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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&amp;lsquo;Jack Cade: A Tribute to the Much-Maligned Patriot (see &amp;lsquo;Henry VI&amp;rsquo; Second Part. Act IV. Scene X)&amp;rsquo;, &lt;em&gt;The Bulletin&lt;/em&gt;, 8 December 1894.</text>
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                <text>Alexander Iden, doggerel, Henry VI Part II, Jack Cade, John Bull, Kent, London, poetry, political commentary, rebellion, revolt, roast beef,  verse, Victor J. Daley (1858-1905), William Shakespeare (c.1564-1616). </text>
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                <text>Victor Daley was an Irishman who came to Australia as a young man. He wrote romantic verse and was referred to by Vivian Smith as, &amp;ldquo;one of the most attractive poets of the nineties in Australia&amp;rdquo; (Vivian Smith, &amp;lsquo;Poetry&amp;rsquo;, &lt;em&gt;The Oxford History of Australian Literature&lt;/em&gt;, ed. by Leonie Kramer, Oxford, Oxford University Press, 1981, p.319). He also wrote under the pen-name Creeve Roe (trans. &amp;lsquo;Red Branch&amp;rsquo;), which conjures the image of a &amp;ldquo;Celtic bard singing ancient songs&amp;rdquo; in an unmistakably Antipodean context (Louise D&amp;rsquo;Arcens, &lt;em&gt;Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910&lt;/em&gt;, Turnhout, Brepols, 2011, p.124). In this period poem, Daley praises the memory of Jack Cade, a Kentish rebel leader who died in 1450. The poem critiques Shakespeare&amp;rsquo;s treatment of Cade in Henry VI, Part II. Daley&amp;rsquo;s objective seems to be setting the record straight and praising Jack Cade for his courage. He also seeks to summon local resistance to social values that he thinks have no place in an Australian bush setting. Addressing the English Bard directly he states, &amp;ldquo;I think thy mediaeval / social views suit not this clime.&amp;rdquo; The denouement, which involves a fight between the well-nourished Kentish squire Alexander Iden and the near-starving disconsolate rebel Cade, produces imagery of John Bull, over-stuffed with English beef, taking-on those who are ill-prepared for resistance. It is a decidedly one-sided encounter, and the outcome &amp;ndash; Cade&amp;rsquo;s death &amp;ndash; is never seriously in doubt. The rationale for condemnation is that the likes of Alexander Iden, depicted &amp;ldquo;Gasconading in his garden,&amp;rdquo; frequently attract undeserved honours and knighthoods, while the impoverished people (Jack Cade among them) fare ignominiously. The poem closes after encouraging the downtrodden to take their lead from Cade, and concludes with a toast to the memory of his brave deeds.</text>
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                <text>Victor J. Daley </text>
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                <text>The Bulletin</text>
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                <text>8 December 1894 (p. 22)</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="font-size: 10pt;" lang="EN-AU"&gt;&lt;a href="http://kentmoving1.rtrk.com.au/" target="_blank"&gt;http://kentmoving1.rtrk.com.au&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Kent International Movers Logo</text>
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                <text>Dragon, dragons, Kent, furniture removal, furniture, Kent International Movers, logo, Perth, removalists, WA, Western Australia</text>
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                <text>The logo of the Australian company Kent International Movers features a winged dragon. Dragons are found in numerous medieval stories, on artefacts, and as a heraldic device where it evoked courage and nobility. The current flag of Wales/Cymru features a red dragon, an emblem associated with Wales from at least 1485. Today dragons continue to be associated with the medieval era, for example the 2010 Dreamworks film â€˜How to Train Your Dragonâ€™, J.R.R. Tolkienâ€™s â€˜The Hobbitâ€™, and the television series â€˜Merlinâ€™.</text>
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                <text>McLeod, Shane</text>
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                <text>&lt;span style="font-size: 10pt;" lang="EN-AU"&gt;&lt;a href="http://kentmoving1.rtrk.com.au/" target="_blank"&gt;http://kentmoving1.rtrk.com.au&lt;/a&gt;&lt;/span&gt;</text>
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                <text>&lt;span style="font-size: 10pt;" lang="EN-AU"&gt;&lt;a href="http://kentmoving1.rtrk.com.au/" target="_blank"&gt;http://kentmoving1.rtrk.com.au&lt;/a&gt;&lt;/span&gt;</text>
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                <text>20 September 2011</text>
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                <text>Kent International Movers</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>Viking Galley Off UK</text>
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                <text>A newspaper article on the front page of the Launceston newspaper Examiner on 26 July, 1949. The article reports on the voyage of the replica galley â€˜Huginâ€™ from Denmark on its journey to Broadstairs in Kent, England. The Hugin had a crew of fifty-two bearded oarsmen and their swords and spears were checked by UK customs at sea. Although described as a Viking vessel, the voyage was actually to celebrate the 1500th anniversary of the arrival, as dated by Bede, of the Anglo-Saxon brothers Hengist and Hosra and their followers in 449. The origins of â€˜Englandâ€™ (the land of the Angels) are often traced to this event, whereas the first reported Viking raid did not occur until the late eighth century.  </text>
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                <text>National Library of Australia</text>
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                <text>26 July 1949</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
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        <name>Kent</name>
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