1
8
4
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Streets
Description
An account of the resource
This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.
Hyperlink
Title, URL, Description or annotation.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
photograph : gelatin silver ; image 27.7 x 18.6 cm., sheet 40.3 x 30.2 cm.
URL
<a href="http://nla.gov.au/nla.pic-an24144918">http://nla.gov.au/nla.pic-an24144918</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Blessing of Fleet the Procession, Fremantle
Subject
The topic of the resource
Portugal, Portuguese, Portuguese community, Catholic, Catholicism, procession, ceremony, processions, ceremonies, Christian, Christianity, St Patrick, saint, saints, Saint Patrick, St. Patrick, banners, banner, Capo d'Orlando, fishing, Fremantle, Italy, Madonna, Molfetta, Sicily, statue, WA, Western Australia
Description
An account of the resource
<p><span style="font-family: tahoma; font-size: x-small;">A photograph of members of the WA Portuguese Community congregated outside St Patrick's Basilica in Fremantle during the 'Blessing of the Fleet' celebrations in 1979. The Blessing of the Fleet takes place in Fremantle, Western Australia, on the second last Sunday in October. It was first held in 1948 and incorporates a procession in which two Madonna statues are carried from the Basilica to Fishing Boat Harbour. The event relates to one held in the port of Molfetta in Italy, which traditionally dates back to the twelfth century when crusaders returning from Palestine brought paintings of the Madonna to the port. Immigrant fishermen from Molfetta brought the tradition to Fremantle and in 1954 a second Madonna statue was added to the procession by immigrants from the Sicilian port of Capo d'Orlando.</span></p>
<div dir="ltr"> </div>
<div dir="ltr"><span style="font-family: tahoma; font-size: x-small;">For more on the Blessing of the Fleet see <a href="http://www.boatingwa.com.au/documents/blessing_of_the_fleet.htm" target="_blank">http://www.boatingwa.com.au/documents/blessing_of_the_fleet.htm</a></span></div>
Creator
An entity primarily responsible for making the resource
Smith, Stephen
Source
A related resource from which the described resource is derived
National Library of Australia
Date
A point or period of time associated with an event in the lifecycle of the resource
1979
Rights
Information about rights held in and over the resource
National Library of Australia
Format
The file format, physical medium, or dimensions of the resource
Hyperlink
"Portugese community"
"Saint Patrick"
"St. Patrick"
banner
banners
Capo d'Orlando
Catholic
Catholicism
ceremonies
ceremony
Christian
Christianity
fishing
Fremantle
Italy
Madonna
Molfetta
Portugal
Portugese
Portuguese
Portuguese community
procession
processions
saint
Saint Patrick
saints
Sicily
St Patrick
St. Patrick
statue
WA
Western Australia
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Hyperlink
Title, URL, Description or annotation.
URL
<p>To view this image,</p>
<p>1. go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank">http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a></p>
<span><span style="color: #000000; font-family: Tahoma; font-size: x-small;"><a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/detail.jsp?ecatKey=526" target="_blank"><span style="color: #0000ff;"><span style="color: #000000; font-family: Tahoma; font-size: x-small;">2. search by artist or title. </span><br /></span></a></span></span>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bouguereau’s Virgin and Child
Subject
The topic of the resource
art, artwork, child, Christ Child, crucifixion, devotional art, devotional, gaze, halo, icon, infant Jesus, Madonna, Mary, nostalgia, religious, religion, religious art, SA, South Australia, virgin, Virgin Mary, William Adolphe Bouguereau (1825-1905)
Description
An account of the resource
This work by William Adolphe Bouguereau was acquired by the Art Gallery of South Australia in 1899 with funds from the Elder Bequest. It depicts the Virgin Mary, clothed in a dark green dress with gold trim and seated against a backdrop of rich gold cloth, holding the infant Jesus on her lap. The child’s arms are outstretched in a crucifixion pose. Although this painting dates from the nineteenth century (1888), it is strongly reminiscent of devotional religious art from the medieval period. The colours and composition are generally similar to those employed by medieval artists, while Mary’s downcast gaze and the use of gold circles to represent halos recreate more specific motifs that were common in medieval representations of the Madonna and Child.
Creator
An entity primarily responsible for making the resource
Bourguereau, William Adolphe
Source
A related resource from which the described resource is derived
Art Gallery of South Australia
Date
A point or period of time associated with an event in the lifecycle of the resource
1888
Rights
Information about rights held in and over the resource
Art Gallery of South Australia
Format
The file format, physical medium, or dimensions of the resource
Hyperlink;
Oil on Canvas, 176 x 102.8 cm
art
artwork
child
Christ Child
crucifixion
devotional
devotional art
gaze
halo
icon
infant Jesus
Madonna
Mary
nostalgia
religion
religious
religious art
SA
South Australia
virgin
Virgin Mary
William Adolphe Bouguereau (1825-1905)
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Hyperlink
Title, URL, Description or annotation.
URL
<p>To view this image,</p>
<p>1. go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank">http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a></p>
2. search by artist or title. <br />
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Virgin of the Offering
Subject
The topic of the resource
Alsace, bronze, Christ, Christianity, Émile-Antoine Bourdelle (1861-1929), gothic, infant Jesus, Jesus, Madonna, Mary, model, Niederbruck, religious sculpture, Romanesque, sculpture, SA, South Australia, virgin, virgin and child
Description
An account of the resource
<span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;">This work by French sculptor </span><span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;">Émile-Antoine Bourdelle was gifted to the Art Gallery of South Australia by William Bowmore AO OBE, through the Art Gallery of South Australia Foundation in 1994. It is a 2.5m tall bronze sculpture of the Virgin Mary holding the infant Jesus aloft. Along with similar sculptures held by the National Museum of Western Art in Tokyo and the National Galleries of Scotland (titled La Vierge d’Alsace), this work appears to be a model for Bourdelle’s much larger 6m tall stone carving of the subject, which was completed in 1922 and is situated on a hill in Niederbruck, Alsace, France. Bourdelle studied sculpture at the École des Beaux-Arts in Paris after training as a wood-carver with his father, and entered Rodin’s studio as a practitioner in 1893. He incorporated both subjects and techniques from Ancient Greek and medieval sculpture into his work. In ‘Virgin and the Offering’, his admiration of gothic and medieval religious art is evident in his choice of subject, while his use of simplified forms is reminiscent of earlier Romanesque sculpture. On the Gothic and Romanesque influences of Bourdelle’s work, see the catalogue description of NG Scotland’s La Vierge d’Alsace at: <a href="http://www.nationalgalleries.org/object/GMA%202" target="_blank"><span style="color: #0000ff;">http://www.nationalgalleries.org/object/GMA 2</span></a>.</span>
Creator
An entity primarily responsible for making the resource
Bourdelle, Émile-Antoine
Source
A related resource from which the described resource is derived
Art Gallery of South Australia
Date
A point or period of time associated with an event in the lifecycle of the resource
1921
Rights
Information about rights held in and over the resource
Art Gallery of South Australia
Format
The file format, physical medium, or dimensions of the resource
Bronze Sculpture, 250 x 90 x 70cm; Hyperlink
Émile-Antoine Bourdelle (1861-1929)
Alsace
bronze
Christ
Christianity
Gothic
infant Jesus
Jesus
Madonna
Mary
model
Niederbruck
religious sculpture
Romanesque
SA
sculpture
South Australia
virgin
virgin and child
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Hyperlink
Title, URL, Description or annotation.
URL
This artwork can be viewed online at: <a href="http://www.artwhatson.com.au/hawkesbury/the-long-paddock-a-30-year-survey/mother-and-child" target="_self">http://www.artwhatson.com.au/hawkesbury/the-long-paddock-a-30-year-survey/mother-and-child</a>, or in The Long Paddock: A 30 Year Survey Exhibition Catalogue at:<a href="%20http://www.grag.com.au/userfiles/file/4569%20GW%20BOT%20-%20Catalogue_v12.pdf" target="_self"> http://www.grag.com.au/userfiles/file/4569%20GW%20BOT%20-%20Catalogue_v12.pdf</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
‘Mother and Child’ by G. W. Bot
Subject
The topic of the resource
Art, child, Christ, devotional, exhibition, G. W. Bot, icon, infant Jesus, Madonna, Mary, medieval painters, Mother, Mother and Child, religious art, spirituality, Virgin Mary.
Description
An account of the resource
<p>This linocut print, <em>Mother and Child</em> (1985), by artist G. W. Bot depicts a Madonna and child scene in which the frame is occupied almost exclusively by a Virgin Mary figure holding a child. Although held by a private collector, the piece was exhibited in a number of regional Australian art galleries between 2010 and 2013 as part of a touring exhibition of G. W. Bot’s work – <em>The Long Paddock: A 30 Year Survey</em> – developed by the Goulburn Regional Art Gallery and curated by Peter Haynes. Bot’s inspiration for this work derives from the status of the Madonna and Child as a powerful Christian icon, especially in medieval religious art. During an interview conducted for the educational resource kit accompanying the exhibition, G. W Bot acknowledged this medieval influence: ‘I’ve also found inspiration in the medieval icon painters – I’ve always been fascinated by the question of how to encode spirituality in the visual arts’ (see: <a href="http://www.grag.com.au/userfiles/file/GW%20BOT%20Education%20Kit.pdf" target="_self">http://www.grag.com.au/userfiles/file/GW%20BOT%20Education%20Kit.pdf</a>).</p>
<p>For more on this artwork and other works featured in the exhibition, see the Exhibition Catalogue at: <a href="http://www.grag.com.au/userfiles/file/4569%20GW%20BOT%20-%20Catalogue_v12.pdf" target="_self">http://www.grag.com.au/userfiles/file/4569%20GW%20BOT%20-%20Catalogue_v12.pdf</a></p>
Creator
An entity primarily responsible for making the resource
G. W. Bot (Chrissy Gishkin)
Source
A related resource from which the described resource is derived
<em>The Long Paddock: A 30 Year Survey</em> Exhibition (<a href="http://www.grag.com.au/site/exhibition.php?id=3" target="_self">http://www.grag.com.au/site/exhibition.php?id=3</a>)
Date
A point or period of time associated with an event in the lifecycle of the resource
1985
Rights
Information about rights held in and over the resource
Goulburn Regional Art Gallery
Format
The file format, physical medium, or dimensions of the resource
Linocut on BFK Paper, 62cm x 55.5cm
art
child
Christ
devotional
exhibition
G. W. Bot
icon
infant Jesus
Madonna
Mary
medieval painters
Mother
Mother and Child
religious art
spirituality
Virgin Mary