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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;span&gt;&lt;a href="http://www.flickr.com/photos/raysalmanac/5735966859/in/photostream" target="_blank"&gt;&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;&lt;span style="color: #0000ff;"&gt;http://www.flickr.com/photos/raysalmanac/5735966859/in/photostream&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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                <text>St Peterâ€™s East Window, SCEGGS Great Hall, Darlinghurst, Sydney</text>
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                <text>Canopy, Christ, Christianity, Darlinghurst, Empire, Ferguson &amp; Urie, geometric patterning, Great Hall, medallion, medieval design, New South Wales, NSW, quarries, SGEGGS, school, school buildings, St Peterâ€™s Church, Stained glass, Sydney, Sydney Girls Grammar School, window</text>
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                <text>An image of the East Window in the Great Hall at Sydney Girls Grammar School (SGEGGS) in Darlinghurst, Sydney. The window was originally installed in St Peterâ€™s church in 1867, but the church has since been incorporated into the School Hall. It is the only known Ferguson &amp; Urie window in Sydney. Depictions of Christ and the disciples in lozenge and mandorla medallions stand out amidst a richly patterned geometrical background. This window employs several medieval design and glazing techniques, notably: 12th century lancets, the use of â€˜diaperedâ€™ background quarries, extensive geometric patterning, and painted figures restricted to â€˜mandorlaâ€™ and lozenge-shaped medallions. Note the comparatively larger, central figure of Christ standing under the imitation c. 14th century canopy. While not limited to a medieval primary colour scheme, the overall feeling and tone of this window is decidedly one of an adventurous medievalism. Such a window transmits the essence of the gospel message in visual narrative form, to the effect that the contents of each medallion can quite easily be â€˜readâ€™ by onlookers. The twin themes of Empire and Christianity merge seamlessly within the context of the windowâ€™s Neo-Gothic medievalism.</text>
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                <text>Brown, Ray</text>
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                <text>6 May 2011</text>
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                <text>Â© Ray Brown </text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;Newspaper Article: National Library of Australia, &lt;/span&gt;&lt;span lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article32723401" target="_blank"&gt;&lt;span style="font-family: Calibri; color: #0000ff; font-size: small;"&gt;http://nla.gov.au/nla.news-article32723401&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>A Bereaved Empire</text>
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                <text>Augustus, Augustus (63BC-19AD), bereavement, British Empire, corn laws, Darius (550-486BC), death, democracy, emancipation, Empire, enfranchisement, free press, free schools, grief, invention, Louis XIV (1638-1715), loyalty, medieval proclamation, monarch, monarchy, mourning, nation, Queen Elizabeth (r.1558-1603), Queen Victoria (r.1837-1901), political equality, progress, railway, reform, republic, republicanism, royalty, science, sovereign, steamer, telegraph, triumph</text>
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                <text>In this article upon the death of Queen Victoria (on 22 January 1901), her reign is described as a period in which â€œwe took a sudden step from medieval darkness to the metaphorically blinding brilliancy of the dawn of the twentieth centuryâ€. Citing the expansion of Empire, the extension of the franchise, the invention of railway, telegraph and the steamship and the establishment of free schools as examples of progress, the article suggests that the legacy of the Victorian era will surpass that of all others, including Augustus, Louis XIV and Elizabeth I, for its combination of intellectual splendour, artistic brilliance and political development. Under Victoria, the author suggests, Britain had become a republic in all but name, because in a break from tradition she was â€œthe Queen of the people, not of Peers and Aristocrats; the Queen of the cottage, and not of the Castleâ€. This shift and the growth of public affection that accompanied it is highlighted by the author in the suggestion that an adaptation of the traditional proclamation â€œThe King is Dead, Long Live the Kingâ€, in use since the medieval period to signify the immediate transfer of sovereignty onto the heir, was unthinkable because her beloved subjects needed time to mourn.  </text>
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                <text>Anon.</text>
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&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;National Library of Australia, &lt;/span&gt;&lt;span lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article32723401" target="_blank"&gt;&lt;span style="font-family: Calibri; color: #0000ff; font-size: small;"&gt;http://nla.gov.au/nla.news-article32723401&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>27 January 1901, p. 6.</text>
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                <text>National Library of Australia</text>
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