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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://blackwolfcaravan.blogspot.com.au/"&gt;http://blackwolfcaravan.blogspot.com.au/&lt;/a&gt;&lt;/span&gt;</text>
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                <text>&lt;p&gt;Black Wolf is a living history/re-enactment group based in the Queensland town of Allora. They are focus on the Crusades and Crusader experiences in the Middle East during the twelfth and thirteenth centuries. Their leader is &amp;lsquo;Duke Robert IV&amp;rsquo;. The text on the Black Wolf website emphasises the multicultural nature of the Holy Land (referred to as Outremer: Fr. outre mer, over-seas) and the merchant caravans travelling the Silk Road from China. Two famous medieval explorers, Marco Polo and Ibn Battuta, are also mentioned. The multicultural interest of the group can be seen in their members, whose characters are French, Turkish, Irish, Danish, and English. The gallery on the website highlights the martial aspects of the group, with members dressed as knights in chain mail and helmets fighting with swords and shields.&lt;/p&gt;&#13;
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&amp;lsquo;On Tapestry&amp;rsquo;, &lt;em&gt;The Bulletin&lt;/em&gt;, 14 July 1910</text>
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                <text>Ballad, chivalry, Courtly Love, crusade, E. J. Brady (1869-1952), Holy Land, joust,  knight, romance.</text>
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                <text>This engaging &amp;ldquo;McCrae-like medieval narrative ballad&amp;rdquo; (John B. Webb, &amp;ldquo;A Critical Biography of Edwin James Brady 1869-1952&amp;rdquo; PhD Thesis, The University of Sydney, 1972, p.95) concerns the fortunes of a triad of ill-starred lovers. On one hand there is brave Sir Maurice, the wealthy and impetuous knight who excels in chivalric conduct but who is tragically slain while crusading in the Holy Land. On the other is the golden-haired Lady Alice, a romantic counterpart for him who naively &amp;ldquo;vowed [...] Her Lord he&amp;rsquo;d be&amp;rdquo;. Unknown to either of these two quixotically tempered day-dreaming protagonists is the real target of Cupid&amp;rsquo;s dart, the &amp;ldquo;crow-haired&amp;rdquo; ladies maid, who recognises from the outset that her suit is hopeless, and who must content herself with plaintive prayers and &amp;ldquo;A [hasty] daylight glance.&amp;rdquo; The tragedy of the missed opportunity that is all too often &amp;lsquo;staring you in the face&amp;rsquo; is a theme that Brady also favours and highlights in his less accomplished, more light-hearted medievalist poem, &amp;lsquo;On Keira (See: &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1032" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1032&lt;/a&gt;).&amp;rsquo;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1032" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1032&lt;/a&gt;</text>
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                <text>&amp;lsquo;As it is in the Days of Now&amp;rsquo;,&lt;em&gt; The Bulletin&lt;/em&gt;, 12 March 1908</text>
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                <text>Absent lover, anti-nostalgia, chivalry, critique, cuckoldry, Courtly Love, false friendship, gold, Henry Lawson (1867-1922), Holy Land, honour, knight, knighthood, Lady Clare, Noblesse oblige, reputation, romance, Sir Antony Mark, Sir William, the Crusades.  </text>
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                <text>This poem, which is best described as &amp;ldquo;an anti-nostalgic demystification of chivalric heroism&amp;rdquo; (Louise D&amp;rsquo;Arcens, &lt;em&gt;Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910&lt;/em&gt;, Turnhout, Brepols, 2011, p.143), draws a link to the medieval past to suggest that little has changed with regards human behaviour. &amp;lsquo;As it is in the Days of Now,&amp;rsquo; is a tale of cover-up, falsity, and cuckoldry. Here, everyone but Sir William is aware of an affair that took place between his Lady and his best friend while he was fighting in the Holy Land. The poor man even unwittingly drinks wine in the company of his rival and false friend. Lawson&amp;rsquo;s ubiquitous narrator states, &amp;ldquo;And the true friend pledges the false friend thrice.&amp;rdquo; Lawson refuses to romanticise love in accordance with medieval notions of chivalry. Lust and cupidity are here disguised and subsumed into &amp;lsquo;noblesse oblige,&amp;rsquo; and Lawson&amp;rsquo;s poem rather denigrates selfish &amp;lsquo;knightly&amp;rsquo; behaviour, with its false friendships, cuckoldry, and risible notions of Courtly Love. The poem in fact, is an angry riposte to nineteenth-century nostalgia and naivet&amp;eacute; as it relates to the individual&amp;rsquo;s lack of nous and foresight.</text>
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                <text>Journal (Microfilm)</text>
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        <name>Absent lover</name>
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        <name>anti-nostalgia</name>
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        <name>chivalry</name>
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        <name>Courtly Love</name>
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        <name>critique</name>
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        <name>cuckoldry</name>
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        <name>false friendship</name>
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        <name>gold</name>
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        <name>Henry Lawson (1867-1922)</name>
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        <name>Holy Land</name>
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        <name>honour</name>
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        <name>knighthood</name>
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        <name>Lady Clare</name>
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        <name>Noblesse oblige</name>
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      <tag tagId="5242">
        <name>reputation</name>
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      <tag tagId="2098">
        <name>romance</name>
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      <tag tagId="5243">
        <name>Sir Antony Mark</name>
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      <tag tagId="5244">
        <name>Sir William</name>
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        <name>the Crusades</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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          <name>URL</name>
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              <text>&lt;p&gt;&lt;a href="http://www.esford.com/armourytemplar.htm"&gt;http://www.esford.com/armourytemplar.htm&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>The Esford Armoury â€˜Knights Templarâ€™ Range</text>
              </elementText>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18094">
                <text>arms, armoury, Brisbane, chain mail, chainmail, cloak, Crusades, dagger, Esford Armoury, Holy Land, hood, knights, Knights Templar, mail coat, medieval clothing, military order, Order of the Temple, Queensland, QLD, re-enactment society, red cross, shield, soldiers of Christ, surcoat, sword, war, warfare, weapons</text>
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            <description>An account of the resource</description>
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                <text>This website advertises a range of Knights Templar garb and weaponry that has been designed with the guidance of â€˜The Knights Templarâ€™, a Brisbane-based re-enactment society. The Knights Templar formed what was arguably the most powerful and well-known of the Christian military orders in the medieval period. The order was endorsed by the Catholic Church in the early twelfth century and was particularly active during the Crusades. The clothing adopted by the Templar Knights was distinctive, consisting of a white surcoat with a red cross. Most of this â€˜war gearâ€™ is visually self-explanatory, thanks to films such as The Kingdom of Heaven (2003), which depicts crusading knights playing politics and fighting Saladin in the Holy Land. The Esford online catalogue promotes their version of the Templar sword, dagger, helmet, gambeson, surcoat, and hooded cloak. The purpose of the surcoat was initially to protect the wearer from the sun, although the practice was quickly adopted elsewhere, even in the northern lands where the climate did not warrant such precautions (See Mark Cruse, â€˜Material Cultureâ€™ in Albrecht Classen, ed. Handbook of Medieval Studies: Terms, Methods, Trends, Vol. 1., Berlin, De Gruyter, 2010, p.841). Curiously, there are two essential items missing from the Templarâ€™s equipment: a mail coat and a red cross emblazoned triangular shield. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Esford Swords and Armoury, Brisbane</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18097">
                <text>November, 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18098">
                <text>Esford Swords and Armoury, 2011</text>
              </elementText>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18099">
                <text>Hyperlink</text>
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            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
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                <text>English </text>
              </elementText>
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        <name>armoury</name>
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        <name>Arms</name>
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        <name>Brisbane</name>
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      <tag tagId="2009">
        <name>chain mail</name>
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        <name>chainmail</name>
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        <name>cloak</name>
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        <name>Crusades</name>
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        <name>dagger</name>
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        <name>Esford Armoury</name>
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        <name>Holy Land</name>
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        <name>hood</name>
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      <tag tagId="1249">
        <name>knights</name>
      </tag>
      <tag tagId="3215">
        <name>Knights Templar</name>
      </tag>
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        <name>mail coat</name>
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      <tag tagId="1290">
        <name>medieval clothing</name>
      </tag>
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        <name>Military Order</name>
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        <name>Order of the Temple</name>
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        <name>Qld</name>
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        <name>Queensland</name>
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        <name>Soldiers of Christ</name>
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        <name>sword</name>
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        <name>war</name>
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        <name>warfare</name>
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        <name>weapons</name>
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