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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://europa-reenactment.org/index.php"&gt;http://europa-reenactment.org/index.php&lt;/a&gt;</text>
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                <text>Europa Re-enactment Association Inc.</text>
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                <text>Archery, armour, article, Blue Mountains, Celtic cross, combat, cooking, costume, craft, culture, England, Europa Re-enactment, Europa Re-enactment Association Inc., games, helmet, hut, Jorvik, living history, logo, map, Middleton Cross, New South Wales, Norse, NSW, Odin, oven, OÃ°inr, performance, re-enactment, ring-chain, shield, spear, Springwood, sword, Viking, warrior, website, Wiccy, York.</text>
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                <text>&lt;p&gt;Europa Re-Enactment Association Inc. are a living history group based at Springwood in the Blue Mountains, New South Wales. The group focus on the period of Viking rule of the city of Jorvik (York) in northern England from 876-954. They re-enact such cultural activities as craft, cooking, clothing, combat, building construction, and weapon making. Combat includes archery, swords, shields, armour, and helmets. The group also performs for school groups and at re-enactment events. Their website, made by Wiccy, includes basic maps on Viking settlement in England, a gallery, and useful articles on making such things as Viking ovens, huts, and shields, a Bibliography for those wanting more information about Viking life, and a comprehensive 'Links' page.&lt;/p&gt;&#13;
&lt;p&gt;The groups logo features the early tenth-century Viking cross from Middleton, North Yorkshire. The ring-headed Celtic cross features a Scandinavian ring-chain pattern and a warrior sitting on a throne with two swords and a spear. A raven, a bird commonly associated with the Norse war god O&amp;eth;inr (Odin) flies from the cross.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://europa-reenactment.org/"&gt;http://europa-reenactment.org/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Copyright Â© Europa Reenactment 2009 - 2010</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Medieval artefacts, St Davidâ€™s Cathedral, Hobart, Tasmania</text>
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                <text>Anglican, artefact, George Frederick Bodley, Cloisters, Dublin, England, Gothic, Gothic Revival, Hobart, Ireland, pillar, Salisbury Cathedral, St Davidâ€™s Cathedral, St Patrickâ€™s Cathedral, spire, Tas, Tasmania, Tudor Rose, Wales, Westminster Hall.</text>
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                <text>&lt;p&gt;St David&amp;rsquo;s Cathedral, Hobart, was designed by English architect George Frederick Bodley (1827-1907) in 1865 in the Gothic Revival style, with further revisions in 1891. As the foundation stone for the Cloisters and Tower were not laid until 1892 they are likely to have been part of those revisions. They were completed and consecrated in 1936. The Cloisters building acts as a museum and features a number of original medieval artefacts on its walls. The photographs below are of four of the items: a sculpture of a head from the wall of the twelfth-century St Patrick&amp;rsquo;s Cathedral in Dublin, a pillar from a spire on the fourteenth-century Salisbury Cathedral in England, a fifteenth-century Tudor Rose stone from the eleventh-century Westminster Hall in London, and a stone from the sixth-century St David&amp;rsquo;s Cathedral in Wales. The artefacts in the Cloisters provide a good opportunity for the public to interact with medieval material culture.&lt;/p&gt;&#13;
&lt;p&gt;For the exterior of the cloisters see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1163"&gt;http://ausmed.arts.uwa.edu.au/items/show/1163&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>October 6, 2012</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1163"&gt;http://ausmed.arts.uwa.edu.au/items/show/1163&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>&lt;p&gt;Australian Morris Ring is an organisation that represents Australian Morris dancers. It represents &amp;lsquo;sides&amp;rsquo;, or Morris dancing teams, in all Australian states and territories except the Northern Territory. The groups perform the Cotswold, Borders (the border between Wales and England), and North West (of England) versions of Morris dancing, Morris dancing is an English folk dance that is attested from the late fifteenth century. There are also other dances mentioned elsewhere in Europe that may have a common origin.&lt;/p&gt;&#13;
&lt;p&gt;For more information see &lt;a href="http://www.morris.org.au/index.html"&gt;http://www.morris.org.au/index.html&lt;/a&gt;&lt;/p&gt;</text>
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            <name>Contributor</name>
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                <text>Kimberley Brown Graphic Design</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Australian Morris Ring</text>
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            <name>Format</name>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>&lt;p&gt;Longford Morris Dancers are a group of Morris Dancers who, although associated with the town of Longford, rehearse in the city of Launceston in Tasmania. The group perform the Cotswold and Borders (the border between Wales and England) versions of Morris&lt;br /&gt;dancing, and often appear at public events. Morris dancing is an English folk dance that is attested from the late fifteenth century. There are also other dances mentioned elsewhere in Europe that may have a common origin.&lt;/p&gt;&#13;
&lt;p&gt;For more information on the group see &lt;a href="http://www.tco.asn.au/oac/community_groups.cgi?groupID=1774&amp;amp;oacID=35"&gt;http://www.tco.asn.au/oac/community_groups.cgi?groupID=1774&amp;amp;oacID=35&lt;/a&gt;&lt;/p&gt;</text>
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                <text>linc Tasmania</text>
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          <element elementId="42">
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            <elementTextContainer>
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                <text>Hyperlink</text>
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        <name>Borders Morris</name>
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        <name>Cotswold Morris</name>
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      <tag tagId="2786">
        <name>England</name>
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        <name>folk dance</name>
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        <name>folk music</name>
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        <name>Launceston</name>
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        <name>Longford</name>
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        <name>Longford Morris Dancers</name>
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        <name>performance</name>
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        <name>Tas</name>
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                    <text>1944</text>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Anglican Church of the Good Shepherd, Hadspen, Tasmania </text>
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          <element elementId="49">
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                <text>Anglican, buttress, church, Church of the Good Shepherd, England, Gothic, Gothic Revival, W.G. &amp; E. Habershon, Hadspen, lancet window, Lutterworth, pointed arch, Thomas Reibey, Tas, Tasmania.</text>
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                <text>The Anglican Church of the Good Shepherd is in the town of Hadspen, Tasmania. Archdeacon Thomas Reibey of Hadspen had the plans for the church drawn up by W.G. &amp; E. Habershon of London and the foundation stone was laid in 1868. Reibey was largely funding the church himself and following a scandal he resigned from office in 1870, leaving the building unfinished and missing a roof. A scaled down version of the original design was finally completed in 1961. The original church design was based on the medieval Gothic parish church of St Maryâ€™s in the English village of Lutterworth, Leicestershire. The Church of the Good Shepherd is built of bluestone in the Gothic Revival style and features a pointed arched entrance and window mouldings, lancet windows, and buttresses. </text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>McLeod, Shane</text>
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                <text>August 20, 2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>No Copyright</text>
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            <elementTextContainer>
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  <item itemId="1047" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article81658763" target="_self"&gt;http://nla.gov.au/nla.news-article81658763&lt;/a&gt;</text>
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                <text>â€˜Alfred Was Great Kingâ€™</text>
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                <text>&lt;p&gt;&amp;lsquo;Alfred Was Great King&amp;rsquo; is an anonymous article that appeared in the Charters Towers, Queensland, newspaper &lt;em&gt;The Northern Miner&lt;/em&gt; in 1954. The article is about the ninth-century Anglo-Saxon/English king Alfred of Wessex, or Alfred the Great. The article enthusiastically supports his title and discusses Alfred&amp;rsquo;s achievements &amp;ndash; saving Wessex from Danish (Viking) invaders, laying the foundations for English law, beginning its naval tradition, and promoting education and prose literature. A lot of text is devoted to another of Alfred&amp;rsquo;s achievements, the establishment of the Old English Chronicle, now usually referred to as the Anglo-Saxon Chronicle. It is described in the article as &amp;lsquo;the first great work in English prose&amp;rsquo;. &lt;/p&gt;&#13;
&lt;p&gt;The article can be found at &lt;a href="http://nla.gov.au/nla.news-article81658763"&gt;http://nla.gov.au/nla.news-article81658763&lt;/a&gt; &amp;nbsp;&amp;nbsp;&lt;/p&gt;</text>
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                <text>February 6, 1954</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Public Domain</text>
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            <elementTextContainer>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <name>Local URL</name>
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              <text>&lt;span style="line-height: 115%; font-family: 'Calibri','sans-serif'; font-size: 11pt; mso-fareast-font-family: Calibri; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA;"&gt;&lt;a href="http://www.danelaw.org.au/home.htm"&gt;http://www.danelaw.org.au/home.htm&lt;/a&gt;&lt;/span&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Danelaw Medieval Fighting Society, New South Wales</text>
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            <description>The topic of the resource</description>
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                <text>James Adams, Anglo-Saxon, archery, armour, axe-throwing, battle, catapult, Celt, Crusades, Danelaw, Danelaw Medieval Fighting Society, England, fort, knife-throwing, knight, law, Medieval Martial Arts Association of Southern Sydney, New South Wales, Norman, NSW, re-enactment, Saracen, siege engine, sword, tournament, trebuchet, Viking, website.</text>
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            <description>An account of the resource</description>
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                <text>&lt;p&gt;Danelaw Medieval Fighting Society are a New South Wales re-enactment group who own The Danelaw, a 120 acre property in a pine forest between Sydney and Canberra that is used by re-enactment groups. The property includes a fort, axe- and knife-throwing areas, a tournament ring, as well as trebuchet&amp;rsquo;s, a type of catapult used in siege warfare from the twelfth century. The Danelaw Medieval Fighting Society were formed in the mid-1980s by James Adams as the Medieval Martial Arts Association of Southern Sydney. They adopted the current name in 2002. Members re-enact warfare methods with authentic costumes and weapons from throughout the medieval period, including such groups as Anglo-Saxons, Celts, Crusaders, Normans, Saracens, and the knights of the High Middle Ages. The property is named after the Danelaw of England, that part of England conquered and settled by the Vikings in the second half of the ninth century, and where aspects of &amp;lsquo;Danish&amp;rsquo; law were used.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.danelaw.org.au/home.htm"&gt;http://www.danelaw.org.au/home.htm&lt;/a&gt;&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="28307">
                <text>Danelaw Medieval Fighting Society Inc</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28308">
                <text>Danelaw Medieval Fighting Society Inc</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>Crusades</name>
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      <tag tagId="1354">
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        <name>re-enactment</name>
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        <name>viking</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/df04f2ec63567d5e1284afb7e1c0bca2.JPG</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Entrance, St Patrickâ€™s Cathedral, Melbourne</text>
              </elementText>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="22137">
                <text>Catholic, England, Gothic, Gothic Revival, grill, Melbourne, minor basilica, porch, St Patrickâ€™s Cathedral, sculpture, Vic, Victoria, William Wardell.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22138">
                <text>These two photographs show the entrance to St Patrick's Cathedral in Melbourne, Victoria. The elaborate porch has an arched entrance and includes sculptures of human heads as well as a tracery grill. St Patrick&amp;rsquo;s Catholic Cathedral was designed by English-born architect William Wardell and incorporated parts of an earlier church on the site. Although the foundation stone was laid in 1858, the cathedral was not consecrated until 1897, and was only completed in 1939. The bluestone building was built in the Gothic Revival style and is based on English churches of c. 1350-1500. The cathedral website is available at http://www.stpatrickscathedral.org.au/</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22139">
                <text>Lynch, Andrew</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22140">
                <text>March 19, 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22141">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
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            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="22142">
                <text>http://ausmed.arts.uwa.edu.au/items/show/918</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>porch</name>
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