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                <text>This (Former) Congregational Church is in the small Tasmanian town of Pontville. The local sandstone church was opened in 1876 by Rev. J. Shiphird and replaced an earlier chapel. It is in the Gothic Revival style with buttresses, lancet windows, a pointed arch doorway (not visible in photograph), and a porch. It is now a Uniting Church.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>This Congregational Church is in the town of Richmond, Tasmania. It was built in 1873 after the previous church, built in 1844, was damaged in a storm. The sandstone building is in the Gothic Revival style with buttresses, and a pointed arch doorway and lancet windows accentuated by the use of moulding. The congregation of the Richmond church decided to remain independent when most other Congregational Churches became part of the Uniting Church in 1977.</text>
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                <text>Campanile Tower, St Michaelâ€™s Uniting Church, Melbourne</text>
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                <text>A view of the tall campanile tower at St Michael&amp;rsquo;s Uniting Church in Collin&amp;rsquo;s Street, central Melbourne. St Michael&amp;rsquo;s Uniting Church was designed by architectural firm Reed and Barnes in a Victorian Romanesque style. The style has more specifically been described as &amp;lsquo;Lombardic Romanesque&amp;rsquo; on account of the polychrome brickwork and campanile style tower pictured here (See, for example, the Victorian Heritage Register: &lt;a href="http://vhd.heritage.vic.gov.au/#detail_places;721"&gt;http://vhd.heritage.vic.gov.au/#detail_places;721&lt;/a&gt;). The polychrome pattern is unusual for a neo-romanesque building, as it was more often found in buildings of gothic design. The church was constructed by John Young between 1866 and 1867, and was originally named The Independent Church. It was renamed in 1977.</text>
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                <text>McEwan, Joanne</text>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/32f134eab929383dff32da14a30f8777.pdf</src>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Johnston Memorial Congregational Church</text>
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                <text>acanthus scroll, balcony, balustrading, building interior, canopy, church, church building, church interior, Congregational Church, decoration, Fremantle, Perth, WA, Western Australia, frieze, gothic canopy, gothic design, interior decoration, interior design, Johnston Memorial Church, J. Ross Anderson, Joseph Johnston (1814-1892), Maltese cross, memorial plate, organ, quatrefoil, tracery, window</text>
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                <text>This article describes the colourful redecoration of the interior of the Johnston Memorial Church in Fremantle in 1897. The predominant colours are listed as green, salmon, citron, terracotta, Persian red and cream. Among the features described in more detail are a frieze under the ceiling line â€˜with a foliated design introducing quartrefoils and Maltese crossesâ€™, a deep red dado with a medieval acanthus scroll painted in cream, and gold dog roses against a cardinal red background interspersed at regular intervals. The terracotta and cream design painted onto the green balcony is described as â€˜Gothicâ€™, and behind the rostrum â€˜is a Gothic canopy in deeper tones of colour, with a gold diapered pattern in deep blue, forming a background to the preacherâ€™. The decorations were designed and carried out by J. Ross Anderson, who was also noted for his decoration of the Wesley Church in Perth.&#13;
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