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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;Part one: &lt;a href="https://www.fringeworld.com.au/program/event/bbf12545-38c2-410f-9755-134f19d1a91b" target="_blank"&gt;https://www.fringeworld.com.au/program/event/bbf12545-38c2-410f-9755-134f19d1a91b&lt;/a&gt;/&lt;/p&gt;&#13;
&lt;p&gt;Part Two: &lt;a href="https://www.fringeworld.com.au/program/event/feb24d25-d5e9-4c88-9db2-ef17e46a307c/" target="_blank"&gt;https://www.fringeworld.com.au/program/event/feb24d25-d5e9-4c88-9db2-ef17e46a307c/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>â€˜The Canterbury Tales: Part Oneâ€™ &amp; â€˜The Canterbury Tales: Part Twoâ€™, Perth Fringe Festival 2013</text>
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                <text>Canterbury Cathedral, carpenter, comedy, court, death, drama, flood, flour miller, Fringe Festival, Geoffrey Chaucer (c.1343-1400), King Arthur, knight, KNUTS, maiden, medieval literature, medieval poetry, Medieval Romance, modern adaptation, old hag, performance, Perth, pilgrim, pilgrimage, Science Fiction, shrine, space, Stephen Lee, Stephen Quinn, &lt;em&gt;The Canterbury Tales&lt;/em&gt;, &amp;lsquo;The Franklin&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Merchant&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Miller&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Pardoner&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Reeve&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Wife of Bath&amp;rsquo;s Tale&amp;rsquo;, Thomas Becket, Victorian Melodrama, villain, vulcan, WA, Western, Western Australia.</text>
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                <text>&lt;p&gt;This production by theatre company KNUTS is a modern adaptation of Geoffrey Chaucer&amp;rsquo;s &lt;em&gt;The Canterbury Tales&lt;/em&gt; in two parts. Adapted by Stephen Quinn and directed by Stephen Lee, it transposes stories from Chaucer&amp;rsquo;s original text into a variety of different genres, ranging from Western to silent film, Victorian melodrama and a Shakespearean version of a Medieval Romance. Part One includes renditions of &amp;lsquo;The Pardoner&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Miller&amp;rsquo;s Tale&amp;rsquo; and &amp;lsquo;The Reeve&amp;rsquo;s Tale&amp;rsquo;, and Part Two &amp;lsquo;The Franklin&amp;rsquo;s Tale&amp;rsquo;, The Wife of Bath&amp;rsquo;s Tale&amp;rsquo; and &amp;lsquo;The Merchant&amp;rsquo;s Tale&amp;rsquo;. This production featured as part of the Perth Fringe Festival in 2013, where &amp;lsquo;The Canterbury Tales: Part One&amp;rsquo; was performed from 7 February to 13 February and &amp;lsquo;The Canterbury Tales: Part Two&amp;rsquo; was performed the following week from 14 February to 19 February 2013. A positive review of &amp;lsquo;The Canterbury Tales: Part Two&amp;rsquo; from &lt;em&gt;The West Australian&lt;/em&gt; can be read at: &lt;a href="http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/16159623/review-the-canterbury-tales-part-two/" target="_blank"&gt;http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/16159623/review-the-canterbury-tales-part-two/&lt;/a&gt;.&lt;/p&gt;&#13;
&lt;p&gt;In Chaucer&amp;rsquo;s original &lt;em&gt;The Canterbury Tales&lt;/em&gt;, written in the late fourteenth century, the narrator joins a group of 29 pilgrims who are about to set out on a journey from Southwark to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. He proposes that each member of the group tell two stories to entertain them on their journey, and proceeds to record each of these &amp;lsquo;tales&amp;rsquo;. The teller of the best story was to be rewarded with a free meal at the expense of the rest of the group.&lt;/p&gt;</text>
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                <text>Written by Geoffrey Chaucer&#13;
Adapted by Stephen Quinn&#13;
Directed by Stephen Lee&#13;
</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>FringeWorld Festival Website (&lt;a href="https://www.fringeworld.com.au/home/" target="_blank"&gt;https://www.fringeworld.com.au/home/&lt;/a&gt;)</text>
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                <text>Part One: 7 February 2013 - 13 February 2013&#13;
Part Two: 14 February 2013 â€“ 19 February 2013&#13;
</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Fringe Festival &amp; KNUTS Theatre Company</text>
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                <text>Performance in different genres, including Western, carry on film, silent movie, science fiction, â€˜mock Shakespeareâ€™, Victorian melodrama.</text>
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        <name>â€˜The Franklinâ€™s Taleâ€™</name>
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        <name>â€˜The Millerâ€™s Taleâ€™</name>
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        <name>â€˜The Reeveâ€™s Taleâ€™</name>
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        <name>flour miller</name>
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        <name>Geoffrey Chaucer (c.1343-1400)</name>
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        <name>knight</name>
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        <name>medieval literature</name>
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        <name>shrine</name>
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        <name>Stephen Lee</name>
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        <name>Stephen Quinn</name>
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        <name>The Canterbury Tales</name>
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        <name>Thomas Becket</name>
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        <name>Victorian Melodrama</name>
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        <name>villain</name>
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        <name>WA</name>
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        <name>Western</name>
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        <name>Western Australia</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/79d55fb6c53a1e7e6c8173315dee8fa5.pdf</src>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article49605228" target="_self"&gt;http://nla.gov.au/nla.news-article49605228&lt;/a&gt;</text>
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            <description>A name given to the resource</description>
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                <text>Roaming Tiger, &lt;em&gt;The West Australian&lt;/em&gt;, 12 December 1953</text>
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            <description>The topic of the resource</description>
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                <text>Aesop, Androcles, animals, anthropomorphism, coat of arms, circus, courage, emblem, fables, folklore, gratitude, honour, lion, loyalty, medieval romance, Narrandera, New South Wales, NSW, popular culture, Reynard the Fox, Red Riding Hood, Remus, she-wolf, stories, story-tellers, symbolism, tiger, wolf.</text>
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                <text>This interest piece from &lt;em&gt;The West Australian&lt;/em&gt; in 1953 discusses the symbolic use of animals in roman legends and medieval fables, and their anthropomorphic investment with human characteristics. Using an incident in New South Wales where a circus tiger wandered into a neighbouring house and licked a sleeping child as their impetus, the author claims that animal stories have been popular since the days of Aesop. Amongst other examples, they note that in medieval stories about Reynard the Fox, he was usually depicted as a genial, roguish hero, and that the writers of medieval romances regularly employed the lion to symbolise courage and honour.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>C. R. Collins </text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>National library of Australia: &lt;a href="http://nla.gov.au/nla.news-article49605228" target="_self"&gt;http://nla.gov.au/nla.news-article49605228&lt;/a&gt;</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>&lt;em&gt;The West Australian&lt;/em&gt;</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>12 December 1953, p.33</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26972">
                <text>Copyright Expired</text>
              </elementText>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Newspaper Article</text>
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        <name>anthropomorphism</name>
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        <name>coat of arms</name>
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        <name>courage</name>
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        <name>fables</name>
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        <name>honour</name>
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        <name>lion</name>
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        <name>loyalty</name>
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        <name>Medieval Romance</name>
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        <name>Narrandera</name>
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      <tag tagId="106">
        <name>New South Wales</name>
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        <name>NSW</name>
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        <name>Red Riding Hood</name>
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        <name>Remus</name>
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        <name>Reynard the Fox</name>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Digitised photograph - 1 film photonegative (copied from original nitrate photonegative)</text>
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              <text>&lt;a href="http://acms.sl.nsw.gov.au/item/itemPopLarger.aspx?itemid=19711"&gt;http://acms.sl.nsw.gov.au/item/itemPopLarger.aspx?itemid=19711&lt;/a&gt;</text>
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                <text>A Knight and his Lady, University Commemoration Day ("Commem") through streets</text>
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                <text>Hyperlink to a photograph of two Sydney university students participating in the â€œCommem Dayâ€ street parade in 1937, taken by renowned Australian photographer Sam Hood. The two students in the photograph appear on horseback and in costume; a male student is dressed as a medieval knight complete with chainmail, a helmet and a shield, and a female student dons an imitation medieval style dress and hat.  â€œCommem Dayâ€ was an annual procession orchestrated by students at The University of Sydney. It began as an impromptu concert performed by students waiting to have their degrees conferred in 1888, but developed into a separate festival involving a parade through the streets of Sydney in the twentieth century. The last â€œCommem Dayâ€ parade was held in 1975.</text>
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                <text>State Library of New South Wales</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>A Knight in The University of Sydney Commem Day Parade, 1937</text>
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                <text>Hyperlink to a photograph of a Sydney university student participating in the â€œCommem Dayâ€ street parade in 1937, taken by renowned Australian photographer Sam Hood. The student in the photograph appears on horseback and dressed as a medieval knight, complete with chainmail and a helmet.  â€œCommem Dayâ€ was an annual procession orchestrated by students at The University of Sydney. It began as an impromptu concert performed by students waiting to have their degrees conferred in 1888, but developed into a separate festival involving a parade through the streets of Sydney in the early twentieth century. The last â€œCommem Dayâ€ parade was held in 1975.&#13;
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>State Library of New South Wales, Digital Order No. hood_14975</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>State Library of New South Wales, Hood Collection part I: Sydney streets, buildings, people, activities and events, c.1925-1955</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13473">
                <text>State Library of New South Wales</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="13474">
                <text>Hyperlink; Digitised photograph - 1 film photonegative (copied from original nitrate photonegative)</text>
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        <name>medieval dress</name>
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                <name>Bit Depth</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <name>Original Format</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Ascalon</text>
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                <text>Ascalon, battle, battles, cloak, dragon, knight, knights, knighthood, chivalry, lance, medieval romance, romance, Perth, sculpture, St George, St Georgeâ€™s Cathedral, WA warfare, weaponry, weapon, weapons, Western Australia</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Image of the sculpture Ascalon in front of St Georgeâ€™s Cathedral, Perth. The work was created by Marcus Canning and Christian de Vietri and unveiled in 2011. Ascalon is the name of the lance used by St George to slay the dragon in many medieval romances. As well as the lance, the sculpture features the cloak of St George and an abstract representation of the slain dragon in black epoxy coated steel plate.</text>
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                <text>McLeod, Shane</text>
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                <text>29 May 2011</text>
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        <name>battle</name>
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      <tag tagId="172">
        <name>dragon</name>
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