1 8 20 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://sydney.edu.au/senate/images/stained_glass/AngloSaxons.JPG" target="_blank">http://sydney.edu.au/senate/images/stained_glass/AngloSaxons.JPG</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anglo-Saxon Window, Great Hall, University of Sydney Subject The topic of the resource Alcuin, Alcuin of York, Alcuinis, Anglo-Saxon, Anglo-Saxon Window, Bede, Caedman, Caedmon, Carolingian Renaissance, Charlemagne, CÃ¦dmon, England, Great Hall, New South Wales, NSW, stained glass, Sydney, University of Sydney, Venerable Bede Description An account of the resource The Anglo-Saxon window in the Great Hall of the University of Sydney is one of a number of windows along the side walls of the hall containing portraits of famous people. It includes three notable Anglo-Saxon churchmen and writers from the Kingdom of Northumbria. Bede (c. 673-735) was a monk at the monasteries of Monkwearmouth and Jarrow. His most famous work is the Ecclesiastical History of the English People and he is sometimes referred to as the father of English history. Alcuin (c. 735-804) was a teacher who headed the York School before being invited by Charlemagne to join the Frankish court in the 781, from where he was one of the main scholars to contribute to the Carolingian Renaissance. Alcuin became abbot of the monastery of St Martin of Tours in 796. Caedmon (later seventh century) is the earliest English poet whose name is known, and Caedmonâ€™s Hymn is arguably the earliest known poem in English. According to Bede he became a monk at the monastery of Whitby. The stained glass was made in England and shipped to Sydney in time for the official opening of the Great Hall in 1859. Creator An entity primarily responsible for making the resource White, David Date A point or period of time associated with an event in the lifecycle of the resource 11 February 2012 Rights Information about rights held in and over the resource University of Sydney; David White (photograph in hyperlink) Format The file format, physical medium, or dimensions of the resource Hyperlink Alcuin Alcuin of York Alcuinis Anglo-Saxon Anglo-Saxon Window Bede CÃ¦dmon Caedman Caedmon Carolingian Renaissance Charlemagne England Great Hall New South Wales NSW stained glass Sydney University of Sydney Venerable Bede Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://sydney.edu.au/senate/images/stained_glass/Medieval.JPG" target="_blank">http://sydney.edu.au/senate/images/stained_glass/Medieval.JPG</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Medieval Writerâ€™s window, The Great Hall at The University of Sydney Subject The topic of the resource Author, canopy, Education, Geoffrey Chaucer (1340-1400), Gothic Revival, Great Hall, James I of Scotland (1394-1437), John Fortescue (1394-1476), learning, literature, medieval, neo-gothic, New South Wales, NSW, Quadrangle, Stained Glass, Sydney, The University of Sydney, university, university buildings, window, writer Description An account of the resource An image of one of a series of colourful and elaborate figural windows with trefoil heads created especially for The University of Sydney by the London firm of Clayton & Bell (c. 1859-60). The window depicts three well-known medieval writers: Geoffrey Chaucer (l), the jurist John Fortescue (c), and James I of Scotland (r). Each of the three figures is fully ‘canopied,’ a self-conscious nineteenth-century ‘medievalism’ that lends an ecclesiastical dignity to the overall composition. The Great Hall at the University of Sydney is functionally a place of assembly, and its appearance is strikingly similar to the choir of a medieval church. The Hall is designed to invoke the ambience, seriousness, and sense of achievement of the great medieval seats-of-learning established at Oxford and Cambridge. The collection of windows gathered within its walls is one of the finest anywhere in Australia, and encompasses a variety of themes, including those of learning, patronage, royalty and corporate endeavour. To view this and other stained glass windows from the Great Hall and Quadrangle, see: <a href="http://sydney.edu.au/senate/Quadrangle_decorative_features_stained_glass.shtml%20" target="_blank">http://sydney.edu.au/senate/Quadrangle_decorative_features_stained_glass.shtml </a> Creator An entity primarily responsible for making the resource White, David Date A point or period of time associated with an event in the lifecycle of the resource Unknown Rights Information about rights held in and over the resource Â© David White (photo) Format The file format, physical medium, or dimensions of the resource Hyperlink Author canopy education Geoffrey Chaucer (1340-1400) Gothic Revival Great Hall James I of Scotland (1394-1437) John Fortescue (1394-1476) learning literature medieval neo-Gothic New South Wales NSW quadrangle stained glass Sydney The University of Sydney university university buildings window writer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.flickr.com/photos/raysalmanac/5735966859/in/photostream" target="_blank">http://www.flickr.com/photos/raysalmanac/5735966859/in/photostream</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Peterâ€™s East Window, SCEGGS Great Hall, Darlinghurst, Sydney Subject The topic of the resource Canopy, Christ, Christianity, Darlinghurst, Empire, Ferguson & Urie, geometric patterning, Great Hall, medallion, medieval design, New South Wales, NSW, quarries, SGEGGS, school, school buildings, St Peterâ€™s Church, Stained glass, Sydney, Sydney Girls Grammar School, window Description An account of the resource An image of the East Window in the Great Hall at Sydney Girls Grammar School (SGEGGS) in Darlinghurst, Sydney. The window was originally installed in St Peterâ€™s church in 1867, but the church has since been incorporated into the School Hall. It is the only known Ferguson & Urie window in Sydney. Depictions of Christ and the disciples in lozenge and mandorla medallions stand out amidst a richly patterned geometrical background. This window employs several medieval design and glazing techniques, notably: 12th century lancets, the use of â€˜diaperedâ€™ background quarries, extensive geometric patterning, and painted figures restricted to â€˜mandorlaâ€™ and lozenge-shaped medallions. Note the comparatively larger, central figure of Christ standing under the imitation c. 14th century canopy. While not limited to a medieval primary colour scheme, the overall feeling and tone of this window is decidedly one of an adventurous medievalism. Such a window transmits the essence of the gospel message in visual narrative form, to the effect that the contents of each medallion can quite easily be â€˜readâ€™ by onlookers. The twin themes of Empire and Christianity merge seamlessly within the context of the windowâ€™s Neo-Gothic medievalism. Creator An entity primarily responsible for making the resource Brown, Ray Date A point or period of time associated with an event in the lifecycle of the resource 6 May 2011 Rights Information about rights held in and over the resource Â© Ray Brown Format The file format, physical medium, or dimensions of the resource Hyperlink canopy Christ Christianity Darlinghurst Empire Ferguson & Urie geometric patterning Great Hall medallion medieval design New South Wales NSW quarries school school buildings SGEGGS St Peterâ€™s Church stained glass Sydney Sydney Girls Grammar School window https://ausmed.arts.uwa.edu.au/files/original/54865f0eed8a2635475e7ba7cda10b8d.jpg 9a44dc5f54d98385c2cda498d879d515 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 526 Width 480 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rose Window, Winthrop Hall, the University of Western Australia Subject The topic of the resource architecture, architect, Assisi, thirteenth century, Rodney Alsop, Basilica of San Francesco, Crawley, dais, great hall, Italian influence, organ, Romanesque style, rose window, Sir John Winthrop Hackett (1848-1916), The University of Western Australia, Western Australia, UWA, WA, window, window tracery, Winthrop Hall Description An account of the resource <div class="element-text"> A view of the large rose window on the eastern wall of Winthrop Hall at The University of Western Australia. Inside the hall, the rose window is a focal point above the dais. Rose windows were popular decorative features of Romanesque and especially Gothic architecture in England and Europe by the thirteenth century. About Winthrop Hall: Winthrop Hall was designed by Melbourne architect Rodney Alsop. It was built in a Romanesque style, typified by its rounded arches, columns, arcading, sturdy walls (they are 9ft thick) and large square tower. The architect described the style as being of Italian ancestry, but notably “anglicised and adapted to the local conditions” (See Western Mail, 21 April 1932, pp.14: <a href="http://nla.gov.au/nla.news-article38891565" target="_blank">http://nla.gov.au/nla.news-article38891565</a>). Winthrop Hall, Hackett Hall to its east, and the Great Gate and the Arts and Administration Building to its west were designed and built together as a group of University Buildings. They were funded by a bequest from The University of Western Australia’s first Chancellor, Sir John Winthrop Hackett (1848-1916), and were officially opened at a ceremony on 13 April 1932. Based on photographs taken by Rodney Alsop, Winthrop Hall’s architect, in Italy in 1925, the design for the rose window is likely to be based on one at the Basilica of San Francesco in Assisi. (See R. J. Ferguson, Crawley Campus: The Planning and Architecture of the University of Western Australia, University of Western Australia Press, Perth, 1993, p.41).The Basilica of San Francesco was built between 1228 and 1253. For an image of its rose window, visit: <a href="http://www.therosewindow.com/index-rose2.htm" target="_blank">http://www.therosewindow.com/index-rose2.htm</a></div> Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 28 January 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG architect architecture Assisi Basilica of San Francesco Crawley dais Great Hall Italian influence organ Rodney Alsop Romanesque style rose window Sir John Winthrop Hackett (1848-1916) The University of Western Australia thirteenth century UWA WA Western Australia window window tracery Winthrop Hall https://ausmed.arts.uwa.edu.au/files/original/6130cddf3bc68b72720a23aa61fa4f04.jpg c42549d4fcbb15012398c60f7b2104bb Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 999 Width 709 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bonython Hall at the University of Adelaide Subject The topic of the resource Adelaide, arch, arches, architecture, arrow-slit, blind arch, ceremonial hall, ceremony, crenellation, gable, graduation, great hall, hall, heraldic shield, heraldry, lancet arch, limestone, lion, neo-gothic, perpendicular style, quatrefoil, Sir John Langdon Bonython (1848-1939), tower, tracery, The University of Adelaide, university, university buildings, window, windows Description An account of the resource An image of Bonython Hall at The University of Adelaide in South Australia. Bonython Hall is a neo-gothic building that was constructed from Murray Bridge limestone between 1933 and 1936. The entrance facing North Terrace features three large lancet-arched doorways, a late-gothic perpendicular style window and intricate stone-carved decorations including blind arcading on the gable, the quatrefoil patterns above the doors and the two lion statues bearing heraldic shields. It is flanked by two large octagonal towers that are also decorated with carved heraldic shields, arrow-slit windows and crenellation. The construction of the Hall was funded by a donation of Â£50,000 from Sir John Langdon Bonython, who was a prominent South Australian benefactor and a member of The University of Adelaide Council from 1916 until his death in 1939. The building houses a â€˜great hallâ€™, which is used for ceremonies and large functions such as graduations, examinations and public lectures. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide arch arches architecture arrow-slit blind arch ceremonial hall ceremony crenellation gable graduation Great Hall hall heraldic shield heraldry lancet arch limestone lion neo-Gothic perpendicular style quatrefoil Sir John Langdon Bonython (1848-1939) The University of Adelaide tower tracery university university buildings window windows https://ausmed.arts.uwa.edu.au/files/original/41f0249d31dd3295a98402748525b813.jpg 952f204063ff4403e65f0f83ddf2dd02 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 977 Width 733 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorative Stonework, Bonython Hall, The University of Adelaide Subject The topic of the resource Adelaide, arch, arches, architecture, arrow-slit, blind arch, ceremonial hall, ceremony, crenellation, gable, graduation, great hall, hall, heraldic shield, heraldry, lancet arch, limestone, lion, neo-gothic, perpendicular style, quatrefoil, Sir John Langdon Bonython (1848-1939), tower, tracery, The University of Adelaide, university, university buildings, window, windows Description An account of the resource A close-up image of decorative stonework at the entrance to Bonython Hall at The University of Adelaide in South Australia. Bonython Hall is a neo-gothic building that was constructed from Murray Bridge limestone between 1933 and 1936. The entrance facing North Terrace features three large lancet-arched doorways, a late-gothic perpendicular style window and stone-carved decorations such as the quatrefoil patterns above the doors, the crenellation effect and the two lion statues bearing heraldic shields seen here. The construction of the Hall was funded by a donation of Â£50,000 from Sir John Langdon Bonython, who was a prominent South Australian benefactor and a member of The University of Adelaide Council from 1916 until his death in 1939. The building houses a â€˜great hallâ€™, which is used for ceremonies and large functions such as graduations, examinations and public lectures. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide arch arches architecture arrow-slit blind arch ceremonial hall ceremony crenellation gable graduation Great Hall hall heraldic shield heraldry lancet arch limestone lion neo-Gothic perpendicular style quatrefoil Sir John Langdon Bonython (1848-1939) The University of Adelaide tower tracery university university buildings window windows https://ausmed.arts.uwa.edu.au/files/original/fbabc0505a1811f15cba12c0dcea1662.jpg f1aefa068188e5475d450ab6ac203ce2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 968 Width 725 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bonython Hall, The University of Adelaide Subject The topic of the resource Adelaide, arch, arches, architecture, arrow-slit, blind arch, ceremonial hall, ceremony, crenellation, gable, graduation, great hall, hall, heraldic shield, heraldry, lancet arch, limestone, lion, neo-gothic, perpendicular style, quatrefoil, Sir John Langdon Bonython (1848-1939), tower, tracery, The University of Adelaide, university, university buildings, window, windows Description An account of the resource An image of Bonython Hall at The University of Adelaide in South Australia. Bonython Hall is a neo-gothic building that was constructed from Murray Bridge limestone between 1933 and 1936. The entrance facing North Terrace features three large lancet-arched doorways, a late-gothic perpendicular style window and intricate stone-carved decorations including blind arcading on the gable, the quatrefoil patterns above the doors and the two lion statues bearing heraldic shields. It is flanked by two large octagonal towers that are also decorated with carved heraldic shields, arrow-slit windows and crenellation. The construction of the Hall was funded by a donation of Â£50,000 from Sir John Langdon Bonython, who was a prominent South Australian benefactor and a member of The University of Adelaide Council from 1916 until his death in 1939. The building houses a â€˜great hallâ€™, which is used for ceremonies and large functions such as graduations, examinations and public lectures. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide arch arches architecture arrow-slit blind arch ceremonial hall ceremony crenellation gable graduation Great Hall hall heraldic shield heraldry lancet arch limestone lion neo-Gothic perpendicular style quatrefoil Sir John Langdon Bonython (1848-1939) The University of Adelaide tower tracery university university buildings window windows https://ausmed.arts.uwa.edu.au/files/original/99e7a53096151493ac12732703134f9a.jpg ec0e85aafd03d1363abfea133f876556 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 991 Width 703 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bonython Hall, The University of Adelaide Subject The topic of the resource Adelaide, arch, arches, architecture, arrow-slit, blind arch, ceremonial hall, ceremony, crenellation, gable, graduation, great hall, hall, heraldic shield, heraldry, lancet arch, limestone, lion, neo-gothic, perpendicular style, quatrefoil, Sir John Langdon Bonython (1848-1939), tower, tracery, The University of Adelaide, university, university buildings, window, windows Description An account of the resource An image of Bonython Hall at The University of Adelaide in South Australia. Bonython Hall is a neo-gothic building that was constructed from Murray Bridge limestone between 1933 and 1936. The entrance facing North Terrace features three large lancet-arched doorways, a late-gothic perpendicular style window and intricate stone-carved decorations including blind arcading on the gable, the quatrefoil patterns above the doors and the two lion statues bearing heraldic shields. It is flanked by two large octagonal towers that are also decorated with carved heraldic shields, arrow-slit windows and crenellation. The construction of the Hall was funded by a donation of Â£50,000 from Sir John Langdon Bonython, who was a prominent South Australian benefactor and a member of The University of Adelaide Council from 1916 until his death in 1939. The building houses a â€˜great hallâ€™, which is used for ceremonies and large functions such as graduations, examinations and public lectures. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide arch arches architecture arrow-slit blind arch ceremonial hall ceremony crenellation gable graduation Great Hall hall heraldic shield heraldry lancet arch limestone lion neo-Gothic perpendicular style quatrefoil Sir John Langdon Bonython (1848-1939) The University of Adelaide tower tracery university university buildings window windows