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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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&lt;p&gt;A view of the large rose window on the eastern wall of Winthrop Hall at The University of Western Australia. Inside the hall, the rose window is a focal point above the dais. Rose windows were popular decorative features of Romanesque and especially Gothic architecture in England and Europe by the thirteenth century.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;About Winthrop Hall:&lt;/strong&gt;&lt;/p&gt;&#13;
Winthrop Hall was designed by Melbourne architect Rodney Alsop. It was built in a Romanesque style, typified by its rounded arches, columns, arcading, sturdy walls (they are 9ft thick) and large square tower. The architect described the style as being of Italian ancestry, but notably &amp;ldquo;anglicised and adapted to the local conditions&amp;rdquo; (See &lt;em&gt;Western Mail&lt;/em&gt;, 21 April 1932, pp.14: &lt;a href="http://nla.gov.au/nla.news-article38891565" target="_blank"&gt;http://nla.gov.au/nla.news-article38891565&lt;/a&gt;). Winthrop Hall, Hackett Hall to its east, and the Great Gate and the Arts and Administration Building to its west were designed and built together as a group of University Buildings. They were funded by a bequest from The University of Western Australia&amp;rsquo;s first Chancellor, Sir John Winthrop Hackett (1848-1916), and were officially opened at a ceremony on 13 April 1932. Based on photographs taken by Rodney Alsop, Winthrop Hall&amp;rsquo;s architect, in Italy in 1925, the design for the rose window is likely to be based on one at the Basilica of San Francesco in Assisi. (See R. J. Ferguson, &lt;em&gt;Crawley Campus: The Planning and Architecture of the University of Western Australia, &lt;/em&gt;University of Western Australia Press, Perth, 1993, p.41).The Basilica of San Francesco was built between 1228 and 1253. For an image of its rose window, visit: &lt;a href="http://www.therosewindow.com/index-rose2.htm" target="_blank"&gt;http://www.therosewindow.com/index-rose2.htm&lt;/a&gt;&lt;/div&gt;</text>
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                <text>&lt;span style="font-size: 12pt; font-family: 'Times New Roman','serif';"&gt; An image of the window and mosaic featured on the northern side of the Great Gate at the University of Western Australia, Crawley. The University commissioned artist Mervyn Napier Waller to design and produce the mosaic positioned above the window to the Senate chamber in 1931. The mosaic, known as the &amp;lsquo;Five Lamps of Learning&amp;rsquo;, features five figures who each represent one of the virtues of wisdom, understanding, counsel, courage and knowledge (For more information on the &amp;lsquo;Five Lamps of Learning&amp;rsquo; mosaic, see the UWA Archives website: &lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;a href="http://archives.uwa.edu.au/page/84543" target="_blank"&gt;&lt;span style="font-family: 'Times New Roman','serif';"&gt;http://archives.uwa.edu.au/page/84543&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-size: 12pt; font-family: 'Times New Roman','serif';"&gt;, accessed 1/2/2011). &lt;/span&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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Winthrop Hall was designed by Melbourne architects Rodney Alsop and Conrad Sayce, whose joint entry won an architectural competition held by the University Senate in 1927. The impetus for the competition was a large bequest left by the Universityâ€™s first Chancellor, Sir John Winthrop Hackett, who had died in 1916. Alsop, the senior of the pair, was employed as the lead architect and they began the project of building Winthrop Hall and the Hackett Buildings together. However, they fell out in the process and Sayce left before the buildings were completed. One of the points on which they disagreed was Alsopâ€™s replacement of the clock tower in the original design with the Italian Campanile style tower that stands today (See R. J. Ferguson, Crawley Campus: The Planning and Architecture of The University of Western Australia, University of Western Australia Press, Perth, 1993).&#13;
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                <text>&lt;p&gt;An image of the Royal Exhibition Building lit up at night during the Centennial International Exhibition in 1888, from the Illustrated Australian News. The Royal Exhibition Building was designed by architect Joseph Reed and completed in 1880. The round-arched architectural style of the design combines elements from Byzantine, Romanesque, Lombardic and Italian Renaissance buildings (&amp;lsquo;Rundbogenstil&amp;rsquo;). The dome specifically was modelled on Brunelleschi&amp;rsquo;s fifteenth-century design for the dome of the Florence Cathedral. Conservation and restoration of the building was completed in 1994, and the Royal Exhibition Building received National and World Heritage listing in 2004.&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt; The Royal Exhibition Building hosted two major world fairs in the late nineteenth century: the Melbourne International Exhibition in 1880 (for which purpose it was constructed), and then the Melbourne Centennial International Exhibition in 1888. Electric light was installed in the Building in 1888, which enabled visitors to attend the Exhibition at night for the first time. The Great Hall was also used for the opening of the first Commonwealth Parliament of Australia in 1901. For more about the Royal Exhibition Building, including a virtual tour inside the building, see the Museum Victoria Royal Exhibition Building website: &lt;a href="http://museumvictoria.com.au/reb/" target="_blank"&gt;http://museumvictoria.com.au/reb/&lt;/a&gt;&lt;/p&gt;</text>
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        <name>Rundbogenstil style</name>
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        <name>semi-circular arches</name>
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        <name>showcase</name>
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