1
8
12
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Streets
Description
An account of the resource
This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.
Hyperlink
Title, URL, Description or annotation.
URL
<p>Part one: <a href="https://www.fringeworld.com.au/program/event/bbf12545-38c2-410f-9755-134f19d1a91b" target="_blank">https://www.fringeworld.com.au/program/event/bbf12545-38c2-410f-9755-134f19d1a91b</a>/</p>
<p>Part Two: <a href="https://www.fringeworld.com.au/program/event/feb24d25-d5e9-4c88-9db2-ef17e46a307c/" target="_blank">https://www.fringeworld.com.au/program/event/feb24d25-d5e9-4c88-9db2-ef17e46a307c/</a></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
‘The Canterbury Tales: Part One’ & ‘The Canterbury Tales: Part Two’, Perth Fringe Festival 2013
Subject
The topic of the resource
Canterbury Cathedral, carpenter, comedy, court, death, drama, flood, flour miller, Fringe Festival, Geoffrey Chaucer (c.1343-1400), King Arthur, knight, KNUTS, maiden, medieval literature, medieval poetry, Medieval Romance, modern adaptation, old hag, performance, Perth, pilgrim, pilgrimage, Science Fiction, shrine, space, Stephen Lee, Stephen Quinn, <em>The Canterbury Tales</em>, ‘The Franklin’s Tale’, ‘The Merchant’s Tale’, ‘The Miller’s Tale’, ‘The Pardoner’s Tale’, ‘The Reeve’s Tale’, ‘The Wife of Bath’s Tale’, Thomas Becket, Victorian Melodrama, villain, vulcan, WA, Western, Western Australia.
Description
An account of the resource
<p>This production by theatre company KNUTS is a modern adaptation of Geoffrey Chaucer’s <em>The Canterbury Tales</em> in two parts. Adapted by Stephen Quinn and directed by Stephen Lee, it transposes stories from Chaucer’s original text into a variety of different genres, ranging from Western to silent film, Victorian melodrama and a Shakespearean version of a Medieval Romance. Part One includes renditions of ‘The Pardoner’s Tale’, ‘The Miller’s Tale’ and ‘The Reeve’s Tale’, and Part Two ‘The Franklin’s Tale’, The Wife of Bath’s Tale’ and ‘The Merchant’s Tale’. This production featured as part of the Perth Fringe Festival in 2013, where ‘The Canterbury Tales: Part One’ was performed from 7 February to 13 February and ‘The Canterbury Tales: Part Two’ was performed the following week from 14 February to 19 February 2013. A positive review of ‘The Canterbury Tales: Part Two’ from <em>The West Australian</em> can be read at: <a href="http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/16159623/review-the-canterbury-tales-part-two/" target="_blank">http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/16159623/review-the-canterbury-tales-part-two/</a>.</p>
<p>In Chaucer’s original <em>The Canterbury Tales</em>, written in the late fourteenth century, the narrator joins a group of 29 pilgrims who are about to set out on a journey from Southwark to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. He proposes that each member of the group tell two stories to entertain them on their journey, and proceeds to record each of these ‘tales’. The teller of the best story was to be rewarded with a free meal at the expense of the rest of the group.</p>
Creator
An entity primarily responsible for making the resource
Written by Geoffrey Chaucer
Adapted by Stephen Quinn
Directed by Stephen Lee
Source
A related resource from which the described resource is derived
FringeWorld Festival Website (<a href="https://www.fringeworld.com.au/home/" target="_blank">https://www.fringeworld.com.au/home/</a>)
Date
A point or period of time associated with an event in the lifecycle of the resource
Part One: 7 February 2013 - 13 February 2013
Part Two: 14 February 2013 – 19 February 2013
Rights
Information about rights held in and over the resource
Fringe Festival & KNUTS Theatre Company
Format
The file format, physical medium, or dimensions of the resource
Performance in different genres, including Western, carry on film, silent movie, science fiction, ‘mock Shakespeare’, Victorian melodrama.
‘The Franklin’s Tale’
‘The Merchant’s Tale’
‘The Miller’s Tale’
‘The Pardoner’s Tale’
‘The Reeve’s Tale’
‘The Wife of Bath’s Tale’
Canterbury Cathedral
carpenter
comedy
court
death
drama
flood
flour miller
Fringe Festival
Geoffrey Chaucer (c.1343-1400)
King Arthur
knight
KNUTS
maiden
medieval literature
medieval poetry
Medieval Romance
modern adaptation
old hag
performance
Perth
pilgrim
pilgrimage
Science Fiction
shrine
space
Stephen Lee
Stephen Quinn
The Canterbury Tales
Thomas Becket
Victorian Melodrama
villain
vulcan
WA
Western
Western Australia
-
https://ausmed.arts.uwa.edu.au/files/original/d624371200afb99c2e04754e9e9eb62a.jpg
96b8433088b650af7dd3e8fc86109043
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
3508
Width
2480
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Streets
Description
An account of the resource
This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Poster; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Evandale Village Singers present Henry Purcell’s ‘King Arthur’
Subject
The topic of the resource
Advertisement, St Andrew’s Anglican Church, The British Worthy, Britons, choir, John Dryden, Evandale, Evandale Village Singers, Freya, King Arthur, music, Norse, opera, performance, poster, Henry Purcell, Restoration, Saxons, Tas, Tasmania, Thor, Woden.
Description
An account of the resource
<p><span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-ansi-language: EN-US;" lang="EN-US">This poster advertises two performances of Henry Purcell’s ‘King Arthur’ by the Evandale Village Singers in late October 2012 at St Andrew’s Anglican Church in Evandale. Henry Purcell’s ‘King Arthur’ is a Restoration-period opera set in the early medieval period with a libretto by John Dryden. It was first performed in 1691. The plot deals with Arthur, king of the Briton’s, and his battles against the incoming Saxons, which historically would have taken place in the fifth or sixth centuries. The text mentions the Anglo-Saxon deities Woden and<br />Thor (Old English Thunor), as well as the Norse goddess Freya. </span></p>
<p><span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-ansi-language: EN-US;" lang="EN-US">The Evandale Village Singers are choir based in the northern Tasmanian town of Evandale who formed in 1999. For more see <a href="http://www.anca.org.au/choir-view/1302">http://www.anca.org.au/choir-view/1302</a></span></p>
Creator
An entity primarily responsible for making the resource
Evandale Village Singers
Date
A point or period of time associated with an event in the lifecycle of the resource
October 1, 2012
Rights
Information about rights held in and over the resource
Evandale Village Singers
Format
The file format, physical medium, or dimensions of the resource
Poster
advertisement
Britons
choir
Evandale
Evandale Village Singers
Freya
Henry Purcell
John Dryden
King Arthur
music
Norse
opera
performance
poster
Restoration
Saxons
St Andrew’s Anglican Church
Tas
Tasmania
The British Worthy
Thor
Woden.
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Page
Description
An account of the resource
This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.
Hyperlink
Title, URL, Description or annotation.
URL
<span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: Calibri; mso-ansi-language: EN; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;" lang="EN"><a href="http://nla.gov.au/nla.news-article51296463"><span style="color: blue;">http://nla.gov.au/nla.news-article51296463</span></a></span>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
‘The Talisman’, Examiner, Tasmania
Subject
The topic of the resource
Armour, King Arthur, Charlemagne, charms, Examiner, Excalibur, Hereward the Wake, horn, knights, Launceston, newspaper, Normans, Robert Power, Roland, Song of Roland, supernatural, sword, The Talisman, Tas, Tasmania.
Description
An account of the resource
<p>‘The Talisman’ is an article by Robert Power published in 1924 in the ‘Two Minute Talks’ section of the Launceston newspaper the Examiner. The article is about the importance of putting ones faith in God rather than superstitious charms. The article opens by mentioning the talisman of ‘great heroes’, all of whom are medieval.<br />Hereward the Wake (who fought against the Normans in England in 1070-1) had magic armour, Charlemagne’s knight Roland (whose feats are told in the eleventh-century poem The Song of Roland) had an important horn, and King Arthur and his knights have the supernatural sword Excalibur.</p>
<p>For the article see <a href="http://nla.gov.au/nla.news-article51296463">http://nla.gov.au/nla.news-article51296463</a></p>
Creator
An entity primarily responsible for making the resource
Power, Robert
Publisher
An entity responsible for making the resource available
Examiner
Date
A point or period of time associated with an event in the lifecycle of the resource
March 8, 1924
Rights
Information about rights held in and over the resource
Public Domain: Trove
Format
The file format, physical medium, or dimensions of the resource
Newspaper article; Hyperlink
Armour
Charlemagne
charms
Examiner
Excalibur
Hereward the Wake
horn
King Arthur
knights
Launceston
newspaper
Normans
Robert Power
Roland
Song of Roland
supernatural
sword
Tas
Tasmania.
The Talisman
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Streets
Description
An account of the resource
This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.
Website
A resource comprising of a web page or web pages and all related assets ( such as images, sound and video files, etc. ).
Local URL
The URL of the local directory containing all assets of the website.
<a href="http://www.alicescottages.com.au/camelot.html">http://www.alicescottages.com.au/camelot.html</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Camelot Cottage, Launceston, Tasmania
Subject
The topic of the resource
Alice’s Cottages, King Arthur, Camelot, cottage, helmet, Launceston, ‘medieval experience’, Merlin, Merlin’s spa, sword, tapestry, Tas, Tasmania, website.
Description
An account of the resource
<p>Alice’s Cottages offer romantic B&B accommodation in the Tasmanian city of Launceston. One of the cottages is called ‘Camelot Cottage’ (named after the castle and court of King<br />Arthur), and it features ‘Merlin’s Spa’. The ‘medieval experience’ advertised on their website is enhanced by the inclusion of a tented four poster bed and a tapestry/wall hanging, whilst swords and a medieval helmet decorate the<br />cottage. Some of the photos feature a young couple in the cottage, with the man wearing a medieval helmet.</p>
<p>For their website see <a href="http://www.alicescottages.com.au/camelot.html">http://www.alicescottages.com.au/camelot.html</a></p>
Creator
An entity primarily responsible for making the resource
Alice's Cottages
Rights
Information about rights held in and over the resource
Alice's Cottages
Format
The file format, physical medium, or dimensions of the resource
Website
‘medieval experience’
Alice’s Cottages
Camelot
cottage
helmet
King Arthur
Launceston
Merlin
Merlin’s spa
sword
tapestry
Tas
Tasmania
website.
-
https://ausmed.arts.uwa.edu.au/files/original/620ed94bde08422b559afe6683e05b43.jpg
a46d495796ec753d5d8605cb6d79ce7e
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
1448
Width
2048
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Streets
Description
An account of the resource
This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
‘The Chalice’ Range Wine Labels, Chalice Bridge Estate
Subject
The topic of the resource
‘The Chalice’, Arthurian legend, beverage, chalice, Chalice Bridge Estate, Chrétien de Troyes, Holy Grail, King Arthur, knight, label, legend, mantle, Margaret River, medieval imagery, military order, Order of the Temple, quest, Templar Knights, vessel, WA, Western Australia, wine, Wolfram von Eschenbach.
Description
An account of the resource
<p>‘The Chalice’ is a limited release, reserve wine range produced by Chalice Bridge Estate winery in Margaret River, Western Australia. The name evokes the legends of the Quest for the Holy Grail, and this medieval association is enhanced by the illustrations on the bottle labels. The label features a chalice, or goblet/footed cup, surrounded by a floral design. A chalice is often depicted as the vessel of the Holy Grail, although during the medieval period it was also sometimes depicted as a platter. The Quest for the Holy Grail was a popular part of the legendary Arthurian cycle involving Lancelot and/or Galahad during the medieval period, particularly in the work of Chrétien de Troyes and Wolfram von Eschenbach. Now, however, the Quest is often more readily associated with the Knights Templar, for example in the 1989 film <em>Indiana Jones and the Last Crusade</em>.</p>
<p>Chalice Bridge Estate can be found at <a href="http://chalicebridge.com.au/" target="_blank">http://chalicebridge.com.au/</a></p>
Creator
An entity primarily responsible for making the resource
<p>Designer: Daniel McKeating, Studio Lost & Found, Western Australia (<a href="http://www.studiolostandfound.com/" target="_blank">http://www.studiolostandfound.com/</a>)</p>
Source
A related resource from which the described resource is derived
Chalice Bridge Estate: <a href="http://chalicebridge.com.au/" target="_blank">http://www.chalicebridge.com.au/</a>
Date
A point or period of time associated with an event in the lifecycle of the resource
2011
Rights
Information about rights held in and over the resource
Chalice Bridge Estate Limited, Margaret River, Western Australia (<a href="http://chalicebridge.com.au/" target="_blank">http://www.chalicebridge.com.au/</a>)
Format
The file format, physical medium, or dimensions of the resource
Wine bottle label
‘The Chalice’
Arthurian legend
beverage
chalice
Chalice Bridge Estate
Chrétien de Troyes
Holy Grail
King Arthur
knight
label
legend
mantle
Margaret River
medieval imagery
Military Order
Order of the Temple
quest
templar knights
vessel
WA
Western Australia
wine
Wolfram von Eschenbach.
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Hyperlink
Title, URL, Description or annotation.
URL
<span><span style="color: #000000; font-family: Tahoma; font-size: x-small;"><a href="http://www.artgalleryofballarat.com.au/collection/australian-collection/waller,-christian.aspx" target="_blank"><span style="color: #0000ff; font-family: Calibri; font-size: small;">http://www.artgalleryofballarat.com.au/collection/australian-collection/waller,-christian.aspx</span></a></span></span>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Morgan Le Fay
Subject
The topic of the resource
Accalan, Accolon, Art, Arthur, Arthurian, Avalon, Ballarat, Chrétien de Troyes, Christian Waller (1894-1954), Excalibur, healer, healing, keys, king, King Arthur, knight, lance, Le Morte d’Arthur, legend, Morgan Le Fay, power, shield, Thomas Malory, VIC, Victoria watercolour, wounded king
Description
An account of the resource
<p>This watercolour by Australian artist Christian Waller was gifted to the Art Gallery of Ballarat in 1933 by the Women’s Association. It depicts a woman in medieval dress whom the title identifies as Morgan Le Fay. Morgan Le Fay is a sorceress/healer in Arthurian legend. Starting with Chrétien de Troyes in the late twelfth century, she is often named as Arthur’s half-sister (by his mother Igerne). She plays a key adversarial role in much Arthurian literature; she is often depicted trying to expose the adulterous liaisons of Lancelot and Guinevere, and attempting to bring about Arthur’s downfall. She does this by using her magic powers to give Arthur’s sword, Excalibur, to her lover Accolon (while leaving Arthur unknowingly with a counterfeit), and by throwing Excalibur into the lake. At the end of Thomas Malory’s fifteenth-century text <em>Le Morte d’Arthur, </em>however, she resumes her healing role by taking Arthur to Avalon and tending to the wounded king. For a copy of <em>Le Morte d’Arthur, </em>see: <a href="http://ebooks.adelaide.edu.au/m/malory/thomas/m25m/" target="_blank"> <span style="color: #0000ff;">http://ebooks.adelaide.edu.au/m/malory/thomas/m25m/</span></a>. In the background of Waller’s painting are numerous medieval references: a lance, a heraldic shield, a helmet, a picture of a knight riding a horse, and a set of highly symbolic keys given Morgan Le Fay’s power in Arthurian legend.</p>
<p>About Christian Waller:</p>
<p>Christian Waller was born Christian Marjory Emily Carlyle Yandell in 1894 in Castlemaine, Victoria. In 1910 she moved to Melbourne with her family. There she attended the National Gallery Schools and won acclaim from a young age, receiving a number of student prizes, exhibiting her work with the Victorian Artists Society and featuring in illustrated publications such as Franklin Petersons <em>Melba’s Gift Book of Australian Art and Literature </em>in 1915. In 1915 she married fellow artist Mervyn Napier Waller. He lost his right arm the following year serving on the Western Front, and Christian supported him upon his return to Australia by working as a commercial artist. During the 1920s she became a book illustrator, and her work from this period has been described as reflecting “Classical, Medieval, Pre-Raphaelite and Art Nouveau influences” (See Thomas, David, 'Waller, Christian Marjory Emily Carlyle (1894–1954)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, <a href="http://adb.anu.edu.au/biography/waller-christian-marjory-emily-carlyle-11944/text21407" target="_blank">http://adb.anu.edu.au/biography/waller-christian-marjory-emily-carlyle-11944/text21407</a>, accessed 4 February 2012). From 1928 Waller started designing stained glass windows. This was an artistic medium in which she was prolific, and for which she became well known, during the 1930s and 40s.</p>
Creator
An entity primarily responsible for making the resource
Waller, Christian (1894-1954)
Source
A related resource from which the described resource is derived
Art Gallery of Ballarat
Date
A point or period of time associated with an event in the lifecycle of the resource
1920
Rights
Information about rights held in and over the resource
Art Gallery of Ballarat
Format
The file format, physical medium, or dimensions of the resource
Watercolour, 33.3cm x 21.4cm;
Hyperlink
Accalan
Accolon
art
Arthur
Arthurian
Avalon
Ballarat
Chrétien de Troyes
Christian Waller (1894-1954)
Excalibur
healer
healing
keys
king
King Arthur
knight
lance
Le Morte d’Arthur
legend
Morgan Le Fay
power
shield
Thomas Malory
Vic
Victoria watercolour
wounded king
-
https://ausmed.arts.uwa.edu.au/files/original/b1d046f64b7c50c62639d1b6c0ea1376.jpg
57a414787e2a6d067e25d638c80a54e9
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
952
Width
780
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Streets
Description
An account of the resource
This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"Camelot": The Original Motion Picture Soundtrack
Subject
The topic of the resource
record, records, music, orchestra, orchestral, Alan Jay Lerner, Arthur, Arthurian, Arthuriana, Camelot, chivalric, chivalry, cinema, entertainment, film, Franco Nero, Guinevere, Hoyts Century Theatre, York, King Arthur, knight, knighthood, Lancelot, movie, New South Wales, NSW, popular culture, Richard Harris, Round Table, Sydney, theatre, theatres, Vanessa Redgrave
Description
An account of the resource
An image of a record found in a York secondhand store featuring the soundtrack to the popular 1967 film "Camelot." An example of the popularity, commerciality and timelessness of Arthurian legends, the film was a box office hit in the West. The film was a screen adaptation of the 1960 musical of the same name by Alan Jay Lerner. It starred Richard Harris as King Arthur, Vanessa Redgrave as Guinevere and Franco Nero as Lancelot. For more information about the film, consult <a href="http://www.imdb.com/title/tt0061439/">http://www.imdb.com/title/tt0061439/. </a><br />
Creator
An entity primarily responsible for making the resource
Carter, Bree
Date
A point or period of time associated with an event in the lifecycle of the resource
27 November 2011
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
“Crowd outside the Hoyts Century Theatre at the Preview of Camelot, Sydney,” <em>Medievalism in Australian Cultural Memory</em>, accessed November 28, 2011, <a href="../../../items/show/26">http://ausmed.arts.uwa.edu.au/items/show/26 </a>
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
Alan Jay Lerner
Arthur
Arthurian
Arthuriana
Camelot
chivalric
chivalry
cinema
entertainment
film
Franco Nero
Guinevere
Hoyts Century Theatre
King Arthur
knight
knighthood
Lancelot
movie
music
New South Wales
NSW
orchestra
orchestral
popular culture
record
records
Richard Harris
round table
Sydney
theatre
theatres
Vanessa Redgrave
York
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism in the Classroom
Description
An account of the resource
This Collection traces the development of academic medievalism in Australia’s universities, and explores the discipline’s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.
Hyperlink
Title, URL, Description or annotation.
URL
<a href="http://www.open.edu.au/public/courses-and-units/arts/unit-eng211-2011" target="_blank">http://www.open.edu.au/public/courses-and-units/arts/unit-eng211-2011</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Literature and Culture: Representations of the Medieval
Subject
The topic of the resource
Arthur, Arthurian, King Arthur, Arts and Crafts Movement, Marion Zimmer Bradley, cinema, Umberto Eco, film, gothic, Macquarie University, William Morris, online, Open Universities Australia, Pre-Raphaelite Brotherhood, VIC, Victoria, Victorian medievalism
Description
An account of the resource
A fully online second-year undergraduate unit offered by Macquarie University through Open Universities Australia. The unit covers various aspects of medievalism, including William Morris and the Arts and Crafts Movement in Victoria, the Pre-Raphaelite Brotherhood and Victorian medievalism, Marion Zimmer Bradley’s reimaging of the Arthurian legend ‘The Mists of Avalon’, and ‘The Name of the Rose’, the medieval detective novel by Umberto Eco. The unit also covers the representation of the medieval period in film.
Creator
An entity primarily responsible for making the resource
Anon.
Source
A related resource from which the described resource is derived
<a href="http://www.open.edu.au/public/courses-and-units/arts/unit-eng211-2011" target="_blank">http://www.open.edu.au/public/courses-and-units/arts/unit-eng211-2011</a>
Publisher
An entity responsible for making the resource available
Macquarie University, Open Universities Australia
Date
A point or period of time associated with an event in the lifecycle of the resource
4 July 2011
Rights
Information about rights held in and over the resource
Macquarie University, Open Universities Australia
Format
The file format, physical medium, or dimensions of the resource
Weblink
Language
A language of the resource
English
Arthur
Arthurian
Arts and Crafts Movement
cinema
film
Gothic
King Arthur
Macquarie University
Marion Zimmer Bradley
online
Open Universities Australia
Pre-Raphaelite Brotherhood
Umberto Eco
Vic
Victoria
Victorian medievalism
William Morris