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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Bishop Bromby memorial window, St Davidâ€™s Cathedral, Hobart, Tasmania</text>
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                <text>Anglican, Charles Bromby, Cloisters, Colm Cille, Gothic, Gothic Revival, Hobart, Iona, Ireland, kite shield, lancet window, memorial, Picts, St Alban, St Columba, St Davidâ€™s Cathedral, Scotland, shield, stained glass, Tas, Tasmania, tracery.</text>
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                <text>&lt;p&gt;This stained glass window is one of many in the Cloisters of St David&amp;rsquo;s Anglican Cathedral, Hobart. It is a memorial to Charles Henry Bromby (1814-1907), Bishop of Tasmania from 1864-1882. The tracery window features lancet windows of Sts Alban and Columba. St Alban was martyred in 3rd century Britain during Roman rule, and is suitably dressed in the window as a Roman soldier. However he carries a kite shield used in medieval Europe primarily in the 10th to 12th centuries. St Columba (521-597), also known as Colm Cille, was an early medieval Irish missionary monk who preached to the Picts in what is now Scotland. He established the monastery at Iona in the Inner Hebrides of western Scotland. St David&amp;rsquo;s Anglican Cathedral was designed by English architect George Frederick Bodley (1827-1907), Bishop Bromby&amp;rsquo;s brother-in-law, in 1865 in the Gothic Revival style, with further revisions in 1891. As the foundation stone for the Cloisters and Tower were not laid until 1892 they are likely to have been part of those revisions. They were completed and consecrated in 1936, long after the nave had been consecrated in 1874.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;For the artefacts inside the cloisters see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1160"&gt;http://ausmed.arts.uwa.edu.au/items/show/1160&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the Cathedral&amp;nbsp;interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Anglican, artefact, George Frederick Bodley, Cloisters, Dublin, England, Gothic, Gothic Revival, Hobart, Ireland, pillar, Salisbury Cathedral, St Davidâ€™s Cathedral, St Patrickâ€™s Cathedral, spire, Tas, Tasmania, Tudor Rose, Wales, Westminster Hall.</text>
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                <text>&lt;p&gt;St David&amp;rsquo;s Cathedral, Hobart, was designed by English architect George Frederick Bodley (1827-1907) in 1865 in the Gothic Revival style, with further revisions in 1891. As the foundation stone for the Cloisters and Tower were not laid until 1892 they are likely to have been part of those revisions. They were completed and consecrated in 1936. The Cloisters building acts as a museum and features a number of original medieval artefacts on its walls. The photographs below are of four of the items: a sculpture of a head from the wall of the twelfth-century St Patrick&amp;rsquo;s Cathedral in Dublin, a pillar from a spire on the fourteenth-century Salisbury Cathedral in England, a fifteenth-century Tudor Rose stone from the eleventh-century Westminster Hall in London, and a stone from the sixth-century St David&amp;rsquo;s Cathedral in Wales. The artefacts in the Cloisters provide a good opportunity for the public to interact with medieval material culture.&lt;/p&gt;&#13;
&lt;p&gt;For the exterior of the cloisters see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1163"&gt;http://ausmed.arts.uwa.edu.au/items/show/1163&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1163"&gt;http://ausmed.arts.uwa.edu.au/items/show/1163&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;St Finn Barr&amp;rsquo;s Primary School was established as a Catholic parish school in 1894 by the Presentation Sisters, who remained involved with the school until 1993. The school is located on Invermay Road in the Launceston suburb of Invermay. The main school building, now the administrative building, is in the Romanesque Revival architectural style. It was designed by Thomas Tandy in 1926. The side wings of the building feature semi-circular arched windows, a shape also employed for the three entrances in the centre of the building. &lt;/p&gt;&#13;
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The school&amp;rsquo;s website can be found at: &lt;a href="http://stfinnbarrs.tas.edu.au/"&gt;http://stfinnbarrs.tas.edu.au/&lt;/a&gt;</text>
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&#13;
About St. Patrick's Catholic Church, York:&#13;
&#13;
The Church's foundation stone was laid on St. Patrick's Day in 1875, with the building being completed in 1886. Its design is typical of the Gothic revival style with its spire and lancet windows. This style of architecture was particularly popular in England, Australia, and other British colonies throughout the eighteenth and nineteenth centuries.&#13;
&#13;
It was designed and built under the supervision of ex-convict Joseph Nunan, who was commissioned by the resident priest of the time, Father Patrick Gibney, to build a larger church to accommodate an increasing congregation.    </text>
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About St. Patrick's Catholic Church, York:&#13;
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The Church's foundation stone was laid on St. Patrick's Day in 1875, with the building being completed in 1886. Its design is typical of the Gothic revival style with its spire and lancet windows. This style of architecture was particularly popular in England, Australia, and other British colonies throughout the eighteenth and nineteenth centuries.&#13;
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        <src>https://ausmed.arts.uwa.edu.au/files/original/f9cc955f36fbbb23e031ba1212e86c5a.jpg</src>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>An image of St. Patrick's Catholic Church, located on South Street in York, a settlement ninety minutes south-east of Perth in Western Australia.&#13;
&#13;
The Church's foundation stone was laid on St. Patrick's Day in 1875, with the building being completed in 1886. Its design is typical of the Gothic revival style with its spire and lancet windows. This style of architecture was particularly popular in England, Australia, and other British colonies throughout the eighteenth and nineteenth centuries.&#13;
&#13;
It was designed and built under the supervision of ex-convict Joseph Nunan, who was commissioned by the resident priest of the time, Father Patrick Gibney, to build a larger church to accommodate an increasing congregation. </text>
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                <text>Carter, Bree</text>
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                <text>No Copyright</text>
              </elementText>
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