1 8 4 https://ausmed.arts.uwa.edu.au/files/original/e10ac942225a34cd7a483155cd0613b0.JPG 11ab1b1a7f3871ec046da41f9c0d2f81 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/3eef2bea0ce8b91b0b67e08767c67596.JPG e2418c843c4645b1479c983f21361822 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St John the Evangelistâ€™s Church interior, Richmond, Tasmania Subject The topic of the resource Brian Andrews, baptismal font, Catholic, font, Henry Edmund Goodridge, Gothic, Gothic Revival, lancet windows, John Bede Polding, pointed arch, Augustus Welby Northmore Pugin, Pugin, Richmond, St John the Evangelistâ€™s Church, Tas, Tasmania, Frederick Thomas, tiles, tracery, Robert William Willson, Bishop Willson. Description An account of the resource St John the Evangelist’s Church is in the village of Richmond, Tasmania, and is the oldest continuously used Catholic church in Australia. The present building is an amalgam of two designs. The earliest building was designed by the English (Bath) architect Henry Edmund Goodbridge (1800-1863) after John Bede Polding (1794-1877), Australia’s first Catholic bishop, obtained plans for several churches from Goodbridge before sailing to Australia in 1835. Polding laid the foundation stone in 1835 and the church was completed in 1837. The nave of the present building is from the original church. In 1859 additions were completed under the supervision of architect Frederick Thomas (1817-1885) from a parts of a detailed scale model made by the English architect Augustus Welby Northmore Pugin (1812-1852) in 1843. The model was made for Pugin’s friend Robert William Willson (1794-1866) who was the first Catholic Bishop in Tasmania. From Pugin’s design come the chancel (including the rear stained glass window with tracery seen in photograph two), sacristy and spire. Thomas designed the communion rails as the rood screen in Pugin’s model was too large for the building, as well as the pointed chancel arch. The interior also includes a font designed by Pugin in 1843. It was carved in England and brought to Tasmania by Bishop Wilson, and sits atop a platform of simple medieval-style tiles.   Augustus Welby Northmore Pugin (1812-1852) played a central role in establishing the Gothic Revival style and is best remembered for his work on the Houses of Parliament in London, and the interior of the Palace of Westminster. For the exterior see <a href="http://ausmed.arts.uwa.edu.au/admin/items/show/1117" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1117</a> For an essay on the church by Brian Andrews see <a href="http://www.puginfoundation.org/assets/Richmond_Essay.pdf" target="_self">http://www.puginfoundation.org/assets/Richmond_Essay.pdf</a> Creator An entity primarily responsible for making the resource McLeod, Shane (essay by Brian Andrews) Date A point or period of time associated with an event in the lifecycle of the resource October 5, 2012 Rights Information about rights held in and over the resource No Copyright (essay copyright Brian Andrews and the Pugin Foundation) Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/admin/items/show/1117">http://ausmed.arts.uwa.edu.au/items/show/1117</a> Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Augustus Welby Northmore Pugin baptismal font Bishop Willson. Brian Andrews Catholic font Frederick Thomas Gothic Gothic Revival Henry Edmund Goodridge John Bede Polding lancet windows pointed arch Pugin Richmond Robert William Willson St John the Evangelistâ€™s Church Tas Tasmania tiles tracery https://ausmed.arts.uwa.edu.au/files/original/a95de8ef999f67b31d45fca5cdd46801.JPG 79dff599d567fff5122f69e9c4c79027 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/f2df53f96ede6fde697439e630885576.JPG 404698b929bd2457b0283ed6fecf20c3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/d81c864e73fe6828c12dd7812f07c959.JPG d757e2014f52fbb3a517e70e29aa5e9c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St John the Evangelistâ€™s Church exterior, Richmond, Tasmania Subject The topic of the resource Brian Andrews, buttress, Catholic, Rod Cooper, Henry Edmund Goodridge, Gothic, Gothic Revival, lancet windows, Alexander North, John Bede Polding, pointed arch, porch, Augustus Welby Northmore Pugin, Pugin, Richmond, St John the Evangelistâ€™s Church, spire, Tas, Tasmania, Frederick Thomas, tracery, turret, Robert William Willson, Bishop Willson. Description An account of the resource St John the Evangelist’s Church is in the village of Richmond, Tasmania, and is the oldest continuously used Catholic church in Australia. The present building is an amalgam of two designs. The earliest building was designed by the English (Bath) architect Henry Edmund Goodbridge (1800-1863) after John Bede Polding (1794-1877), Australia’s first Catholic bishop, obtained plans for several churches from Goodbridge before sailing to Australia in 1835. Polding laid the foundation stone in 1835 and the church was completed in 1837. The nave of the present building is from the original church. In 1859 additions were completed under the supervision of architect Frederick Thomas (1817-1885) from a detailed scale model made by the English architect Augustus Welby Northmore Pugin (1812-1852) in 1843. The model was made for Pugin’s friend Robert William Willson (1794-1866) who was the first Catholic Bishop in Tasmania. From Pugin’s design come the chancel (including the rear window with tracery), sacristy and spire. The building is in the Gothic Revival style with pointed arch doorways, buttresses, tracery, spire, stair turret, and lancet windows. The present spire is the third and a scaled down version of Pugin's original designed by architect Rod Cooper and added in 1972. The cross on top of the spire is all that remains of the second spire, designed by Alexander North (1858-1945) in 1893. Augustus Welby Northmore Pugin (1812-1852) played a central role in establishing the Gothic Revival style and is best remembered for his work on the Houses of Parliament in London, and the interior of the Palace of Westminster. For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1119" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1119</a>  For an essay on the church by Brian Andrews see <a href="http://www.puginfoundation.org/assets/Richmond_Essay.pdf" target="_self">http://www.puginfoundation.org/assets/Richmond_Essay.pdf</a> Creator An entity primarily responsible for making the resource McLeod, Shane (Essay by Brian Andrews) Date A point or period of time associated with an event in the lifecycle of the resource October 5, 2012 Rights Information about rights held in and over the resource No Copyright (Essay copyright Brian Andrews; Pugin Foundation) Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1119" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1119</a> Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph Alexander North Augustus Welby Northmore Pugin Bishop Willson. Brian Andrews buttress Catholic Frederick Thomas Gothic Gothic Revival Henry Edmund Goodridge John Bede Polding lancet windows pointed arch porch Pugin Richmond Robert William Willson Rod Cooper spire St John the Evangelistâ€™s Church Tas Tasmania tracery turret https://ausmed.arts.uwa.edu.au/files/original/95ea9e3dadd980e3f5962730deaa9656.JPG 13093a88d51680e4707a54128e5e9b43 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/07f2ff496efe91c25eec0fbb00d9019b.JPG b5d5c06cdb7ef216c6c69371b0826964 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/e1e68cce39d938eb7e4f0027248cf26d.JPG d8751d00028d39ece2cb38c00c3efcc7 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Patrickâ€™s Church, Colebrook, Tasmania Subject The topic of the resource Brian Andrews, bellcote, buttress, Catholic, Colebrook, Gothic, Gothic Revival, lancet windows, St Patrick, pointed arch, porch, Augustus Welby Northmore Pugin, Pugin, St Patrickâ€™s Church, Tas, Tasmania, Frederick Thomas, tracery, Robert William Willson, Bishop Willson. Description An account of the resource St Patrick’s Catholic Church is in the village of Colebrook, Tasmania. The sandstone building was built in 1855-7 under the supervision of architect Frederick Thomas from a detailed scale model made by the English architect Augustus Welby Northmore Pugin (1812-1852) in 1843. The model was made for Pugin’s friend Robert William Willson (1794-1866) who was the first Catholic Bishop in Tasmania. The building is in the Gothic Revival style with pointed arch doorways, buttresses, tracery, porch, and lancet windows. A noticeable feature is the triple bellcote which was reinstated in 2007 after falling in a storm in 1895. The elaborate balustrade was not part of Pugin’s design and was added by Thomas due to the sloping site. St Patrick’s represents Pugin’s idea of an early fourteenth century English village church. Augustus Welby Northmore Pugin (1812-1852) played a central role in establishing the Gothic Revival style and is best remembered for his work on the Houses of Parliament in London, and the interior of the Palace of Westminster. St Patrick (c. 387 - c. 460) was an early medieval British missionary who worked in northern Ireland and is now Ireland’s patron saint. For an essay on the church by Brian Andrews see <a href="http://www.puginfoundation.org/assets/Colebrook_Essay.pdf" target="_self">http://www.puginfoundation.org/assets/Colebrook_Essay.pdf</a> Creator An entity primarily responsible for making the resource McLeod, Shane (essay by Brian Andrews) Date A point or period of time associated with an event in the lifecycle of the resource October 5, 2012 Rights Information about rights held in and over the resource No Copyright (essay copyright Pugin Foundation, Brian Andrews) Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph Augustus Welby Northmore Pugin bellcote Bishop Willson. Brian Andrews buttress Catholic Colebrook Frederick Thomas Gothic Gothic Revival lancet windows pointed arch porch Pugin Robert William Willson St Patrick St Patrickâ€™s Church Tas Tasmania tracery https://ausmed.arts.uwa.edu.au/files/original/b1fda8b28430ae79c4e4b164ce118905.jpg 6d4ac184e35b8adfa626516763c25b0b Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 3888 https://ausmed.arts.uwa.edu.au/files/original/6a59fed8322f0bbfa80f98b4292d9dca.jpg 701edcc65a33844dd39e0061ff42669d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 3888 https://ausmed.arts.uwa.edu.au/files/original/865212d322ff37440e9609bef9b26b36.jpg 2feb6f3cb2fc8a0f8ae435ac2acb1a29 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3888 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph;JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Paulâ€™s Church, Oatlands, Tasmania Subject The topic of the resource Brian Andrews, bellcote, blind window, buttress, Catholic, Gothic, Gothic Revival, lancet window, medieval village, Oatlands, St Paulâ€™s Church, pointed arch, porch, Augustus Welby Northmore Pugin, Pugin, Frederick Thomas, Tas, Tasmania, tracery, Bishop Robert William Willson. Description An account of the resource St Paul’s Church is a small stone Catholic church in the Tasmanian town of Oatlands. The church was designed by the English architect Augustus Welby Northmore Pugin in 1843 and constructed in 1850-1. It opened on February 25, 1851. The church was constructed from a detailed model brought to Tasmania by the first Catholic bishop of Tasmania, Robert William Willson, who was a friend of Pugin’s. Hobart architect Frederick Thomas supervised the construction. The building is in the Gothic Revival style and features lancet windows with tracery, a pointed arch entrance, buttresses, a porch, and a bellcote. It represents Pugin’s idea of a medieval village church. Augustus Welby Northmore Pugin (1812-1852) played a central role in establishing the Gothic Revival style and is best remembered for his work on the Houses of Parliament in London, and the interior of the Palace of Westminster.   Further information on St Paul’s, including an essay by Brian Andrews, can be found at: <a href="http://www.puginfoundation.org/">http://www.puginfoundation.org/</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource August 3, 2012 Rights Information about rights held in and over the resource No copyright Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph Augustus Welby Northmore Pugin bellcote Bishop Robert William Willson. blind window Brian Andrews buttress Catholic Frederick Thomas Gothic Gothic Revival lancet window medieval village Oatlands pointed arch porch Pugin St Paulâ€™s Church Tas Tasmania tracery