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                <text>Buttress, Gothic, Gothic Revival, lancet window, Methodist, Methodist Church, Percy Oakden, A.A. Quick, pointed arch, Tas, Tasmania, Uniting Church, Whitemore. </text>
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                <text>The Uniting Church in the small town of Whitemore in northern Tasmania was formally a Methodist church. The simple brick building was designed by Launceston architect Percy Oakden (1845-1917) in the Gothic Revival style with buttresses, lancet windows, and a pointed arch door and doorway. The use of a darker paint colour effectively highlights the buttresses and pointed arches. The church hall beside the church incorporates part of an earlier timber chapel. The foundation stone for the Methodist church was laid in 1864 and it was opened in 1865 by the President of the Wesleyan Conference Rev. A.A. Quick. It became part of the Uniting Church in 1977.  </text>
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                <text>The current Uniting Church in the small Tasmanian town of Westbury was built as a Methodist Church. Building commenced in 1865 and it was completed in March 1867. It was designed by the Melbourne architectual firm (Thomas) Crouch and (Ralph) Wilson. The brick and pressed cement building is in the Gothic Revival style and based on late thirteenth century English churches. It features pointed arch doorway and windows, window tracery on the large window above the entrance, buttresses, a bellcote, and lancet windows.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Uniting Church in York, Western Australia was erected in 1888. It was built as a chapel by followers of the Wesleyan Denomination of the Methodist faith. It exhibits architectural features which are typical of the nineteenth-century Gothic Revival style. The most obvious of these features are its lancet windows and arched doorways.</text>
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                <text>Carter, Bree</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;The Uniting Church in Hadspen, Tasmania, was built as a Wesleyan chapel in 1874, and became a Methodist church in 1924. The chapel was probably designed by Mr Monds, described as the &amp;lsquo;clerk of the works&amp;rsquo; in a newspaper article in The Cornwall Chronicle (Launceston) about the opening of the chapel. The small white weatherboard church demonstrates that even when cheap and easily materials were being used, there was an attempt by colonial communities to build a church similar to those found in Europe. The chapel is in the Gothic Revival style and features a pointed arch entrance, lancet windows, and a small porch.&lt;/p&gt;&#13;
&lt;p&gt;For the newspaper article&lt;br /&gt;see &lt;a href="http://nla.gov.au/nla.news-article66073009"&gt;http://nla.gov.au/nla.news-article66073009&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;These interior photographs of Wesley Church show some of the stained glass windows. The window featuring a warrior in full armour and wearing a crown is particularly inspired by the medieval era. The warrior, St George, carries a sword and shield with a cross motif, and the head of a dead dragon lies at his feet. Below them is a castle featuring crenellation. The&amp;nbsp;window is a memorial for someone killed in action in France during World War I, which makes the depiction of a warrior saint an appropriate image.&amp;nbsp;Wesley Church in the central Perth CBD was designed in the Gothic style by Richard Roach Jewell for the local Methodist congregation and it opened in 1870.&lt;/p&gt;&#13;
&lt;p&gt;For Wesley Church see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/916"&gt;http://ausmed.arts.uwa.edu.au/items/show/916&lt;/a&gt;&lt;/p&gt;</text>
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