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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <description>Title, URL, Description or annotation.</description>
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          <name>URL</name>
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              <text>&lt;p&gt;To view this image,&lt;/p&gt;&#13;
&lt;p&gt;1.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; go to: &lt;a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"&gt;http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp&lt;/a&gt;&lt;/p&gt;&#13;
2.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; search by artist or title. &lt;br /&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Ancilla Domini; or, Handmaid or â€˜maid servantâ€™ of the Lord</text>
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            <description>The topic of the resource</description>
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                <text>Adam, angel, Annunciation, Art, colour, curtain, Eden, Eve, Gabriel, lilies, Mary, Pre-Raphaelite, religious art, Renaissance art, rose, Rupert Bunny (1864-1947), SA, South Australia, symbolism, vermillion, virgin</text>
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            <description>An account of the resource</description>
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                <text>&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;This work by Australian artist Rupert Bunny was acquired by the Art Gallery of South Australia in 1996. It depicts the religious subject of the Annunciation, when the angel Gabriel descended from heaven to tell Mary that she would conceive the son of God. An angel dressed in white stands with one arm outstretched before the kneeling figure of Mary. The angel holds white lilies, while Mary clutches a white rose and is surrounded by pink roses. The background is dominated by a bold vermillion red curtain and a wall hanging showing Adam and Eve being cast from the Garden of Eden by a sword-wielding angel. This work dates from the 1890s, a time when Bunny was preoccupied with biblical themes. He was influenced by the symbolists of the nineteenth century and also the Pre-Raphaelites, as is evidenced here by &amp;ldquo;&lt;/span&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;a return to the detailed, brightly coloured and symbolically rich art of the early Italian Renaissance&amp;rdquo; (See &lt;/span&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;the accompanying information pages on the Art Gallery of South Australia&amp;rsquo;s website at: &lt;a href="http://www.artgallery.sa.gov.au/TLF/964p25/" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.artgallery.sa.gov.au/TLF/964p25/&lt;/span&gt;&lt;/a&gt;). &lt;/span&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Bunny, Rupert</text>
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                <text>Art Gallery of South Australia</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>c. 1896</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Art Gallery of South Australia</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Oil on Canvas, 100.3 x 110.4cm; &#13;
Hyperlink</text>
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        <name>Adam</name>
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        <name>Eden</name>
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        <name>Eve</name>
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        <name>Gabriel</name>
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        <name>Rupert Bunny (1864-1947)</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/172793bb9248f0ac6109bc923559dc77.pdf</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="6438">
              <text>Newspaper article/review;&#13;
PDF</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Theatre review: Emlyn Williams â€˜The Wind of Heavenâ€™</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Theatre, Wind of Heaven, medieval saints, saint, saints, hagiography, saints in drama, drama, children, children as portents of the divine, divine, divinity, Genesian players, Sydney, The Marvellous History of Saint Bernard, Barry Jackson, Henri Gheon, fifteenth century, manuscript, The Green Pastures, play, Marc Connelly, angel, Gabriel, Adam, Eve, Adam and Eve, Bernard Shaw â€˜Saint Joanâ€™, good versus evil, Minerva Theatre, Jerome K. Jerome, â€˜The Passing of the Third Floor Backâ€™ play, jester, pilgrims, pilgrim</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A.T. critiques three plays that have an angel or saint in them. Set in a Welsh village, â€˜The Wind of Heavenâ€™ is about a boy named Gwyn who works a miracle in a village devastated by cholera. He brings back to life a dead soldier and new hope to the soldierâ€™s widow and the whole town. Jerome K. Jeromeâ€™s play about a mysterious Stranger is â€˜the saint over-doneâ€™. The final play, â€˜The Marvellous History of Saint Bernardâ€™, divides its stage into heaven, earth and hell. This picture â€˜was as real to the medieval mind as the Harbour Bridge is to usâ€™. The author notes that it is illegal to depict the Deity on stage in England so Mary was substituted for God in the latter play. A.T. remarks that Bernard Shaw deployed similar techniques in his play â€˜Saint Joanâ€™.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="6431">
                <text>A.T.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="6432">
                <text>Sydney Morning Herald</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="6433">
                <text>Sydney Morning Herald</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="6434">
                <text>26 April 1947</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="6435">
                <text>Public Domain&#13;
Trove&#13;
</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="6436">
                <text>Newspaper Review</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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        <name>â€˜The Passing of the Third Floor Backâ€™ play</name>
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        <name>Adam</name>
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        <name>Adam and Eve</name>
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        <name>angel</name>
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      <tag tagId="1989">
        <name>Barry Jackson</name>
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      <tag tagId="1997">
        <name>Bernard Shaw â€˜Saint Joanâ€™</name>
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        <name>children</name>
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      <tag tagId="1984">
        <name>children as portents of the divine</name>
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        <name>divine</name>
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        <name>divinity</name>
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        <name>drama</name>
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        <name>Eve</name>
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        <name>fifteenth century</name>
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        <name>Gabriel</name>
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        <name>Genesian players</name>
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        <name>good versus evil</name>
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        <name>hagiography</name>
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        <name>Henri Gheon</name>
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        <name>Jerome K. Jerome</name>
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        <name>jester</name>
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        <name>manuscript</name>
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        <name>Marc Connelly</name>
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        <name>medieval saints</name>
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      <tag tagId="1999">
        <name>Minerva Theatre</name>
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        <name>pilgrim</name>
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        <name>pilgrims</name>
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        <name>saints in drama</name>
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        <name>Sydney</name>
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      <tag tagId="1991">
        <name>The Green Pastures</name>
      </tag>
      <tag tagId="1988">
        <name>The Marvellous History of Saint Bernard</name>
      </tag>
      <tag tagId="348">
        <name>theatre</name>
      </tag>
      <tag tagId="1981">
        <name>Wind of Heaven</name>
      </tag>
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