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                <text>"The GÃ¶theborg Welcoming Party"</text>
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                <text>A hyperlink to an archived news article on the Miss Maud's website. On 13 May 2006 employees of Miss Maud's bakehouse, hotel, restaurant and pastry houses welcomed the Swedish Ship GÃ¶theborg as it stopped off at Fremantle Harbour on its journey from Sweden to China.  &#13;
&#13;
According to the article, the Miss Maud employees donned "viking helmets complete with matching swords" to welcome in the ship.&#13;
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(Follow the hyperlink to see the full article and accompanying images of the welcoming of the GÃ¶theborg).</text>
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                <text>&lt;p&gt;Plantagenet Wines have a winery near small rural Western Australian town of Mount Barker in the Shire of Plantagenet. They also have an office in the Perth suburb of Fremantle, where this photograph was taken. The banner depicts the company&amp;rsquo;s label, also found on their wine bottles, which depicts three lions known as lions passant (walking) in heraldry. The design is based on that used by the Plantagenet dynasty, beginning with King Richard I (the Lionheart) of England (1157-1199). The three lions on the coat of arms of the Plantagenets had blue claws and tongues. The design is also known as the Royal Arms of England.&lt;/p&gt;&#13;
For Plantagenet Wines see &lt;a href="http://www.plantagenetwines.com/" target="_blank"&gt;http://www.plantagenetwines.com/&lt;/a&gt;</text>
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Plantagenet Wines (banner/design).</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>A view of Scots Presbyterian Church in Fremantle, Western Australia. The church was designed by Perth architect Sir J. J. Talbot Hobbs (1864-1938) and built by Petrie &amp; Sons in 1890. It is a gothic style church constructed from limestone with decorative red brick quoins on the buttresses. Voussoirs around the yellow doors and the numerous lancet windows are also in distinctive red brick. The large square tower with an octagonal steeple is another dominant feature of the churchâ€™s neo-gothic architecture.&#13;
&#13;
Scots Presbyterian Church is one of only six Presbyterian churches remaining in Western Australia after the congregation refused to amalgamate with the Uniting Church in 1977. It was added to WAâ€™s State Register of Heritage Places in 1999.&#13;
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              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Flying Buttresses, St Patrickâ€™s Basilica, Fremantle, WA</text>
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                <text>arch, architect, architecture, basilica, blind arch, buttress, Catholic, Catholic Church, church, church building, Federation Gothic Style, flying buttress, Fremantle, gothic architecture, gothic revival, lancet window, lancet arch, limestone, masonry, Michael Cavanagh, minor basilica, missionaries, neo-gothic, Oblates of Mary Immaculate, Sydney freestone, Thomas Ryan OMI, tower, tracery, Vatican, Western Australia, WA</text>
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                <text>A view of a flying buttress at the Basilica of St Patrickâ€™s in Fremantle, Western Australia. Flying buttresses were one of the most notable developments of gothic architecture in the medieval period. By means of a flying buttress, weight from a load bearing wall could be transferred to a non-adjacent buttress by means of a segmental or quadrant arch. Because this alleviated the need for a large stone buttress to directly adjoin the part of the building requiring support, flying buttresses meant that building design could become less bulky. They were often used, as in this case, to support the high or vaulted ceilings of churches where the addition of aisles with lower ceilings had moved buttresses outwards and created a gap between them and the central core of the building.&#13;
&#13;
About St Patrickâ€™s Basilica:&#13;
&#13;
St Patrickâ€™s Basilica is a Roman Catholic Church located in Fremantle, Western Australia. It was designed by Adelaide architect Michael Cavanagh and constructed from local limestone and Sydney freestone in a Federation Gothic style. The church was commissioned by Thomas Ryan OMI as a place of worship for Oblates of Mary Immaculate, who had arrived in Fremantle in 1894 as missionaries. It was completed and consecrated in June 1900. A presbytery was also built on the site in 1916. The Vatican issued St Patrickâ€™s with the status of a minor basilica in 1994. </text>
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                <text>McEwan, Joanne</text>
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                <text>4 February 2011</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>No copyright</text>
              </elementText>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/411c804143e35eea875f0c019b15ab8b.pdf</src>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="10490">
              <text>PDF; Advertisement</text>
            </elementText>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Viking Unsweetened Milk</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Fremantle, Henri Nestle, Nestle, Norwegian, Norway, Perth, Preston and Co., Viking, vikings, advertising, advertisement, ad, WA, Western Australia, Western Mail, milk</text>
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                <text>An advertisement on page 15 of the Perth newspaper â€˜Western Mailâ€™ on September 8, 1899. The advert is for unsweetened milk made by Henri Nestle in the â€˜highlandsâ€™ of Norway and sold by Preston and Co. in Fremantle, Western Australia. The product is presumably called â€˜Vikingâ€™ because it comes from Norway, one of the Scandinavian countries from which the Vikings originated. </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Anon.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>National Library of Australia</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>8 September 1899</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10487">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10488">
                <text>Newspaper Advertisement; PDF</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10489">
                <text>English</text>
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        <name>advertising</name>
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      <tag tagId="1067">
        <name>Fremantle</name>
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        <name>Henri Nestle</name>
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        <name>marketing</name>
      </tag>
      <tag tagId="3166">
        <name>milk</name>
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      <tag tagId="3167">
        <name>Nestle</name>
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        <name>Norway</name>
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        <name>Norwegian</name>
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        <name>Perth</name>
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        <name>Preston and Co.</name>
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        <name>viking</name>
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        <name>vikings</name>
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      <tag tagId="838">
        <name>WA</name>
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      <tag tagId="73">
        <name>Western Australia</name>
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  <item itemId="427" public="1" featured="0">
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        <src>https://ausmed.arts.uwa.edu.au/files/original/8dd758e9ef89be4cb1117acdb4853c33.pdf</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;Digitised Newspaper Article - National Library of Australia&lt;br /&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;" lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article41438038" target="_blank"&gt;&lt;span style="color: blue;"&gt;http://nla.gov.au/nla.news-article41438038&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9143">
                <text>Two New Clocks: Novelties for London Court</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9144">
                <text>arcade, Big Ben, Big Clock, clock, dragon, Fremantle, H. Hope Jones, Hay Street, horse, knights, La Grosse Horage, lance, London Court, mechanisation, Monk of Glastonbury, Moreton Bay, Peter Lightfoot, retail arcade, Rouen, shopping, St George, St Georgeâ€™s Terrace, sword, Synchronome Company Ltd, synchronome invention, â€œTournament of Tilting Knightsâ€, WA, Wells Cathedral, Western Australia</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9145">
                <text>In this article from The West Australian in 1937, the arrival of two clocks destined for London Court in Perth, Western Australia is announced. They were delivered to Fremantle by Mr H. Hope-Jones, managing director and founder of the Synchronome Company in London, during his world tour of observatory clocks. The article goes on to summarise Hope-Jonesâ€™ description of the clocks: the clock at the St Georgeâ€™s Terrace entrance would have a dial copied from the famous medieval (fourteenth century) Big Clock at Rouen and the clock at the Hay Street entrance would be a replica of Big Ben in London. Above the clock at the St Georgeâ€™s end, Hope-Jones explained, would be the figures of St George and the dragon on a revolving horizontal wheel. The wheel would revolve once at every quarter past the hour, twice at every half hour, three times at every three-quarters past the hour and at the chiming of the full hour St Georgeâ€™s sword would touch a hidden trigger switch and the dragonâ€™s head would fall off. Above the Hay Street clock would be four jousting knights, who would occasionally dismount each other with a blow from their lance. This, Hope-Jones said, was a copy of the fourteenth-century Wells Cathedral Clock reputed to have been made by Peter Lightfoot, the Monk of Glastonbury. </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9146">
                <text>Anon.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="9147">
                <text>National Library of Australia</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="9148">
                <text>The West Australian</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9149">
                <text>9 October 1937, p. 27.</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9150">
                <text>The West Australian</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Digitised Newspaper Article</text>
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        <name>â€œTournament of Tilting Knightsâ€</name>
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        <name>arcade</name>
      </tag>
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        <name>Big Ben</name>
      </tag>
      <tag tagId="2824">
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                  <text>Medievalism in the Classroom</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>literature, children, child, juvenile, fiction, C.S. Lewis, Fremantle, Harry Potter, J.K. Rowling, J.M. Barrie, Narnia, Notre Dame University, Peter Pan, WA, Western Australia</text>
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                <text>&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;" lang="EN-AU"&gt;Undergraduate English  Literature unit &amp;lsquo;Children&amp;rsquo;s Literature&amp;rsquo; offered at the  Fremantle campus of The University of Notre Dame (Australia). The unit  features a number of texts that have aspects of medievalism, including  those by C.S. Lewis, J.M. Barrie, and J.K. Rowling. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;" lang="EN-AU"&gt;For more information see &lt;a href="http://www.nd.edu.au/units/a_s.shtml#english_lit" target="_blank"&gt;http://www.nd.edu.au/units/a_s.shtml#english_lit&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>14 June 2011</text>
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                <text>University of Notre Dame</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;Newspaper Article&lt;/p&gt;&#13;
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                <text>Untitled article: â€œthe medieval barbarities of our state criminal factoriesâ€</text>
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                <text>In the second half of this article, an excerpt from the Geraldton Express discussing the Royal Commission into the penal system in Western Australia is reprinted. The Commission, it asserts, had already succeeded in awaking public opinion to the need for reform and had led to the release of a number of innocent men from prison. In an attempt to emphasise the obsolete practices and inhumane punishments of the penal administration, the author associates them with the pre-modern past. The role of the Commission is described as being â€œto inquire into the Chamber of National Horrors at Fremantle and the medieval barbarities of our state criminal factoriesâ€.</text>
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                <text>Anon.</text>
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                <text>National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article32632366" target="_blank"&gt;http://nla.gov.au/nla.news-article32632366&lt;/a&gt;</text>
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                <text>West Australian Sunday Times</text>
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                <text>25 December 1898, p. 18.</text>
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                <text>West Australian Sunday Times</text>
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