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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;To view this image,&lt;/p&gt;&#13;
&lt;p&gt;1.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; go to: &lt;a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"&gt;http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>Alsace, bronze, Christ, Christianity, Ã‰mile-Antoine Bourdelle (1861-1929), gothic, infant Jesus, Jesus, Madonna, Mary, model, Niederbruck, religious sculpture, Romanesque, sculpture, SA, South Australia, virgin, virgin and child</text>
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                <text>&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;This work by French sculptor &lt;/span&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;&amp;Eacute;mile-Antoine Bourdelle was gifted to the Art Gallery of South Australia by William Bowmore AO OBE, through the Art Gallery of South Australia Foundation in 1994. It is a 2.5m tall bronze sculpture of the Virgin Mary holding the infant Jesus aloft. Along with similar sculptures held by the National Museum of Western Art in Tokyo and the National Galleries of Scotland (titled La Vierge d&amp;rsquo;Alsace), this work appears to be a model for Bourdelle&amp;rsquo;s much larger 6m tall stone carving of the subject, which was completed in 1922 and is situated on a hill in Niederbruck, Alsace, France. Bourdelle studied sculpture at the &amp;Eacute;cole des Beaux-Arts in Paris after training as a wood-carver with his father, and entered Rodin&amp;rsquo;s studio as a practitioner in 1893. He incorporated both subjects&amp;nbsp;and techniques from Ancient Greek and medieval sculpture into his work. In &amp;lsquo;Virgin and the Offering&amp;rsquo;, his admiration of gothic and medieval religious art is evident in his choice of subject, while his use of simplified forms is reminiscent of earlier Romanesque sculpture. On the Gothic and Romanesque influences of Bourdelle&amp;rsquo;s work, see the catalogue description of NG Scotland&amp;rsquo;s La Vierge d&amp;rsquo;Alsace at: &lt;a href="http://www.nationalgalleries.org/object/GMA%202" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.nationalgalleries.org/object/GMA 2&lt;/span&gt;&lt;/a&gt;.&lt;/span&gt;</text>
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                <text>Bronze Sculpture, 250 x 90 x 70cm; Hyperlink</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>An image of the stained glass window located above the entrance to St. Patrick's Catholic Church in the town of York, Western Australia. &#13;
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About St. Patrick's Catholic Church:&#13;
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The foundation stone of St. Patrick's Catholic Church was laid on St. Patrick's Day in 1875, with the building being completed in 1886. It was designed and built under the supervision of ex-convict Joseph Nunan, who was commissioned by the resident priest of the time, Father Patrick Gibney, to build a larger church to accommodate an increasing congregation.&#13;
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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About St. Patrick's Catholic Church, York, WA:&#13;
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The foundation stone of St. Patrick's Catholic Church was laid on St. Patrick's Day in 1875, with the building being completed in 1886. It was designed and built under the supervision of ex-convict Joseph Nunan, who was commissioned by the resident priest of the time, Father Patrick Gibney, to build a larger church to accommodate an increasing congregation.&#13;
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                <text>St Gertrudeâ€™s Chapel Interior, New Norcia</text>
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                <text>art, artwork, Benedictine, boarding school, Catholic church, Catholic college, Catholic education, chapel, convent school, Gertrude of Hackerborn, Gothic revival style, Helfta, Jesus, Josephite Sisters, Mary Mackillop, monastery, monasticism, monks, neo-gothic architecture, New Norcia, nuns, Order of St Benedict, painting, Sisters of St Joseph of the Sacred Heart, Spanish influence, Spanish mission, St Benedict of Nursia, St Gertrude, St Gertrudeâ€™s College, St Mechtilde, WA, Western Australia</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;A view of the chapel interior at St Gertrude&amp;rsquo;s College, New Norcia. St  Gertrude was a thirteenth-century Benedictine nun and mystic in Helfta,  Germany. She entered the convent aged only 5 and was entrusted by the  Abbess, Gertrude of Hackerborn, to the care of St Mechtilde. In her  mid-twenties, Gertrude began having mystical visions and dedicated the  remainder of her life to the study and teaching of the scriptures and  theology. In the painting on the domed ceiling, she can be seen  ascending to Heaven to meet Jesus.&lt;/p&gt;&#13;
&lt;p&gt;About New Norcia:&lt;br /&gt; New Norcia is a monastic town located 132 km north of Perth in Western  Australia. The town is owned and run by a community of Benedictine monks  and houses one of only three Benedictine monasteries (for men) in  Australia. At its height the monastery housed approximately 80 monks,  but currently there are only seven in residence. The Benedictines are  part of a religious order within the Catholic Church known as the Order  of St Benedict (OSB). Benedictines live in small, largely autonomous  communities and base their way of life on the Rule of St Benedict, which  prioritises a balance of prayer and work and calls for promises of  stability, obedience and a conversion of life. The first Benedictine  community was established in the sixth-century in Italy by St Benedict  of Nursia (c.480-547).&lt;br /&gt; Originally intended as a mission to evangelise and educate the  indigenous peoples of the Victoria Plains, the site at New Norcia was  founded in 1847 by two Spanish Benedictine missionaries, Dom Jos&amp;eacute; Benito  Serra and Dom Rosendo Salvado. Serra&amp;rsquo;s involvement in the missionary  activities at new Norcia decreased following his appointment as  Co-adjutor Bishop of Perth in 1849, while Salvado (1814-1900) committed  himself wholly to developing the mission and leading the monastic  community. He subsequently became the key figure in the first 50 years  of New Norcia&amp;rsquo;s history. He made numerous fundraising trips to Europe,  which provided him with the means to purchase books, vestments, artwork  and equipment for the community and also to oversee the construction of  new buildings. He died in Rome in 1900 and his body was returned to New  Norcia. Under Salvado&amp;rsquo;s successor, Bishop Fulgentius Torres (1861-1914),  New Norcia became more like a traditional monastic settlement. An  increased focus on education and artistic pursuits led to the  establishment of two schools and improvements to many of the town&amp;rsquo;s  buildings. St Gertrude&amp;rsquo;s opened in 1908 and originally functioned as a  convent boarding school for girls. It was staffed by Josephite sisters,  the first of whom were to New Norcia by Mary Mackillop at the request of  Bishop Fulgentius Torres. The school closed in 1991 and is now used  primarily as a venue for school camps. For more information on New  Norcia, see the New Norcia Benedictine Community website: &lt;a href="http://newnorcia.wa.edu.au/" target="_blank"&gt;http://newnorcia.wa.edu.au/&lt;/a&gt;.&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>McEwan, Joanne</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>7 January 2011</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7835">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7836">
                <text>Digital Photograph; JPEG</text>
              </elementText>
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        <name>Benedictine</name>
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        <name>Catholic college</name>
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        <name>Catholic education</name>
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        <name>chapel</name>
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        <name>convent school</name>
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        <name>Gertrude of Hackerborn</name>
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      <tag tagId="728">
        <name>Gothic Revival style</name>
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        <name>Helfta</name>
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        <name>Jesus</name>
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        <name>Josephite Sisters</name>
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        <name>Mary Mackillop</name>
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        <name>monastery</name>
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        <name>monasticism</name>
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        <name>monks</name>
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      <tag tagId="731">
        <name>neo-gothic architecture</name>
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        <name>New Norcia</name>
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        <name>nuns</name>
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        <name>Order of St Benedict</name>
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        <name>painting</name>
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        <name>Sisters of St Joseph of the Sacred Heart</name>
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        <name>Spanish influence</name>
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        <name>Spanish mission</name>
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        <name>St Benedict of Nursia</name>
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        <name>St Gertrude</name>
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        <name>St Gertrudeâ€™s College</name>
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        <name>St Mechtilde</name>
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      <tag tagId="838">
        <name>WA</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/437279d178b5608f69f57d07893c4ead.JPG</src>
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            <name>Omeka Image File</name>
            <description>The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.</description>
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              <element elementId="74">
                <name>Bit Depth</name>
                <description/>
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                  <elementText elementTextId="7239">
                    <text>8</text>
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                <name>Channels</name>
                <description/>
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                    <text>3</text>
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="7252">
              <text>Digital Photograph</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Christogram on font, St Georgeâ€™s Cathedral, Perth</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="7246">
                <text>Anglican, Bishop Parry, bishop, church, Christian, Christianity, religion, religious, Christogram, Donnybrook stone, font, I.H.S., Jesus, Perth, St George, stone, WA, Western Australia, Donnybrook, stone</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7247">
                <text>Image of a font in St Georgeâ€™s Cathedral, Perth. The font was sculpted in Donnybrook stone in 1930 by Herbert Parry, son of Bishop Parry. The font has eight facets, one of which features the intertwined initials I.H.S., a common medieval abbreviation, or Christogram, for Jesus taken from the first three letters of his name in Greek.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7248">
                <text>McLeod, Shane</text>
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            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7249">
                <text>29 May 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7250">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7251">
                <text>Digital Photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="80">
        <name>Anglican</name>
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      <tag tagId="309">
        <name>Bishop</name>
      </tag>
      <tag tagId="2209">
        <name>Bishop Parry</name>
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      <tag tagId="86">
        <name>Christian</name>
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      <tag tagId="227">
        <name>Christianity</name>
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      <tag tagId="2211">
        <name>Christogram</name>
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      <tag tagId="68">
        <name>Church</name>
      </tag>
      <tag tagId="2216">
        <name>Donnybrook</name>
      </tag>
      <tag tagId="2212">
        <name>Donnybrook stone</name>
      </tag>
      <tag tagId="2213">
        <name>font</name>
      </tag>
      <tag tagId="2214">
        <name>I.H.S.</name>
      </tag>
      <tag tagId="2215">
        <name>Jesus</name>
      </tag>
      <tag tagId="150">
        <name>Perth</name>
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      <tag tagId="113">
        <name>religion</name>
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      <tag tagId="2210">
        <name>religious</name>
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      <tag tagId="1822">
        <name>St George</name>
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      <tag tagId="374">
        <name>stone</name>
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      <tag tagId="838">
        <name>WA</name>
      </tag>
      <tag tagId="73">
        <name>Western Australia</name>
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