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                <text>&lt;p&gt;The present St Mary&amp;rsquo;s Catholic Cathedral was designed by English architect William Wardell, with minor changes made by local architects Hennessy, Hennessy and Co. Although the foundation stone was laid in 1868, the cathedral was not completed until 2000 when the spires originally planned by Wardell were finally built. The sandstone building is the largest church in Australia and is unusual in being orientated north-south rather than east-west. In 1930 the cathedral was granted the title of minor basilica by Pope Pius XI. It is in Gothic style with pointed arched windows, spires, towers, stained glass, tracery, and rose windows.&lt;/p&gt;&#13;
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                <text>&lt;p&gt;The present St Mary&amp;rsquo;s Catholic Cathedral was designed by English architect William Wardell, with minor changes made by local architects Hennessy, Hennessy and Co. Although the foundation stone was laid in 1868, the cathedral was not completed until 2000 when the spires originally planned by Wardell were finally built. The sandstone building is the largest church in Australia and is unusual in being orientated north-south rather than east-west. In 1930 the cathedral was granted the title of minor basilica by Pope Pius XI. It is in Gothic style with pointed arched windows, spires, towers, stained glass, tracery, and rose windows.&lt;/p&gt;&#13;
For more on the cathedral see &lt;a href="http://www.stmaryscathedral.org.au/" target="_blank"&gt;http://www.stmaryscathedral.org.au/&lt;/a&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;Cardinal Cerretti Chapel is part of St Patrick&amp;rsquo;s Seminary on Darley Street in the Sydney suburb of Manly. The chapel opened in 1935 and was designed by Hennessy, Hennessy and Co. It is in Gothic style and features pointed arched windows and flying buttresses at the rear of the building. The Seminary closed in 1995 due to a lack of students (seminarians) and it is now the International College of Management. Cardinal Cerretti Chapel is still available for weddings. The photograph shows the flying buttresses at the rear of the building.&lt;/p&gt;&#13;
&lt;p&gt;The chapel is named after Cardinal Cerretti, the first Apostolic Delegate (diplomatic representative of the Vatican) in Australia.&lt;/p&gt;&#13;
&lt;p&gt;For more on the chapel see &lt;a href="http://www.sydneycatholic.org/works/cerretti/history.shtml" target="_blank"&gt;http://www.sydneycatholic.org/works/cerretti/history.shtml&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Image of a trade mark designed by William Wolfen &amp; Co. for James Hennessy &amp; Company Liquor. Depiction of an armoured knight's arm wielding a battleaxe. </text>
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