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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://crimsoncog.wix.com/crimson-cog"&gt;http://crimsoncog.wix.com/crimson-cog&lt;/a&gt;</text>
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                <text>The Crimson Cog</text>
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                <text>Baltic Sea, cog, The Crimson Cog, Germany, Hanseatic League, LÃ¼beck, merchant, New South Wales, North Sea, NSW, re-enactment, ship, trade, website.</text>
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                <text>&lt;p&gt;The Crimson Cog are a historical re-enactment group in New South Wales. They focus on the Hanseatic League in the years 1250-1300, particularly the city of L&amp;uuml;beck in northern Germany. The Hanseatic League were a confederation of merchant guilds and towns who dominated trade in the Baltic and North Seas from the thirteenth to sixteenth centuries. The Cog was a cargo ship used by the League.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://crimsoncog.wix.com/crimson-cog"&gt;http://crimsoncog.wix.com/crimson-cog&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Wix.com</text>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/f5b3acfc9a9efa2dd65901b399f065da.pdf</src>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>Viking Trade City</text>
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                <text>Brisbane, Brisbane Courier, burial, Denmark, Germany, Hedeby, QLD, Queensland, ship, tourism, trade, trading, ships, Viking, vikings</text>
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                <text>An article on page 8 of the Brisbane Courier newspaper on December 29, 1930. The article reports on the forthcoming excavations of the main Viking trading centre of the ninth to eleventh centuries, Hedeby. The site is now in northern Germany in South Slesvig, but belonged to Denmark during the Viking Age. The excavation was prompted by the discovery of two burials and a 60ft ship, as well as defensive banks. The article notes that there was much interest in the excavation, and this presumably extended to the newspaper readers in Brisbane. Today Hedeby is a major tourist attraction and includes a museum, a recreation of part of the town, and fully reconstructed defensive banks. </text>
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                <text>National Library of Australia</text>
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                <text>29 December 1930</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;strong&gt;&lt;/strong&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;a href="http://nla.gov.au/nla.news-article50060567" target="_blank"&gt;&lt;span lang="EN"&gt;http://nla.gov.au/nla.news-article50060567&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>The Walled City of Nuremburg â€“ The Cradle of Nazism.</text>
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            <description>The topic of the resource</description>
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                <text>Adam Krafft, Adam Kraft, Adam Kraft (c.1460-1509), Adolf Hitler (1889-1945), Albrecht DÃ¼rer (1471-1528), apprentice, architecture, art, artisan, artists, burgher, carving, cathedral, church, craftsmen, crozier, engraving, filigree stonework, gable, Germany, gothic architecture, guild, Hans Sachs (1494-1576), journeyman, masonry, Master, medieval city, medieval craft, medieval guild, medieval housing, merchant, monstrance, Nuremburg, painting, Percy Bysshe Shelley (1792-1822), Peter Vischer (1455-1529), religion, Rothenburg, seven virtues, St Laurence, stone, stone carving, swastika, â€œTo a Skylarkâ€ (1820), undergarments, vaulting, Veit Stoss (1450-1533), walled city, wood carving</text>
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                <text>In this article, John T. McMahon describes a visit to the city of Nuremburg in 1936. Arriving only days after one of the Naziâ€™s infamous Nuremburg rallies, he notes the swastikaâ€™s still lining the streets and parade ground. For most of the article, however, McMahon concentrates on explaining Nuremburgâ€™s â€œsplendidâ€ medieval history, and the lasting traces of its past in the physical landscape. He describes tracing the line of the medieval walls, looking in awe at the large merchant houses with their elaborate adornments and recognising, as he looked over the city from the castle, why itâ€™s winding streets and narrow alleys had always held such a fascination for artists and etchers. He identifies Nuremburg as a town famous for its medieval craft guilds, and describes the artistic training and accomplishments of its most famous son, Albrecht DÃ¼rer. He concludes by describing the mastery of the carving work by Adam Kraft in St Laurenceâ€™s Church, which carried the gaze up to the vaulted ceiling â€œlike Shelleyâ€™s skylarkâ€. </text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>McMahon, John T.</text>
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                <text>National Library of Australia</text>
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                <text>Western Mail</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>24 December 1936, p. 40.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Western Mail</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Newspaper Article</text>
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        <name>â€œTo a Skylarkâ€ (1820)</name>
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        <name>Adam Krafft</name>
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        <name>Adam Kraft</name>
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        <name>Adam Kraft (c.1460-1509)</name>
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        <name>Adolf Hitler (1889-1945)</name>
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        <name>Albrecht DÃ¼rer (1471-1528)</name>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;Newspaper Article&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://nla.gov.au/nla.news-article50059249" target="_blank"&gt;&lt;span style="font-size: 10pt;"&gt;http://nla.gov.au/nla.news-article50059249&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Adolf Hitler, Hitler, Adolf Hitler (1889-1945), architecture, art, Bavaria, Bayreuth, burgher, Burgomaster Nusch, cathedral, church, commander-in-chief Tilly, â€œDer Meistertrunkâ€, Dinkelsbuhl, education, engraving, festival, Friedrich Schiller (1759-1805), Germany, German folklore, gothic architecture, â€˜heroic pastâ€™, historical plays, Johann Wolfgang von Goethe (1749-1832), journeyman, Master, medieval city, medieval craft, medieval housing, medieval town, merchant, Nazi parades, Nuremburg, pageant, Peasantsâ€™ Revolt (1525), Rathaus (Town Hall), religion, Roder gate, Rothenburg, school pilgrimages, St James, St Marcus Tower, Thirty Yearsâ€™ War (1618-1648), Tillman Riemenschneider (1460-1531), tradition, Wagner festival, walled town, Whitsuntide</text>
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                <text>In this article, John T. McMahon discusses a visit to Rothenburg in 1936, which he describes as â€œthe finest surviving example of a medieval city with its walls, gates and towersâ€. After giving a brief history of Rothenburgâ€™s medieval past, its conversion to Protestantism after the Peasantsâ€™ Revolt in 1525 and its involvement in the Thirty Yearsâ€™ War, he recounts a folkloric tale about Burgomaster Nusch saving the town from being plundered in 1621, by plying the Catholic Commander-in-Chief Tilly and his Imperial soldiers with large quantities of wine and himself accepting a challenge to drink the contents of a very large goblet. This tale, McMahon suggests, began the tradition of performing the historical festival play, â€œDer Meistertrunkâ€, in the Rathaus (Town Hall) every Whitsuntide. He then moves on to discuss what he coins as â€œHitlerâ€™s Historical Programmeâ€. In Nazi Germany, he suggests, there is a renewed interest in German folklore, a â€œrenaissance of interest in the heroic stories of the German peopleâ€. As well as the festival play in Rothenburg, he cites school pilgrimages to the homes of Goethe and Schiller, the founding of museums, and parades in historically significant locations such as Nuremburg as examples of this trend. He commends the â€œfar-reaching educative influence of such a treatment of historyâ€, suggesting that â€œwe could, with profit, do much more of that form of pageantry in school entertainments and occasional celebrationsâ€. He concludes, however, by taking issue with Hitlerâ€™s stance on religion. Not only were the church steeples and shrines he saw in Bavaria evidence of the continued importance of religious faith in the â€œsimple God-fearing lives of peasant farmersâ€, he argues, the continuing legacy of gothic churches such as St James (built in 1373) and ecclesiastical artwork such as Riemenschneiderâ€™s 1478 â€œLast Supperâ€ could simply not be overlooked. </text>
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                <text>National Library of Australia</text>
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                <text>The Western Mail</text>
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                <text>5 November 1936, p. 36.</text>
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                <text>The Western Mail</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>"Yellow Benches for Jews: Berlin's Latest Act," in &lt;em&gt;The Argus&lt;/em&gt;.</text>
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                <text>Nazis, Nazi, Nazism, World War II, WWII, World War Two, war, warfare, medieval yellow, Anti-Semitism, The Argus, Berlin, Canon law, discrimination, Pope Innocent III, Fourth Lateran Council, Germany, Jew, Melbourne, Muslim, VIC, Victoria</text>
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                <text>&lt;div dir="ltr"&gt;&lt;span style="font-family: tahoma; font-size: x-small;"&gt;An article on page 11 of the Melbourne newspaper The Argus in September 1937. The article reports on two benches in Berlin in Nazi Germany being painted yellow for use by Jews. The article says that the decision recalled an edict in the medieval period that forced&amp;nbsp;Jews to wear 'a distinguishing yellow garb'. The edict mentioned probably refers to Canon 68 issued at the&amp;nbsp;Fourth Lateran Council in 1215 called by Pope Innocent III. The Canon stated that Jews and Muslims of both sexes living in Christian lands had to be distinguished from Christians by wearing different dress, and that they should not appear in public in the last three days of Holy Week and Passion Sunday. The aim was to stop&amp;nbsp;members of the different religions having sexual relations without&amp;nbsp;realising the gravity of the situation. Implementation and policing of the Canon varied throughout Europe, but in some countries the wearing&amp;nbsp;of a yellow star was introduced. A yellow star was not introduced in Nazi Europe until the Second World War.&lt;/span&gt;&lt;/div&gt;&#13;
&lt;div dir="ltr"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div dir="ltr"&gt;&lt;span style="font-family: tahoma; font-size: x-small;"&gt;For the text of the Canons of the Fourth Lateran Council see &lt;a href="http://www.fordham.edu/halsall/basis/lateran4.asp" target="_blank"&gt;http://www.fordham.edu/halsall/basis/lateran4.asp&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;</text>
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                <text>The Argus</text>
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                <text>National Library of Australia</text>
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