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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://citadel-medieval-society.webs.com/Index.html"&gt;http://citadel-medieval-society.webs.com/Index.html&lt;/a&gt;</text>
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                <text>Citadel Medieval Society</text>
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                <text>Archery, armour, chivalry, Citadel Medieval Society, combat, costume, Crusade, Estonia, France, helmet, heraldry, knight, La Rochelle, living history, Livonian Brothers of the Sword, Livonian Crusade, Livonian Order, performance, Qld, Queensland, re-creation, re-enactment, Schwertzbruder, shield, spear, sword, Sword Brethren, Teutonic Order, warrior-monks, website.</text>
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                <text>&lt;p&gt;Citadel Medieval Society is a living history group based in Queensland. The group were founded seventeen years ago and focus on two time periods and locations: the port of La Rochelle, France, in c. 1370 during the Hundred Years War; and the German warrior-monks the Livonian Brothers of the Sword (also known as the Sword Brethren or Schwertzbruder) who took part in the Livonian Crusade and operated in modern-day Estonia from 1202-1236, when they became the Livonian Order within the Teutonic Order. The group focus on combat (although other activities such as music and craft are practiced) and appear in full costume, and with weapons and tents, at various events. They are also available for hire.&lt;/p&gt;&#13;
&lt;p&gt;For their website see http://citadel-medieval-society.webs.com/Index.html&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://www.artgallery.nsw.gov.au/work/182.2002.20/" target="_self"&gt;http://www.artgallery.nsw.gov.au/work/182.2002.20/&lt;/a&gt;</text>
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                <text>â€˜Afternoon in Chartres Cathedralâ€™ by Salvatore Zofrea</text>
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                <text>&lt;em&gt;Appassionata&lt;/em&gt;, Architecture, art, Art gallery of New South Wales, Cathedral, Catholicism, Chartres Cathedral, church interior, ecclesiastical building, France, French Gothic, gothic architecture, print, Salvatore Zofrea (b.1946), stained glass, window.</text>
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                <text>This woodblock print, from Salvatore Zofrea&amp;rsquo;s &lt;em&gt;Appassionata&lt;/em&gt; collection, was gifted to the Art Gallery of New South Wales by the Italian-Australian artist in 2002. Depicting a scene in Chartres Cathedral, it features the gothic arches, vaulted ceilings and, especially, some of the magnificent 12th-13th century stained glass that remains intact and for which Chartres Cathedral is famous. Chartres Cathedral was constructed between 1194 and 1250 in the French High Gothic style, and its architecture has only undergone minor changes since the 13th century. It is commonly held to be one of the finest surviving examples of this style.</text>
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                <text>Salvatore Zofrea (b.1946)</text>
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                <text>c.1994-1999</text>
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                <text>Art Gallery of New South Wales</text>
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                <text>Woodblock Print, black ink on white Japanese Hitachi paper, 45cm x 59.5cm block mark</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;&lt;a href="http://www.allegromusic.com.au/artist/troveresse-medieval-music-ensemble/bio" target="_blank"&gt;http://www.allegromusic.com.au/artist/troveresse-medieval-music-ensemble/bio&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>Troveresse Medieval Music Ensemble</text>
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                <text>Helen Dell, Drama, France, Iberia, Melbourne, music, performance, poetry, song, Troveresse Medieval Music Ensemble, Vic, Victoria</text>
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                <text>Troveresse Medieval Music Ensemble was founded by mezzo soprano Helen Dell in Melbourne, Victoria, in 2007. Their concert program includes Loveâ€™s Paradise â€“ love stories and songs from twelfth and thirteenth-century France; Songs from the Heart â€“ songs by and for women from medieval France; All You Who Love â€“ medieval and early renaissance music from the Iberian Peninsula. As well as music their performances include stories, poetry, and drama.</text>
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                <text>13 April 2012</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.perthnow.com.au/business/business-old/no-robin-hood-financial-transaction-tax-coming-to-australia-says-wayne-swan/story-e6frg2t3-1226257468790" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.perthnow.com.au/business/business-old/no-robin-hood-financial-transaction-tax-coming-to-australia-says-wayne-swan/story-e6frg2t3-1226257468790&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
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            <description>The topic of the resource</description>
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                <text>Australian businesses, bank, business, economic crisis, economic growth, economy, finance, financial transaction tax, folklore, France, investor, Nicolas Sarkozy, outlaw, penalty, revenue, Robin Hood,  â€œRobin Hoodâ€ tax, tax, treasury, Wayne Swan</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>This article from the online news site Perth Now reports on Australian Federal Treasurer Wayne Swanâ€™s decision not follow the lead of European nations such as France and introduce a financial transactions tax to deal with economic crisis. Such a measure would slow economic growth, Swan said, because it would affect the transactions that Australian businesses engaged in every day and raise the cost of capital. French President Nicolas Sarkozyâ€™s plan to introduce a 0.1 per cent tax on all financial transactions has been dubbed a â€œRobin Hoodâ€ tax. This name stems from the legendary medieval outlaw who stole from the rich to give to the poor, because it imposes taxation on businesses and investors in order to help the ailing economy. </text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Unknown</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Perth Now</text>
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            <elementTextContainer>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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            </elementTextContainer>
          </element>
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19423">
                <text>Hyperlink</text>
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            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
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        <name>investor</name>
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        <name>Nicolas Sarkozy</name>
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        <name>outlaw</name>
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        <name>penalty</name>
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        <name>revenue</name>
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      <tag tagId="3070">
        <name>Robin Hood</name>
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        <name>tax</name>
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        <name>treasury</name>
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        <name>Wayne Swan</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
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              <text>2 x Digital Photographs; JPEGs</text>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="16962">
                <text>The Rouen clock: Medieval inspiration for London Court, Perth.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="16963">
                <text>clock, France, the Great Clock, Le Gros Horloge, H. Hope-Jones, London Court, newspaper, Normandy, Perth, replica, Rouen, WA, The West Australian, Western Australia</text>
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            <description>An account of the resource</description>
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                <text>&lt;p&gt;These photographs compare the clock face at the Hay Street end of London Court in Perth with Le Gros Horloge, or the Great Clock, at Rouen in Normandy, France, on which it is based. An article in The West Australian newspaper in 1937, and repeated on the official London Court website, claims that the London Court clock face designed by H. Hope-Jones is a &amp;lsquo;replica&amp;rsquo; of the one at Rouen. Yet a comparison of the photographs shows that this is not the case. Although the layout is the same the materials are different and the central sun on the Rouen clock is much larger. Le Gros Horloge also only has a single hand, to indicate the hour, whereas the London Court clock has the conventional modern two hands.&lt;/p&gt;&#13;
&lt;p&gt;The Rouen clock mechanism was installed in the early fifteenth century, whilst the clock face was added a century later. The clock includes figures associated with the day of the week appearing at noon on the appropriate day and, above the clock, a globe depicting the phase of the moon.&lt;/p&gt;&#13;
For London Court see &lt;a href="http://www.londoncourt.com.au/" target="_blank"&gt;&lt;span style="color: #800080;"&gt;www.londoncourt.com.au&lt;/span&gt;&lt;/a&gt;. For the newspaper article &amp;lsquo;Two New Clocks&amp;rsquo; see &lt;a href="http://nla.gov.au/nla.news-article41438038" target="_blank"&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;http://nla.gov.au/nla.news-article41438038&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-family: Calibri;"&gt;.&lt;/span&gt;&lt;/span&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16965">
                <text>McLeod, Shane</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16966">
                <text>29 November 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16967">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16968">
                <text>2 x Digital Photographs; JPEGs</text>
              </elementText>
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        <name>clock</name>
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      <tag tagId="1529">
        <name>France</name>
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        <name>H. Hope-Jones</name>
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        <name>Le Gros Horloge</name>
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        <name>London Court</name>
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      <tag tagId="109">
        <name>newspaper</name>
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        <name>Normandy</name>
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        <name>Perth</name>
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      <tag tagId="114">
        <name>replica</name>
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        <name>Rouen</name>
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        <name>the Great Clock</name>
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      <tag tagId="3820">
        <name>The West Australian</name>
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      <tag tagId="838">
        <name>WA</name>
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        <name>Western Australia</name>
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  </item>
  <item itemId="291" public="1" featured="0">
    <fileContainer>
      <file fileId="350">
        <src>https://ausmed.arts.uwa.edu.au/files/original/beb4fa5635c958140dc8d6b96afbf964.pdf</src>
        <authentication>bf559ff7f631991e9ad7bc6ea3cdec88</authentication>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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    <itemType itemTypeId="1">
      <name>Document</name>
      <description>A resource containing textual data.  Note that facsimiles or images of texts are still of the genre text.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="6427">
              <text>Newspaper article; PDF</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Meeting of Chamberlain and Eden clad as medieval admirals</text>
              </elementText>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>Pre-World War II, world war, WWII, war, Chamberlain, Neville Chamberlain, Eden, Mediterranean piracy, piracy, General France, France, submarines, Mussolini, cartoon, caricature, cartoons as political comment, political, politics, Punch, Punch Magazine</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6419">
                <text>A â€˜Punchâ€™ cartoon of Neville Chamberlain (Primer Minister of the UK) and Anthony Eden (his Foreign Secretary) depicting them as medieval admirals watching a serpent titled â€˜Mediterranean piracyâ€™, saying â€˜I say, even in holiday time. I think we shall have to take some notice of thisâ€™ was widely reported and held political sway. It urged the UK to act on increasing Italian piracy. News about the cartoon was published in the â€˜Cairns Postâ€™ Friday 3 September 1937, â€˜Barrier Minerâ€™ (Broken Hill, NSW) Friday 3 September 1937 with headlines â€˜Punch Cartoon Urges Britain to Actâ€™, â€˜Sydney Morning Heraldâ€™ (Thursday 2 September 1937; â€˜The West Australianâ€™ Thursday 2 September 1937, â€˜Morning Bulletinâ€™ (Rockhampton, Qld.), Friday 3 September 1937, â€˜Examinerâ€™ (Launceston, Tas.) Friday 3 September 1937.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6420">
                <text>Unknown</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="6421">
                <text>The Canberra Times</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="6422">
                <text>The Canberra Times</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6423">
                <text>3 Sept 1937</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6424">
                <text>Public Domain</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6425">
                <text>Newspaper Article</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6426">
                <text>English</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="153">
        <name>Armour</name>
      </tag>
      <tag tagId="1976">
        <name>caricature</name>
      </tag>
      <tag tagId="84">
        <name>cartoon</name>
      </tag>
      <tag tagId="1977">
        <name>cartoons as political comment</name>
      </tag>
      <tag tagId="1969">
        <name>Chamberlain</name>
      </tag>
      <tag tagId="1970">
        <name>Eden</name>
      </tag>
      <tag tagId="1529">
        <name>France</name>
      </tag>
      <tag tagId="1973">
        <name>General France</name>
      </tag>
      <tag tagId="1971">
        <name>Mediterranean piracy</name>
      </tag>
      <tag tagId="1975">
        <name>Mussolini</name>
      </tag>
      <tag tagId="1972">
        <name>piracy</name>
      </tag>
      <tag tagId="479">
        <name>political</name>
      </tag>
      <tag tagId="1978">
        <name>politics</name>
      </tag>
      <tag tagId="1968">
        <name>Pre-World War II</name>
      </tag>
      <tag tagId="1979">
        <name>Punch</name>
      </tag>
      <tag tagId="1980">
        <name>Punch Magazine</name>
      </tag>
      <tag tagId="1974">
        <name>submarines</name>
      </tag>
      <tag tagId="1615">
        <name>war</name>
      </tag>
      <tag tagId="1522">
        <name>World War</name>
      </tag>
      <tag tagId="1941">
        <name>WWII</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="226" public="1" featured="0">
    <collection collectionId="5">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34458">
                  <text>Medievalism at the Foundations</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          </elementContainer>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Black &amp; white - Glass original whole plate negative.&#13;
PDF.</text>
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          <name>URL</name>
          <description/>
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              <text>&lt;a href="http://cas.awm.gov.au/item/E02964"&gt;http://cas.awm.gov.au/item/E02964&lt;/a&gt;</text>
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                <text>Sir John Monash knighted by King George V in France</text>
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            <name>Subject</name>
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                <text>knight, knighthood, Knighthood Ceremony, dubbing, King George V, Sir John Monash, World War 1, France, Bertangles Chateau, Military Costume, Order of the Bath, Military Honours, Orders of Knighthood </text>
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                <text>&lt;span&gt;General Sir John Monash was created Knight Commander of the Order of the Bath on 1 Jan 1918, and Knight Grand Cross of St Michael and St George on 1 Jan 1919. He is seen receiving his knighthood as Knight Commander of the Order of the Bath on 1&lt;/span&gt;&lt;span&gt;2 August 1918&lt;/span&gt;&lt;span&gt;;&amp;nbsp; the ceremony is held on steps outside a large building and is being observed by a small group of other army officers. &lt;/span&gt;The location is &lt;span&gt;France: Picardie, Somme, Bertangles.&lt;/span&gt;&lt;br /&gt; John Monash GCMG, KCB (1865-1931) was born in West Melbourne and died in&lt;span&gt; 1931 in Melbourne.&lt;br /&gt; &lt;/span&gt; Of Prussian Jewish heritage, he participated in the landing at Anzac Cover Gallipoli and assumed command of the Australian Corps in May 1918. &lt;br /&gt; &lt;br /&gt; The motto of the Order of the Bath is &lt;span&gt;&lt;span style="font-style: italic;"&gt;Tria Juncta in uno (&lt;/span&gt;Three joined in one) &lt;/span&gt;&lt;br /&gt; The motto of the Order of St Michael and St George is &lt;span&gt;&lt;span style="font-style: italic;"&gt;Auspicium Melioris Aev&lt;/span&gt;i (Token of a better age)&lt;br /&gt; &lt;br /&gt; Entry on Australian War Memorial website:&lt;br /&gt; &lt;/span&gt;&lt;span&gt;'His Majesty King George V, knighting Lieutenant General Sir John Monash, Australian Corps Commander, at the Corps Headquarters in the Chateau, when General Monash was invested as a Knight Commander of the Bath. The ordnance shown in the background is captured material brought back from the vicinity of Warfusee-Abancourt; it was captured on 8 August by Australian troops. When General Monash took leave of His Majesty, Major General M. W. O'Keeffe KCMG CB, DMS, Fourth Army, who is standing on the right showing three rows of ribbons, was invested with the KCMG. Second from the right is Brigadier General R. A. Carruthers CB CMG, Deputy Assistant and Quartermaster General, Australian Corps.'&lt;br /&gt; &lt;/span&gt;&#13;
&lt;div&gt;&#13;
&lt;div&gt;&lt;cite&gt;&lt;strong&gt;Permalink:&lt;/strong&gt; &lt;a href="http://cas.awm.gov.au/item/E02964" target="_blank"&gt;http://cas.awm.gov.au/item/E02964&lt;/a&gt;&lt;/cite&gt;&lt;/div&gt;&#13;
&lt;/div&gt;</text>
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                <text>Unknown Photographer</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="13005">
                <text>Australian War Memorial E02964</text>
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            <name>Date</name>
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                <text>12 August 1918</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Copyright expired - public domain</text>
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            <name>Format</name>
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                <text>Hyperlink to Digital Image</text>
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        <name>King George V</name>
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        <name>Knighthood Ceremony</name>
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        <name>Military Costume</name>
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        <name>Military Honours</name>
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        <name>Order of the Bath</name>
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        <name>Orders of Knighthood</name>
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        <name>Sir John Monash</name>
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      <tag tagId="1528">
        <name>World War 1</name>
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