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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;This Australian Mutual Provident Society building is in the centre of the Tasmanian city of Launceston. It was designed by local architects Lesley Gordon Corrie (1859-1918) and Alexander North (1858-1945) and built by J. and T. Gunn. It opened in 1892. An anonymous&amp;nbsp;report in the Launceston Examiner newspaper (November 19, 1892) gives the particulars of the building, which is described as being in the Florentine Romanesque style. Romanesque features of the stone building include the semi-circular window arches with molding and decorated columns on the upper floor, the semi-circular arch above the company monogram, the use of foliage motifs, and the frieze above the entrance.&lt;/p&gt;&#13;
&lt;p&gt;Florence has a number of extant Romanesque buildings built between the eleventh and thirteenth centuries. The buildings provided inspiration for some of the Florentine architects of the Renaissance.&lt;/p&gt;&#13;
&lt;p&gt;For the newspaper report see &lt;a href="http://nla.gov.au/nla.news-article39478203"&gt;http://nla.gov.au/nla.news-article39478203&lt;/a&gt;&lt;/p&gt;&#13;
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>This work by French sculptor Albert BartholomÃ© was acquired by the National Gallery of Victoria with funds from the Felton Bequest in 1922. It is a bronze sculpture depicting the expulsion of Adam and Eve from Paradise. It has been dated to 1905, although the work from which it was cast was probably finished by 1899. The figures of Adam and Eve are believed to be modelled on Masaccioâ€™s fresco, Expulsion from Paradise, (c.1426-1428) in the Brancacci Chapel, Florence (See Ted Gott et al, 19th Century Painting and Sculpture in the International Collections of the National Gallery of Victoria, Melbourne, National Gallery of Victoria, 2003, p.112). </text>
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Hyperlink</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Cathedral of St. Francis Xavier, Geraldton, Western Australia </text>
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                <text>architect, architecture, Bishop Richard Ryan, Bishop William Bernard Kelly, Brunelleschi, California, chÃ¢teau, church, Catholic, Catholicism, Catholic church, clergy, Florence, French Renaissance, French Romanesque, Geraldton, Geraldton diocese, Monsignor John Cyril Hawes, outback, priest, Renaissance, Romanesque style, Spanish mission style, stone, WA, Western Australia, Western Australian outback, Saint Francis Xavier, St. Francis Xavier, St Francis Xavier, Francis Xavier, Geraldton</text>
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                <text>St Francis Xavier Church in Geraldton, Western Australia, designed by Monsignor John Cyril Hawes, has a mixture of Romanesque and Spanish mission style architecture. The first stone was laid in 1916, but following the death of Bishop Kelly the cathedral was not completed until 1938 due to a lack of funds and lack of enthusiasm from Kellyâ€™s replacement, Bishop Ryan.&#13;
&#13;
The cathedral is an interesting mix of styles. The twin towers at the front are similar to the Spanish mission style architecture (eg. The Mission Church of Santa Barbara in California), the central doorway is French Romanesque, the dome has echoes of Brunelleschiâ€™s cupola in Florence, and the cone-roofed tower at the rear is similar to those found on French Renaissance chÃ¢teaux. The interior features Romanesque columns, timbered ceiling, and zebra striping on the walls and arches.&#13;
&#13;
For more information on Monsignor John Cyril Hawes, see A. G. Evans, 'Hawes, John Cyril (1876-1956)', Australian Dictionary of Biography, Volume 9, Melbourne University Press, 1983, pp.229-230; John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956, (University of Western Australia Press, Perth, 2001).</text>
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&#13;
For more information on Monsignor John Cyril Hawes, see A. G. Evans, 'Hawes, John Cyril (1876-1956)', Australian Dictionary of Biography, Volume 9, Melbourne University Press, 1983, pp.229-230; John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956, (University of Western Australia Press, Perth, 2001).</text>
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The cathedral is an interesting mix of styles. The twin towers at the front are similar to the Spanish mission style architecture (eg. The Mission Church of Santa Barbara in California), the central doorway is French Romanesque, the dome has echoes of Brunelleschiâ€™s cupola in Florence, and the cone-roofed tower at the rear is similar to those found on French Renaissance chÃ¢teaux. The interior features Romanesque columns, timbered ceiling, and zebra striping on the walls and arches.&#13;
&#13;
For more information on Monsignor John Cyril Hawes, see A. G. Evans, 'Hawes, John Cyril (1876-1956)', Australian Dictionary of Biography, Volume 9, Melbourne University Press, 1983, pp.229-230; John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956, (University of Western Australia Press, Perth, 2001).</text>
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