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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>â€œThe Winterâ€™s Taleâ€ for Perth Stage</text>
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                <text>Antigonus, Apolloâ€™s Temple, Bohemia, Camillo, costume, drama, Emilia, Florizel, head dress, head-dress, headdress, Hermione, jealousy, John Alden (1908-1962), John Alden Shakespearean Company, Leontes, Mamillius, medieval costume, medieval dress, oracle, Pauline, Perdita, performance, Perth, Polixenes, Shakespeare, shepherd, shepherdess, shoes, Sicilia, sleeves, stage, theatre, The Winterâ€™s Tale, WA, Western Australia, William Shakespeare (1564-1616)</text>
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                <text>&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;In this article from The West Australian in  1952, notice of the upcoming stage production  of Shakespeare&amp;rsquo;s &amp;ldquo;The Winter&amp;rsquo;s Tale&amp;rdquo; by the John Alden Shakespearean  Company is given. The medieval costumes - including elaborate  head-dresses, pointed shoes and draped sleeves - would be particularly  appealing to Perth audiences, the article suggests, because  they were such a marked change from the plays usually performed on the  Perth stage. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;About The Winter&amp;rsquo;s Tale:&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;In &amp;ldquo;The Winter&amp;rsquo;s Tale&amp;rdquo;, Leontes, the King  of Sicilia, becomes consumed with jealousy that  Hermione, his wife, is having an affair with the King of Bohemia  (Polixenes). He instructs his councillor Camillo to poison Polixenes,  but instead Camillo reveals Leontes&amp;rsquo; plans and both he and Polixenes  secretly leave for Bohemia. The pregnant Hermione is  banished to prison, where she gives birth to a daughter. Refusing to  believe the legitimacy of the child, Leontes demands that the child be  burned alive and then, upon the protestations of his chief adviser  Antigonus, abandoned off the coast of Bohemia. In  the events that unfold over the following Act, Leontes refuses to  believe an oracle from Apollo&amp;rsquo;s Temple exonerating Hermione&amp;rsquo;s and orders  her trial to proceed, his son Mamillius dies, Hermione dies, Leontes  realises his mistake and repents, Antigonus is killed  by a bear and a shepherd finds the abandoned baby and takes her home.  Sixteen years later, in Bohemia, the story recommences with Polixenes  expressing concern that his son Florizel has fallen in love with a  shepherdess. He attends a sheep-shearing festival  in disguise, revealing himself at the last moment to prevent the  betrothal of the couple, after which Florizel and the shepherdess are  advised by Camillo (now Polixenes&amp;rsquo; chief adviser) to flee to Sicilia.  When Polixenes also arrives in Sicilia with the shepherd  and his son, the shepherdess&amp;rsquo; identity as Leontes&amp;rsquo; lost child is  discovered and her marriage to Florizel condoned, Leontes and Polixenes  are friends once more, and a statue of Hermione comes to life, revealing  that she is alive and has been waiting to be reunited  with her daughter.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;For a copy of the text, see: &lt;a href="http://www.gutenberg.org/ebooks/2248" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.gutenberg.org/ebooks/2248&lt;/span&gt;&lt;/a&gt;. &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;span&gt;&lt;span style="font-family: Tahoma; color: #000000; font-size: x-small;"&gt;&lt;span style="line-height: 115%; font-size: 10pt;"&gt;National Library of Australia,&lt;/span&gt;&lt;span style="line-height: 115%; font-size: 10pt;"&gt; &lt;/span&gt;&lt;span lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article49052507" target="_blank"&gt;&lt;span style="font-family: Calibri; color: #0000ff; font-size: small;"&gt;http://nla.gov.au/nla.news-article49052507&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="../../items/show/402"&gt;&lt;/a&gt;</text>
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                <text>13 September 1952, p. 5.</text>
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                <text>The West Australian</text>
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                <text>&amp;ldquo;This is What Women Wore in Bygone Times&amp;rdquo;, The West Australian, 18 September 1952, p. 7, &lt;a href="../../items/show/402"&gt;http://ausmed.arts.uwa.edu.au/items/show/402&lt;/a&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>Newspaper Article &lt;span&gt;&lt;span style="font-family: Tahoma; color: #000000; font-size: x-small;"&gt;&lt;span lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article49053308" target="_blank"&gt;&lt;span style="font-family: Calibri; color: #0000ff; font-size: small;"&gt;http://nla.gov.au/nla.news-article49053308&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>This is What Women Wore in Bygone Times</text>
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                <text>Antigonus, Apolloâ€™s Temple, Bohemia, Camillo, costume, drama, Elsie Dayne, Emilia, Florizel, head dress, head-dress, headdress, Hermione, Iris Hart (1910-1983), jealousy, John Alden (1908-1962), John Alden Shakespearean Company, Leontes, Lucille Robinson, Mamillius, Mavis Turner, medieval costume, medieval dress, oracle, Pauline, Perdita, performance, Perth, Polixenes, Shakespeare, shepherd, shepherdess, Sicilia, stage, theatre, The Winterâ€™s Tale, WA, Western Australia, William Shakespeare (1564-1616)</text>
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                <text>&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-family: Tahoma; color: #000000; font-size: x-small;"&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;This  article features a photograph of costume head-dresses from the stage  production of Shakespeare&amp;rsquo;s &amp;ldquo;The Winter&amp;rsquo;s Tale&amp;rdquo;  performed in Perth in 1952 as part of a national tour by the John Alden  Shakespearean Company. The four actresses in the photograph are Lucille  Robinson and Elsie Dayne (ladies of the court), Mavis Turner (Perdita)  and Iris Hart (Emilia). The head-dresses  are described by the author as &amp;ldquo;millinery of medieval times&amp;rdquo;. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;About The Winter&amp;rsquo;s Tale:&lt;/span&gt;&lt;/p&gt;&#13;
&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;In &amp;ldquo;The Winter&amp;rsquo;s Tale&amp;rdquo;, Leontes, the King  of Sicilia, becomes consumed with jealousy that  Hermione, his wife, is having an affair with the King of Bohemia  (Polixenes). He instructs his councillor Camillo to poison Polixenes,  but instead Camillo reveals Leontes&amp;rsquo; plans and both he and Polixenes  secretly leave for Bohemia. The pregnant Hermione is  banished to prison, where she gives birth to a daughter. Refusing to  believe the legitimacy of the child, Leontes demands that the child be  burned alive and then, upon the protestations of his chief adviser  Antigonus, abandoned off the coast of Bohemia. In  the events that unfold over the following Act, Leontes refuses to  believe an oracle from Apollo&amp;rsquo;s Temple exonerating Hermione&amp;rsquo;s and orders  her trial to proceed, his son Mamillius dies, Hermione dies, Leontes  realises his mistake and repents, Antigonus is killed  by a bear and a shepherd finds the abandoned baby and takes her home.  Sixteen years later, in Bohemia, the story recommences with Polixenes  expressing concern that his son Florizel has fallen in love with a  shepherdess. He attends a sheep-shearing festival  in disguise, revealing himself at the last moment to prevent the  betrothal of the couple, after which Florizel and the shepherdess are  advised by Camillo (now Polixenes&amp;rsquo; chief adviser) to flee to Sicilia.  When Polixenes also arrives in Sicilia with the shepherd  and his son, the shepherdess&amp;rsquo; identity as Leontes&amp;rsquo; lost child is  discovered and her marriage to Florizel condoned, Leontes and Polixenes  are friends once more, and a statue of Hermione comes to life, revealing  that she is alive and has been waiting to be reunited  with her daughter.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;For a copy of the text, see: &lt;a href="http://www.gutenberg.org/ebooks/2248" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.gutenberg.org/ebooks/2248&lt;/span&gt;&lt;/a&gt;. &lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;span&gt;&lt;span style="font-family: Tahoma; color: #000000; font-size: x-small;"&gt;&lt;span style="line-height: 115%; font-size: 10pt;"&gt;National Library of Australia,&lt;/span&gt;&lt;span style="line-height: 115%; font-size: 10pt;"&gt; &lt;/span&gt;&lt;span lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article49053308" target="_blank"&gt;&lt;span style="font-family: Calibri; color: #0000ff; font-size: small;"&gt;http://nla.gov.au/nla.news-article49053308&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>The West Australia</text>
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                <text>18 September 1952, p. 7.</text>
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                <text>The West Australian</text>
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&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span lang="EN"&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;&amp;ldquo;&amp;rsquo;The Winter&amp;rsquo;s Tale&amp;rsquo; for Perth Stage&amp;rdquo; &lt;em&gt;The West Australian, &lt;/em&gt;13 September 1952, p.5 &lt;/span&gt;&lt;/span&gt;&lt;a href="../../../items/show/403"&gt;http://ausmed.arts.uwa.edu.au/items/show/403&lt;/a&gt;&lt;/p&gt;</text>
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