1 8 5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.artgallery.nsw.gov.au/collection/works/703/" target="_self">http://www.artgallery.nsw.gov.au/collection/works/703/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Chaucer at the Court of Edward IIIâ€™, by Ford Madox Brown Subject The topic of the resource Alice Perrers (1348-1400), anniversary, art, artwork, birthday, Black Prince (1330-1376), Court, Custance, Dante Gabriel Rossetti (1828-1882), Edward III (1312-1377), English language, Geoffrey Chaucer (c.1343-1400), history painting, jester, John of Gaunt (1340-1399), knight, â€˜Legend of Custanceâ€™, Lute, palace of Sheen, poetry, Pre-Raphaelite, reading, royalty, troubadour. Description An account of the resource This large oil on canvas history painting by Victorian artist Ford Madox Brown was purchased (directly from the artist) by the Art Gallery of New South Wales in 1876. Subtitled “Geoffrey Chaucer Reading the ‘Legend of Custance’ to Edward III and his Court, at the Palace of Sheen, on the Anniversary of the Black Prince’s Forty-Fifth Birthday”, the painting depicts Geoffrey Chaucer reading aloud to King Edward III and his Court. In addition to Chaucer and Edward III, other fourteenth-century figures featured in the painting include the King’s two sons, Edward the Black Prince and John of Gaunt, and his mistress Alice Perrers. The figure of Chaucer has been modelled on the famous Pre-Raphaelite and Brown’s close friend, Dante Gabriel Rosetti. However, scholars have noted the lengths to which Brown went to ensure historical accuracy in both costuming and facial resemblances, which included consulting and purchasing antiquarian volumes on medieval furniture and dress and also visiting tombs and effigies (see, for example, Angela Thirwell, Tim Barringer & Laura MacCulloch, Ford Madox Brown: The Unofficial Pre-Raphaelite, D. Giles, 2008). Chaucer was a common subject for Ford Madox Brown (and the nineteenth-century medieval revival more generally) on account of his prominent role in popularising the English language (over French and Latin) and his widely-held reputation as the ‘Father of English poetry’. This enabled the Victorians, Velma Bourgeois Richmond has argued, to revere him as a Protestant hero, because “the development of the English language was crucial to breaking the hold of the Catholic Church by the clergy and to the formation of national identity” (Velma Bourgeois Richmond, “Ford Madox Brown’s Protestant Medievalism: Chaucer and Wycliffe”, Christianity and Literature, Vol.54, Issue 3, Spring 2005, p.366). The image was originally designed as the central panel in a triptych entitled The Seeds and Fruits of English Poetry, and was to be flanked by portraits of famous poets such as Milton, Spenser, Shakespeare and Burns. Creator An entity primarily responsible for making the resource Ford Madox Brown Source A related resource from which the described resource is derived The Art Gallery of New South Wales Date A point or period of time associated with an event in the lifecycle of the resource 1847-1851 Rights Information about rights held in and over the resource The Art Gallery of New South Wales Format The file format, physical medium, or dimensions of the resource Oil on Canvas, 372cm x 296cm â€˜Legend of Custanceâ€™ Alice Perrers (1348-1400) anniversary art artwork birthday Black Prince (1330-1376) court Custance Dante Gabriel Rossetti (1828-1882) Edward III (1312-1377) English language Geoffrey Chaucer (c.1343-1400) history painting jester John of Gaunt (1340-1399) knight Lute palace of Sheen poetry Pre-Raphaelite reading royalty troubadour https://ausmed.arts.uwa.edu.au/files/original/189182de69727ceacddc399d623bb6df.bmp adf34cff50778ff8e267bccd6e282308 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘Holyrood’, The Bulletin, 12 November 1903 Subject The topic of the resource Battle of Flodden (9 September 1513), Bonnie Prince Charlie, bush ballads, Corridor of Kings, Edinburgh, David Riccio, David Rizzio, Flodden Field, Holyrood Abbey, Holyrood Palace, Jacobite Uprising, James IV (1473-1513), Lord Darnley, lute, Mary Queen of Scots, monarchy, nostalgia, royal residence, Scotland, the Forty Five, Will H. Ogilvie (1869-1963). Description An account of the resource As a young man, William H. (‘Will’) Ogilvie spent 12 years in outback Australia, ‘horse-breaking, droving, mustering and camping out on the vast plains’ before returning home to Scotland in 1901 (See Clement Semmler, 'Ogilvie, William Henry (Will) (1869–1963)', Australian Dictionary of Biography, http://adb.anu.edu.au/biography/ogilvie-william-henry-will-7890). He was a prolific writer and much of his poetry and verse appeared in The Bulletin. This poem is set in Holyrood palace, the principal residence of Scottish royals from the fifteenth century. The poet’s reference to ‘ancient tower and archway’ hints at the older provenance of the site, where Holyrood Abbey had stood since 1128. In the poem, the reader is taken on a journey “down the storied halls” while the lives of persons and events of note are recounted. The Scots massacred by the English at Flodden Field are remembered, including James IV - the last of the medieval kings in the ‘Corridor of Kings’ - who ruled Scotland from 1488 until his death at the Battle of Flodden in 1513. The verses also reference Mary Queen of Scots, who resided at Holyrood from 1561-1567; her Secretary David Rizzio (also Riccio), who was violently stabbed to death by Lord Darnley in 1566; and ‘Bonnie’ Prince Charlie (“a rebel prince”) and the 1745 Jacobite Uprising. Ogilvie’s nostalgic poem appeared in The Bulletin in November 1903, after first being printed in The Scotsman. Creator An entity primarily responsible for making the resource Will H. Ogilvie Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 12 November 1903 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Journal (Microfilm) Battle of Flodden (9 September 1513) Bonnie Prince Charlie bush ballads Corridor of Kings David Riccio David Rizzio Edinburgh Flodden Field Holyrood Abbey Holyrood Palace Jacobite Uprising James IV (1473-1513) Lord Darnley Lute Mary Queen of Scots monarchy nostalgia royal residence Scotland the Forty Five Will H. Ogilvie (1869-1963) https://ausmed.arts.uwa.edu.au/files/original/3b6ca10c8f977a18400ffb6d708a6628.JPG 51fec597fa10286dcac13cce4741a06b Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 987 Width 659 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jongleur Path, Balingup Medieval Carnivale Subject The topic of the resource Advertisement, Balingup, Balingup Medieval Carnivale, carnival, entertainer, fair, French, jongleur, lute, minstrel, Old French, poet, Shire of Donnybrook-Balingup, signage, South-West WA, WA, Western Australia Description An account of the resource A photograph of a sign at the Balingup Medieval Carnivale. The sign marks the stage area of the Carnivale site, labelled the â€˜Jongleur Pathâ€™. â€˜Jongleurâ€™ is a term from Old French used during the medieval era for a wandering entertainer, usually a minstrel, as the illustration on the sign of a man playing a lute depicts, or poet. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 27 August 2011 Rights Information about rights held in and over the resource No copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG advertisement Balingup Balingup Medieval Carnivale carnival entertainer fair French jongleur Lute minstrel Old French poet Shire of Donnybrook-Balingup signage South-West WA WA Western Australia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.robindahood.com.au/" target="_blank">http://www.robindahood.com.au</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Robin Da Hood Subject The topic of the resource advertisement, advertisements, archery, banner, banners, barons, lute, maidens, Merry Men, mobile phone, pigeon racing, Robin Hood, Sherwood, telecommunications, telephone, Virgin Mobile Australia Description An account of the resource An online advertisement by Virgin Mobile Australia. The advert plays on the popular image of Robin Hood, complete with images of archery, a lute being played, and a group of Merry Men. Robin Hood is now Robin da Hood, wearing a red (the colour associated with Virgin) hooded tracksuit top and red tights, riding a red dragster bike, and dancing with scantily clad â€˜maidensâ€™. He promises to deliver a fair deal for Australians who have suffered injustice at the hands of telecommunications barons. The interactive advert includes an exploration of Sherwood (a suburb of Brisbane rather than the forest near Nottingham), and information on a pigeon race that will be held there on August 16, 2011. The text of the advert is written in mock Ye Olde English, and is presented on red medieval shaped banners. Creator An entity primarily responsible for making the resource Anon. Publisher An entity responsible for making the resource available Virgin Mobile Australia Date A point or period of time associated with an event in the lifecycle of the resource 6 July 2011 Rights Information about rights held in and over the resource Virgin Mobile Australia Format The file format, physical medium, or dimensions of the resource Online Advertisement Language A language of the resource English advertisement advertisements Archery banner banners Barons Lute maidens Merry Men mobile phone pigeon racing Robin Hood Sherwood telecommunications telephone Virgin Mobile Australia https://ausmed.arts.uwa.edu.au/files/original/novel-industry_western-mail_11-september-1941_p20_425438a40d.pdf b95f368f60dd4e4aa79fdcfa7e5fd9f8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article <a href="http://nla.gov.au/nla.news-article37934192" target="_blank">http://nla.gov.au/nla.news-article37934192</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Novel Industry. Australia â€“ Land of the Harp. Subject The topic of the resource Agincourt, cello, Crecy, export, gut, Hampton Court, harp, Henry VIII, lute, medieval craft, medieval production, music strings, musical instrument, sheep, tennis racquet, violin Description An account of the resource In this Western Mail article about Britainâ€™s export of five million yards of musical instrument strings each year, Australia is identified as the top destination for harp strings. In contrast, the article singles out South Africa as preferring fretted instruments and New Zealand the cello. The article goes on to explain that while modern strings could be made from gut, silk, steel or metal wire, the making of strings was a craftsmanâ€™s job dating from the gut strings of medieval instruments, weaponry and recreational equipment: â€˜As far as gut goes, the British tradition runs back to the medieval lute, the bows used at Crecy and Agincourt, and the racquet with which Henry VIII played â€œrealâ€ tennis at Hampton Courtâ€™. Following a definition of â€œgutâ€ as the strong membranes from the insides of sheep and a comment on the skill of British craftsmen in making strings for unusual as well as standard musical instruments, the focus returns to the harp at the end of the article. It suggests that making harp strings was a particularly difficult job because a harp has six octaves, and each string has to be chosen separately. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The Western Mail Date A point or period of time associated with an event in the lifecycle of the resource 11 September 1941 Rights Information about rights held in and over the resource The Western Mail Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English Agincourt cello Crecy export gut Hampton Court harp Henry VIII Lute medieval craft medieval production music strings musical instrument sheep tennis racquet violin