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                <text>&lt;p&gt;St Mark&amp;rsquo;s Church of England (now Anglican) is in the small Tasmanian town of Pontville. The ashlar stone church was built between 1839 and 1841 by Joseph Moir and the foundation stone (no longer visible) is thought to have been laid by Governor Sir John Franklin (1786-1847). Due to a dispute over the ownership of the land the church was not consecrated until 1884. St Mark&amp;rsquo;s was designed by the convict architect James Blackburn (1803-1854) in the Romanesque Revival, or Neo-Norman, style. It is one of the oldest remaining buildings in the style in Australia. It features semi-circular arches on the doorways and windows, Celtic crosses at each gable end, four small square corner towers with arrow slits and pyramid-shaped roofs of iron, stained glass, and buttresses along the sides of the building. Additional features at the rear of the building are blind doorways with semi-circular arches on the towers, a large stained glass window (with protective covering), and an unusual Romanesque square garden feature (or tomb?) in the cemetery with columns and semi-circular arches.&lt;/p&gt;&#13;
&lt;p&gt;Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.&lt;/p&gt;&#13;
&lt;p&gt;For the rest of the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1233"&gt;http://ausmed.arts.uwa.edu.au/items/show/1233&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;St Mark&amp;rsquo;s Church of England (now Anglican) is in the small Tasmanian town of Pontville. The ashlar stone church was built between 1839 and 1841 by Joseph Moir and the foundation stone (no longer visible) is thought to have been laid by Governor Sir John Franklin (1786-1847). Due to a dispute over the ownership of the land the church was not consecrated until 1884. St Mark&amp;rsquo;s was designed by the convict architect James Blackburn (1803-1854) in a distinctive Romanesque Revival, or Neo-Norman, style. It is one of the oldest remaining buildings in the style in Australia. It features semi-circular arches on the doorways and windows, Celtic crosses at each gable end, four small square corner towers with arrow slits and pyramid-shaped roofs of iron, stained glass, and buttresses along the sides of the building. Of particular note is the entrance, consisting of a decorated semi-circular entrance arch supported by two substantial columns with capitals, and smaller arches and columns forming an arcade on either side of the entrance. Above the entrance are two trefoil windows.&lt;/p&gt;&#13;
&lt;p&gt;Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.&lt;/p&gt;&#13;
&lt;p&gt;For the rear of the building see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1238"&gt;http://ausmed.arts.uwa.edu.au/items/show/1238&lt;/a&gt;&lt;/p&gt;</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="34458">
                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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            <name>Title</name>
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                <text>Caretakers House, Hobart, Tasmania.</text>
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                <text>Bonnet Hill, Caretakers house, crenellation, domestic architecture, fortified house, Gothic, Hobart, Joseph Moir, parapet, Tas, Tasmania, tower.</text>
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                <text>The Caretakers House (for the nearby shot tower) in the Hobart suburb of Bonnet Hill, Tasmania, has the appearance of a medieval fortified house. It was originally built for Joseph Moir from 1855 as a domestic dwelling. The two-storey stone building features a parapet and crenellation at the front of the house, which resembles a tower, as well as another tower with crenellation built on top of the house.</text>
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            <name>Creator</name>
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                <text>Dorey, Margaret</text>
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            <name>Date</name>
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                <text>January 29, 2012</text>
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            <name>Rights</name>
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                <text>No copyright</text>
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                <text>Digital photograph; JPEG</text>
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        <name>Bonnet Hill</name>
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        <name>Caretakers house</name>
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        <name>crenellation</name>
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      <tag tagId="3945">
        <name>domestic architecture</name>
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        <name>fortified house</name>
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        <name>Gothic</name>
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        <name>Hobart</name>
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        <name>Joseph Moir</name>
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        <name>parapet</name>
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        <name>Tas</name>
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        <name>Tasmania</name>
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        <name>tower.</name>
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