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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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          <name>URL</name>
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              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: Calibri; mso-ansi-language: EN; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;" lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article51296463"&gt;&lt;span style="color: blue;"&gt;http://nla.gov.au/nla.news-article51296463&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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            <description>A name given to the resource</description>
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                <text>â€˜The Talismanâ€™, Examiner, Tasmania </text>
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                <text>Armour, King Arthur, Charlemagne, charms, Examiner, Excalibur, Hereward the Wake, horn, knights, Launceston, newspaper, Normans, Robert Power, Roland, Song of Roland, supernatural, sword, The Talisman, Tas, Tasmania. </text>
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                <text>&lt;p&gt;&amp;lsquo;The Talisman&amp;rsquo; is an article by Robert Power published in 1924 in the &amp;lsquo;Two Minute Talks&amp;rsquo; section of the Launceston newspaper the Examiner. The article is about the importance of putting ones faith in God rather than superstitious charms. The article opens by mentioning the talisman of &amp;lsquo;great heroes&amp;rsquo;, all of whom are medieval.&lt;br /&gt;Hereward the Wake (who fought against the Normans in England in 1070-1) had magic armour, Charlemagne&amp;rsquo;s knight Roland (whose feats are told in the eleventh-century poem The Song of Roland) had an important horn, and King Arthur and his knights have the supernatural sword Excalibur.&lt;/p&gt;&#13;
&lt;p&gt;For the article see &lt;a href="http://nla.gov.au/nla.news-article51296463"&gt;http://nla.gov.au/nla.news-article51296463&lt;/a&gt;&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Power, Robert</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="26854">
                <text>Examiner</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>March 8, 1924</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="26856">
                <text>Public Domain: Trove</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Newspaper article; Hyperlink</text>
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        <name>Excalibur</name>
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        <name>Hereward the Wake</name>
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        <name>horn</name>
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        <name>King Arthur</name>
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        <name>knights</name>
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        <name>Launceston</name>
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        <name>Robert Power</name>
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        <name>Roland</name>
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        <name>Song of Roland</name>
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        <name>supernatural</name>
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        <name>sword</name>
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        <name>The Talisman</name>
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              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Hyperlink</name>
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              <text>&lt;a href="http://www.youtube.com/watch?v=q7O7NgjWPeM" target="_self"&gt;http://www.youtube.com/watch?v=q7O7NgjWPeM&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>&lt;em&gt;Arthur! And the Square Knights of the Round Table&lt;/em&gt; Children's Cartoon series</text>
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            <description>The topic of the resource</description>
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                <text>Animation, armour, Arthur, Arthurian legend, Black Knight, cartoon, childrenâ€™s series, chivalry, damsel in distress, dragon, excalibur, Guinevere, jousting, knight, Lancelot, maiden, Merlin, Morgan Le Fay, rescue, round table, song, sword, television, TV.</text>
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                <text>&lt;em&gt;Arthur! And the Square Knights of the Round Table&lt;/em&gt; was an animated Australian cartoon series written by Melbourne playwright Alex Buzo with Rod Hull, Lyle Martin, John Palmer and M. Robinson. It was produced between 1966 and 1968. Based on Arthurian legend, the cartoons feature characters such as King Arthur, Guinevere, Lancelot, Merlin, a Black Knight and Morgan le Fay. The opening jingle (available at &lt;a href="http://www.youtube.com/watch?v=q7O7NgjWPeM" target="_self"&gt;http://www.youtube.com/watch?v=q7O7NgjWPeM&lt;/a&gt;) provides a good overview of the Arthurian themes and motifs in the cartoons, in verse! For example, the pastimes of the hero Arthur &amp;ndash; &amp;lsquo;the king of Camelot, who likes to joust a lot&amp;rsquo; &amp;ndash; are identified as jousting, dragon-slaying, wooing Guinevere, foiling the evil plans of the Black Knight, rescuing damsels in distress, drawing swords from stones, making tables round, and convening meetings of his bravest knights.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Written by Alex Buzo with Rod Hull, Lyle Martin, M. Robinson &amp; John Palmer&#13;
Produced by Walter J. Hucker&#13;
</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>You Tube</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="25943">
                <text>Air Programs International (API)</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1966-1968</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="25945">
                <text>Air Programs International (API)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>URL</text>
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        <name>Arthur</name>
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        <name>Arthurian legend</name>
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        <name>Black Knight</name>
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        <name>cartoon</name>
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        <name>Excalibur</name>
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        <name>Lancelot</name>
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        <name>Merlin</name>
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        <name>Morgan Le Fay</name>
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        <name>rescue</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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          <name>URL</name>
          <description/>
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              <text>&lt;p&gt;To view this image,&lt;/p&gt;&#13;
&lt;p&gt;1. go to: &lt;a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"&gt; &lt;span style="color: #0000ff;"&gt;http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;2. search by artist or title.&lt;/p&gt;</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>How Sir Bedivere cast the Sword Excalibur into the Water</text>
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            <description>The topic of the resource</description>
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                <text>art, Arthur, Arthurian, Arthuriana, legend, legends, myth, mythology, Aubrey Beardsley (1872-1898), Avalon, death, Excalibur, illustration, J.M. Dent &amp; Sons, king, knight, lake, Le Morte dâ€™Arthur, SA, Sir Bedivere, South Australia, sword, Thomas Malory, wounded king</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19590">
                <text>This work was gifted to the Art Gallery of South Australia in 1960 by Mrs R.A. Haste. It is a line-block reproduction on paper depicting a scene from Thomas Maloryâ€™s fifteenth-century canonical Arthurian text Le Morte dâ€™Arthur. Following the battle at Barnham Down where Arthur is mortally wounded, he commands Sir Bedivere (at this point the only knight left standing) to take his sword Excalibur to the water and cast it in, and then to return and tell him what he has seen. Sir Bedivere twice takes the sword to the waterside but hides it rather than throw it to waste. Upon his return he tells Arthur that nothing unusual transpired when he threw the sword in and Arthur knows he is lying. On his third visit he casts the sword into the water, and a hand appears from the water to grab hold of it. Sir Bedivere afterwards takes Arthur to the lake, where a barge appears to take him to Avalon. The work was created by Aubrey Beardsley for a nineteenth-century illustrated edition of Le Morte dâ€™Arthur, which was issued in 12 parts between 1893 and 1984 by London publisher J.M. Dent &amp; Sons. </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19591">
                <text>Beardsley, Aubrey</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="19592">
                <text>Art Gallery of South Australia</text>
              </elementText>
            </elementTextContainer>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="19593">
                <text>c. 1873</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19594">
                <text>Art Gallery of South Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19595">
                <text>Hyperlink</text>
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        <name>art</name>
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        <name>Arthur</name>
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        <name>Arthurian</name>
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        <name>Aubrey Beardsley (1872-1898)</name>
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        <name>Avalon</name>
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        <name>death</name>
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        <name>Excalibur</name>
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        <name>illustration</name>
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        <name>J.M. Dent &amp; Sons</name>
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        <name>Le Morte dâ€™Arthur</name>
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        <name>SA</name>
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        <name>Sir Bedivere</name>
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        <name>sword</name>
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        <name>Thomas Malory</name>
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        <name>wounded king</name>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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          <name>URL</name>
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              <text>&lt;span&gt;&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;a href="http://www.artgalleryofballarat.com.au/collection/australian-collection/waller,-christian.aspx" target="_blank"&gt;&lt;span style="color: #0000ff; font-family: Calibri; font-size: small;"&gt;http://www.artgalleryofballarat.com.au/collection/australian-collection/waller,-christian.aspx&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Morgan Le Fay</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Accalan, Accolon, Art, Arthur, Arthurian, Avalon, Ballarat, ChrÃ©tien de Troyes, Christian Waller (1894-1954), Excalibur, healer, healing, keys, king, King Arthur, knight, lance, Le Morte dâ€™Arthur, legend, Morgan Le Fay, power, shield, Thomas Malory, VIC, Victoria watercolour, wounded king</text>
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                <text>&lt;p&gt;This watercolour by Australian artist Christian Waller was gifted to the Art Gallery of Ballarat in 1933 by the Women&amp;rsquo;s Association. It depicts a woman in medieval dress whom the title identifies as Morgan Le Fay. Morgan Le Fay is a sorceress/healer in Arthurian legend. Starting with Chr&amp;eacute;tien de Troyes in the late twelfth century, she is often named as Arthur&amp;rsquo;s half-sister (by his mother Igerne). She plays a key adversarial role in much Arthurian literature; she is often depicted trying to expose the adulterous liaisons of Lancelot and Guinevere, and attempting to bring about Arthur&amp;rsquo;s downfall. She does this by using her magic powers to give Arthur&amp;rsquo;s sword, Excalibur, to her lover Accolon (while leaving Arthur unknowingly with a counterfeit), and by throwing Excalibur into the lake. At the end of Thomas Malory&amp;rsquo;s fifteenth-century text &lt;em&gt;Le Morte d&amp;rsquo;Arthur, &lt;/em&gt;however, she resumes her healing role by taking Arthur to Avalon and tending to the wounded king. For a copy of &lt;em&gt;Le Morte d&amp;rsquo;Arthur, &lt;/em&gt;see: &lt;a href="http://ebooks.adelaide.edu.au/m/malory/thomas/m25m/" target="_blank"&gt; &lt;span style="color: #0000ff;"&gt;http://ebooks.adelaide.edu.au/m/malory/thomas/m25m/&lt;/span&gt;&lt;/a&gt;. In the background of Waller&amp;rsquo;s painting are numerous medieval references: a lance, a heraldic shield, a helmet, a picture of a knight riding a horse, and a set of highly symbolic keys given Morgan Le Fay&amp;rsquo;s power in Arthurian legend.&lt;/p&gt;&#13;
&lt;p&gt;About Christian Waller:&lt;/p&gt;&#13;
&lt;p&gt;Christian Waller was born Christian Marjory Emily Carlyle Yandell in 1894 in Castlemaine, Victoria. In 1910 she moved to Melbourne with her family. There she attended the National Gallery Schools and won acclaim from a young age, receiving a number of student prizes, exhibiting her work with the Victorian Artists Society and featuring in illustrated publications such as Franklin Petersons &lt;em&gt;Melba&amp;rsquo;s Gift Book of Australian Art and Literature &lt;/em&gt;in 1915. In 1915 she married fellow artist Mervyn Napier Waller. He lost his right arm the following year serving on the Western Front, and Christian supported him upon his return to Australia by working as a commercial artist. During the 1920s she became a book illustrator, and her work from this period has been described as reflecting &amp;ldquo;Classical, Medieval, Pre-Raphaelite and Art Nouveau influences&amp;rdquo; (See Thomas, David, 'Waller, Christian Marjory Emily Carlyle (1894&amp;ndash;1954)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, &lt;a href="http://adb.anu.edu.au/biography/waller-christian-marjory-emily-carlyle-11944/text21407" target="_blank"&gt;http://adb.anu.edu.au/biography/waller-christian-marjory-emily-carlyle-11944/text21407&lt;/a&gt;, accessed 4 February 2012). From 1928 Waller started designing stained glass windows. This was an artistic medium in which she was prolific, and for which she became well known, during the 1930s and 40s.&lt;/p&gt;</text>
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                <text>Waller, Christian (1894-1954)</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="19049">
                <text>Art Gallery of Ballarat</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="19050">
                <text>1920</text>
              </elementText>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="19051">
                <text>Art Gallery of Ballarat</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Watercolour, 33.3cm x 21.4cm;&#13;
Hyperlink</text>
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        <name>Accalan</name>
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        <name>ChrÃ©tien de Troyes</name>
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