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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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          <name>URL</name>
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              <text>&lt;a href="http://www.youtube.com/watch?v=q7O7NgjWPeM" target="_self"&gt;http://www.youtube.com/watch?v=q7O7NgjWPeM&lt;/a&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;em&gt;Arthur! And the Square Knights of the Round Table&lt;/em&gt; Children's Cartoon series</text>
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                <text>Animation, armour, Arthur, Arthurian legend, Black Knight, cartoon, childrenâ€™s series, chivalry, damsel in distress, dragon, excalibur, Guinevere, jousting, knight, Lancelot, maiden, Merlin, Morgan Le Fay, rescue, round table, song, sword, television, TV.</text>
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                <text>&lt;em&gt;Arthur! And the Square Knights of the Round Table&lt;/em&gt; was an animated Australian cartoon series written by Melbourne playwright Alex Buzo with Rod Hull, Lyle Martin, John Palmer and M. Robinson. It was produced between 1966 and 1968. Based on Arthurian legend, the cartoons feature characters such as King Arthur, Guinevere, Lancelot, Merlin, a Black Knight and Morgan le Fay. The opening jingle (available at &lt;a href="http://www.youtube.com/watch?v=q7O7NgjWPeM" target="_self"&gt;http://www.youtube.com/watch?v=q7O7NgjWPeM&lt;/a&gt;) provides a good overview of the Arthurian themes and motifs in the cartoons, in verse! For example, the pastimes of the hero Arthur &amp;ndash; &amp;lsquo;the king of Camelot, who likes to joust a lot&amp;rsquo; &amp;ndash; are identified as jousting, dragon-slaying, wooing Guinevere, foiling the evil plans of the Black Knight, rescuing damsels in distress, drawing swords from stones, making tables round, and convening meetings of his bravest knights.</text>
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                <text>Written by Alex Buzo with Rod Hull, Lyle Martin, M. Robinson &amp; John Palmer&#13;
Produced by Walter J. Hucker&#13;
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            <name>Source</name>
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                <text>You Tube</text>
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            <name>Publisher</name>
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                <text>Air Programs International (API)</text>
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                <text>1966-1968</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Air Programs International (API)</text>
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        <name>Arthurian legend</name>
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        <name>cartoon</name>
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        <name>chivalry</name>
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        <name>dragon</name>
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        <name>Excalibur</name>
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        <name>Guinevere</name>
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        <name>jousting</name>
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        <name>knight</name>
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        <name>maiden</name>
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        <name>Merlin</name>
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        <name>Morgan Le Fay</name>
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        <name>rescue</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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          <name>URL</name>
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              <text>&lt;p&gt;To view this image,&lt;/p&gt;&#13;
&lt;p&gt;1. go to: &lt;a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"&gt; &lt;span style="color: #0000ff;"&gt;http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
2. search by artist or title.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Queen Guenever as a nun</text>
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                <text>Abbess, Almesbury, art, Arthur, Arthurian, Aubrey Beardsley (1872-1898), convent, death, Guenever, Guinevere, illustration, J.M. Dent &amp; Sons, Le Morte dâ€™Arthur, nun, nunnery, penance, queen, SA, South Australia, Thomas Malory</text>
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            <description>An account of the resource</description>
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                <text>This work was gifted to the Art Gallery of South Australia in 1960 by Mrs R.A. Haste. It is a line-block reproduction on paper depicting a scene from Thomas Maloryâ€™s fifteenth-century canonical Arthurian text Le Morte dâ€™Arthur. Upon hearing of Arthurâ€™s death in the final book, his queen Guinevere goes with five ladies to a nunnery at Almesbury. Here she leads a virtuous and penitential life of fasting and prayers, dressed in white and black, until her own death years later. The work was created by Aubrey Beardsley for a nineteenth-century illustrated edition of Le Morte dâ€™Arthur, which was issued in 12 parts between 1893 and 1984 by London publisher J.M. Dent &amp; Sons. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Beardsley, Aubrey</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="19658">
                <text>Art Gallery of South Australia</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>c. 1893</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="19660">
                <text>Art Gallery of South Australia</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="19661">
                <text>line-block reproduction on paper, 20.8 x 16.0 cm;&#13;
Hyperlink</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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        <name>Abbess</name>
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        <name>Arthur</name>
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        <name>Aubrey Beardsley (1872-1898)</name>
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        <name>convent</name>
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        <name>Guinevere</name>
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        <name>Le Morte dâ€™Arthur</name>
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        <name>nunnery</name>
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        <name>penance</name>
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        <name>queen</name>
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        <name>SA</name>
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        <name>Thomas Malory</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/b1d046f64b7c50c62639d1b6c0ea1376.jpg</src>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Digital Photograph; JPEG</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Camelot": The Original Motion Picture Soundtrack</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>record, records, music, orchestra, orchestral, Alan Jay Lerner, Arthur, Arthurian, Arthuriana, Camelot, chivalric, chivalry, cinema, entertainment, film, Franco Nero, Guinevere, Hoyts Century Theatre, York, King Arthur, knight, knighthood, Lancelot, movie, New South Wales, NSW, popular culture, Richard Harris, Round Table, Sydney, theatre, theatres, Vanessa Redgrave</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>An image of a record found in a York secondhand store featuring the soundtrack to the popular 1967 film "Camelot." An example of the popularity, commerciality and timelessness of Arthurian legends, the film was a box office hit in the West. The film was a screen adaptation of the 1960 musical of the same name by Alan Jay Lerner. It starred Richard Harris as King Arthur, Vanessa Redgrave as Guinevere and Franco Nero as Lancelot. For more information about the film, consult &lt;a href="http://www.imdb.com/title/tt0061439/"&gt;http://www.imdb.com/title/tt0061439/. &lt;/a&gt;&lt;br /&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16487">
                <text>Carter, Bree</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>27 November 2011</text>
              </elementText>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
              </elementText>
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          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
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                <text>&amp;ldquo;Crowd outside the Hoyts Century Theatre at the Preview of Camelot, Sydney,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, accessed November 28, 2011, &lt;a href="../../../items/show/26"&gt;http://ausmed.arts.uwa.edu.au/items/show/26 &lt;/a&gt;</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="16491">
                <text>Digital Photograph; JPEG</text>
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        <name>Alan Jay Lerner</name>
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        <name>Arthur</name>
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        <name>Arthurian</name>
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        <name>Arthuriana</name>
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      <tag tagId="347">
        <name>Camelot</name>
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        <name>chivalric</name>
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      <tag tagId="138">
        <name>chivalry</name>
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        <name>cinema</name>
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        <name>entertainment</name>
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                <text>â€˜Under Merlinâ€™s Spellâ€™</text>
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                <text>This entertainment piece from The West Australianâ€™s online edition reviews the BBC series Merlin (2008). At the time the article was written in 2010, the second season of the series was being aired on Australian television by Channel 10. The characters and setting of the show are based on figures and places from Arthurian legend, however, the plot focuses on the lives of the characters prior to the mythologised events of the medieval legend. The characters include Merlin, Arthur, Guinevere, Gaius and Morgana, and the story is set in Camelot. Merlinâ€™s Producer, Johnny Capps, is quoted as saying that they needed a mythological tale and he thought that Merlin â€œjust seemed to be right for re-interpretation for a 21st- century audienceâ€. On the motivation for the plot, he continued: â€œWe decided to start before they were famous because what appealed to us was a story of empowerment. What if we had a young Arthur who was not yet King and Merlin as a young wizard, coping with trying to be a teenager and at the same time his destiny and extraordinary power? And we subverted the expectation around Guinevere by making her a lowly servant girl."</text>
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            <description>A language of the resource</description>
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        <name>Arthur</name>
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        <name>Channel 10</name>
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        <name>Guinevere</name>
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        <name>Morgana</name>
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              <text>&lt;a href="http://nla.gov.au/nla.pic-an24431208"&gt;http://nla.gov.au/nla.pic-an24431208&lt;/a&gt;</text>
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                <text>Crowd outside the Hoyts Century Theatre at the Preview of Camelot, Sydney</text>
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                <text>Alan Jay Lerner, Arthur, Arthurian, Arthuriana, Camelot, chivalric, chivalry, cinema, entertainment, film, Franco Nero, Guinevere, Hoyts Century Theatre, King Arthur, knight, knighthood, Lancelot, movie, New South Wales, NSW, popular culture, Richard Harris, Round Table, Sydney, theatre, Vanessa Redgrave</text>
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                <text>In this black and white photograph by J. A. Mulligan, a crowd gathers outside the Hoyts Century Theatre in Sydney on 20 December 1967 to attend a preview of the film Camelot. The film was a screen adaptation of the 1960 musical of the same name by Alan Jay Lerner. Based on Arthurian legend, the plot tells the story of Arthurâ€™s marriage to Guinevere, his establishment of the Round Table, the love triangle that ensued between Arthur, Guinevere and Lancelot and the rescue of Guinevere by Lancelot when she was sentenced to death for her adultery. The film starred Richard Harris as King Arthur, Vanessa Redgrave as Guinevere and Franco Nero as Lancelot. </text>
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                <text>Mulligan, J.A.</text>
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                <text>National Library of Australia</text>
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            <name>Publisher</name>
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                <text>20 December, 1967</text>
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              <elementText elementTextId="14462">
                <text>National Library of Australia</text>
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        <name>adultery</name>
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        <name>Alan Jay Lerner</name>
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                <text>Laurie Payne &amp; Tony Hughes in Costume for Camelot</text>
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                <text>In this black and white photograph from the Laurie Payne Collection of Theatrical Photographs (held by the National Library of Australia), actors Laurie Payne and Tony Hughes in their costumes for the musical Camelot are pictured with an unnamed man in in street clothes. Payne and Hughes are dressed in suits of armour. The musical, written by Alan Jay Lerner in 1960, is based on Arthurian legend and tells the story of Arthurâ€™s marriage to Guinevere, his establishment of the Round Table, the love triangle that ensued between Arthur, Guinevere and Lancelot and the rescue of Guinevere by Lancelot when she was sentenced to death for her adultery.</text>
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              <elementText elementTextId="14478">
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                <text>National Library of Australia</text>
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        <name>Alan Jay Lerner</name>
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        <name>Armor</name>
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        <name>Armour</name>
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        <name>Arthur</name>
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        <name>Arthurian legend</name>
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        <name>Arthuriana</name>
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        <name>Camelot</name>
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        <name>chainmail</name>
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        <name>chivalric</name>
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        <name>chivalry</name>
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        <name>costume</name>
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        <name>entertainment</name>
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        <name>Guinevere</name>
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        <name>King Arthur</name>
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        <name>knight</name>
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        <name>knighthood</name>
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        <name>Lancelot</name>
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        <name>musical</name>
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        <name>performance</name>
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        <name>popular culture</name>
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        <name>stage performance</name>
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        <name>theatre</name>
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        <name>Tony Hughes</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="4106">
              <text>1 photograph : b&amp;w, gelatin silver</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
          <elementTextContainer>
            <elementText elementTextId="4107">
              <text>21 x 18.2 cm.  </text>
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          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="14536">
              <text>&lt;a href="http://nla.gov.au/nla.pic-an22828135"&gt;http://nla.gov.au/nla.pic-an22828135&lt;/a&gt;</text>
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          </elementTextContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Laurie Payne, Tour of Camelot, 1966  </text>
              </elementText>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>actor, armor, armour, Arthur, Arthurian, Arthuriana, Camelot, chivalric, chivalry, costume, entertainment, Guinevere, helmet, King Arthur, knight, knighthood, Lancelot, Laurie Payne, musical, performance, plate armour, popular culture, Round Table, stage, stage performance</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>In this black and white photograph from the Laurie Payne Collection of Theatrical Photographs (held by the National Library of Australia), actor Laurie Payne poses in his costume, a suit of armour, for the musical Camelot. The musical, written by Alan Jay Lerner in 1960, is based on Arthurian legend and tells the story of Arthurâ€™s marriage to Guinevere, his establishment of the Round Table, the love triangle that ensued between Arthur, Guinevere and Lancelot and the rescue of Guinevere by Lancelot when she was sentenced to death for her adultery.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Bryan &amp; Shear (Firm) </text>
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            </elementTextContainer>
          </element>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="14531">
                <text>National Library of Australia: &lt;a href="http://nla.gov.au/nla.pic-an22828135" target="_blank"&gt;http://nla.gov.au/nla.pic-an22828135&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="14532">
                <text>Bryan &amp; Shear (Firm) </text>
              </elementText>
            </elementTextContainer>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1966</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14534">
                <text>National Library of Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14535">
                <text>Hyperlink</text>
              </elementText>
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        <name>actor</name>
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        <name>Armour</name>
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        <name>Arthur</name>
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        <name>Arthurian</name>
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        <name>Arthuriana</name>
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        <name>Camelot</name>
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        <name>chivalric</name>
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        <name>chivalry</name>
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        <name>entertainment</name>
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        <name>Guinevere</name>
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        <name>helmet</name>
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        <name>King Arthur</name>
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        <name>knight</name>
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        <name>knighthood</name>
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        <name>Lancelot</name>
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        <name>Laurie Payne</name>
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        <name>plate armour</name>
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        <name>play</name>
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        <name>plays</name>
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        <name>popular culture</name>
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        <name>round table</name>
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        <name>stage performance</name>
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