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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://nga.gov.au/Exhibition/cossingtonsmith/Detail.cfm?IRN=41698&amp;amp;ViewID=2&amp;amp;MnuID=2" target="_self"&gt;http://nga.gov.au/Exhibition/cossingtonsmith/Detail.cfm?IRN=41698&amp;amp;ViewID=2&amp;amp;MnuID=2&lt;/a&gt;</text>
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                <text>&lt;em&gt;'Then one of them, which was a lawyer, asked him a question&lt;/em&gt;', by Grace Cossington Smith</text>
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                <text>This painting by Sydney artist Grace Cossington Smith derives its title,&lt;em&gt;'Then one of them, which was a lawyer, asked him a question'&lt;/em&gt;, from Matthew, Chapter xxii, verse 35. Although better known for her paintings of domestic interiors, this is one of two biblical works Cossington Smith painted for entry into the newly established Blake Prize for Religious Art in the early 1950s. Influenced generally by Renaissance artists such as Giotto, whose paintings she had seen in Italy, Cossington Smith used Masaccio&amp;rsquo;s '&lt;em&gt;Tribute Money'&lt;/em&gt; (from the Carmine in Florence) in particular as a model for this painting (see Bruce James, &lt;em&gt;Grace Cossington Smith&lt;/em&gt;, Roseville, Craftsman House, 1990, p.135). It featured alongside a number of Cossington Smith&amp;rsquo;s other works as part of an exhibition titled &lt;em&gt;Grace Cossington Smith: A Retrospective Exhibition&lt;/em&gt; at the National Gallery of Australia in 2005.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Still Image</name>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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                <text>Entrance to St. Matthew's Anglican Church, Guildford, Western Australia</text>
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                <text>St. Matthew, St Matthew, Matthew, Saint Matthew, saint, saints, Anglican, Anglicanism, church, churches, religion, worship, christian, Christianity, Guildford, Stirling, Stirling Square, heritage, heritage listed, heritage-listed, Perth, WA, Western Australia</text>
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                <text>Image of St. Matthew's Anglican Church, a heritage listed building located near James Street in Guildford, Western Australia. Built in 1873, it is the third of three churches to be built on the same site (the others being built in 1836 and 1860). </text>
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                <text>Carter, Bree</text>
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            <name>Rights</name>
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                <text>&lt;p&gt;Carter, Bree, "Arched Windows, St. Matthew's Anglican Church,  Guildford," in Medievalism in Australian Cultural Memory, Item #464, &lt;a href="../../../items/show/464"&gt;http://ausmed.arts.uwa.edu.au/items/show/464&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Carter, Bree, "Side Entrance, St. Matthew's Anglican Church, Guildford,"  in Medievalism in Australian Cultural Memory, Item #465, &lt;a href="../../../items/show/465"&gt;http://ausmed.arts.uwa.edu.au/items/show/465&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt; Carter, Bree, "Saint Matthew's Anglican Church, Guildford," in Medievalism in Australian Cultural Memory, Item #466, &lt;a href="../../../items/show/466"&gt;http://ausmed.arts.uwa.edu.au/items/show/466&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "St. Matthew's Anglican Church, Guildford, Western  Australia," in Medievalism in Australian Cultural Memory, Item #467, &lt;a href="../../../items/show/467"&gt;http://ausmed.arts.uwa.edu.au/items/show/467&lt;/a&gt;&lt;/p&gt;</text>
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        <name>Matthew</name>
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        <name>Western Australia</name>
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