.au/" target="_blank"&gt;http://chalicebridge.com.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;Designer: Daniel McKeating, Studio Lost &amp;amp; Found, Western Australia (&lt;a href="http://www.studiolostandfound.com/" target="_blank"&gt;http://www.studiolostandfound.com/&lt;/a&gt;)&lt;/p&gt;</text>
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                <text>Chalice Bridge Estate: &lt;a href="http://chalicebridge.com.au/" target="_blank"&gt;http://www.chalicebridge.com.au/&lt;/a&gt;</text>
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                <text>Chalice Bridge Estate Limited, Margaret River, Western Australia (&lt;a href="http://chalicebridge.com.au/" target="_blank"&gt;http://www.chalicebridge.com.au/&lt;/a&gt;)</text>
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                <text>This website advertises a range of Knights Templar garb and weaponry that has been designed with the guidance of â€˜The Knights Templarâ€™, a Brisbane-based re-enactment society. The Knights Templar formed what was arguably the most powerful and well-known of the Christian military orders in the medieval period. The order was endorsed by the Catholic Church in the early twelfth century and was particularly active during the Crusades. The clothing adopted by the Templar Knights was distinctive, consisting of a white surcoat with a red cross. Most of this â€˜war gearâ€™ is visually self-explanatory, thanks to films such as The Kingdom of Heaven (2003), which depicts crusading knights playing politics and fighting Saladin in the Holy Land. The Esford online catalogue promotes their version of the Templar sword, dagger, helmet, gambeson, surcoat, and hooded cloak. The purpose of the surcoat was initially to protect the wearer from the sun, although the practice was quickly adopted elsewhere, even in the northern lands where the climate did not warrant such precautions (See Mark Cruse, â€˜Material Cultureâ€™ in Albrecht Classen, ed. Handbook of Medieval Studies: Terms, Methods, Trends, Vol. 1., Berlin, De Gruyter, 2010, p.841). Curiously, there are two essential items missing from the Templarâ€™s equipment: a mail coat and a red cross emblazoned triangular shield. </text>
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