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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.youtube.com/watch?v=q7O7NgjWPeM" target="_self"&gt;http://www.youtube.com/watch?v=q7O7NgjWPeM&lt;/a&gt;</text>
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                <text>&lt;em&gt;Arthur! And the Square Knights of the Round Table&lt;/em&gt; Children's Cartoon series</text>
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                <text>&lt;em&gt;Arthur! And the Square Knights of the Round Table&lt;/em&gt; was an animated Australian cartoon series written by Melbourne playwright Alex Buzo with Rod Hull, Lyle Martin, John Palmer and M. Robinson. It was produced between 1966 and 1968. Based on Arthurian legend, the cartoons feature characters such as King Arthur, Guinevere, Lancelot, Merlin, a Black Knight and Morgan le Fay. The opening jingle (available at &lt;a href="http://www.youtube.com/watch?v=q7O7NgjWPeM" target="_self"&gt;http://www.youtube.com/watch?v=q7O7NgjWPeM&lt;/a&gt;) provides a good overview of the Arthurian themes and motifs in the cartoons, in verse! For example, the pastimes of the hero Arthur &amp;ndash; &amp;lsquo;the king of Camelot, who likes to joust a lot&amp;rsquo; &amp;ndash; are identified as jousting, dragon-slaying, wooing Guinevere, foiling the evil plans of the Black Knight, rescuing damsels in distress, drawing swords from stones, making tables round, and convening meetings of his bravest knights.</text>
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                <text>Written by Alex Buzo with Rod Hull, Lyle Martin, M. Robinson &amp; John Palmer&#13;
Produced by Walter J. Hucker&#13;
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                <text>You Tube</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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                <text>"Camelot": The Original Motion Picture Soundtrack</text>
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            <description>The topic of the resource</description>
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                <text>record, records, music, orchestra, orchestral, Alan Jay Lerner, Arthur, Arthurian, Arthuriana, Camelot, chivalric, chivalry, cinema, entertainment, film, Franco Nero, Guinevere, Hoyts Century Theatre, York, King Arthur, knight, knighthood, Lancelot, movie, New South Wales, NSW, popular culture, Richard Harris, Round Table, Sydney, theatre, theatres, Vanessa Redgrave</text>
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                <text>An image of a record found in a York secondhand store featuring the soundtrack to the popular 1967 film "Camelot." An example of the popularity, commerciality and timelessness of Arthurian legends, the film was a box office hit in the West. The film was a screen adaptation of the 1960 musical of the same name by Alan Jay Lerner. It starred Richard Harris as King Arthur, Vanessa Redgrave as Guinevere and Franco Nero as Lancelot. For more information about the film, consult &lt;a href="http://www.imdb.com/title/tt0061439/"&gt;http://www.imdb.com/title/tt0061439/. &lt;/a&gt;&lt;br /&gt;</text>
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                <text>Carter, Bree</text>
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                <text>27 November 2011</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&amp;ldquo;Crowd outside the Hoyts Century Theatre at the Preview of Camelot, Sydney,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, accessed November 28, 2011, &lt;a href="../../../items/show/26"&gt;http://ausmed.arts.uwa.edu.au/items/show/26 &lt;/a&gt;</text>
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        <name>Alan Jay Lerner</name>
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                <text>Crowd outside the Hoyts Century Theatre at the Preview of Camelot, Sydney</text>
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                <text>Alan Jay Lerner, Arthur, Arthurian, Arthuriana, Camelot, chivalric, chivalry, cinema, entertainment, film, Franco Nero, Guinevere, Hoyts Century Theatre, King Arthur, knight, knighthood, Lancelot, movie, New South Wales, NSW, popular culture, Richard Harris, Round Table, Sydney, theatre, Vanessa Redgrave</text>
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                <text>In this black and white photograph by J. A. Mulligan, a crowd gathers outside the Hoyts Century Theatre in Sydney on 20 December 1967 to attend a preview of the film Camelot. The film was a screen adaptation of the 1960 musical of the same name by Alan Jay Lerner. Based on Arthurian legend, the plot tells the story of Arthurâ€™s marriage to Guinevere, his establishment of the Round Table, the love triangle that ensued between Arthur, Guinevere and Lancelot and the rescue of Guinevere by Lancelot when she was sentenced to death for her adultery. The film starred Richard Harris as King Arthur, Vanessa Redgrave as Guinevere and Franco Nero as Lancelot. </text>
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                <text>National Library of Australia</text>
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                <text>20 December, 1967</text>
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                <text>National Library of Australia</text>
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