1
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Bishop Bromby memorial window, St David’s Cathedral, Hobart, Tasmania
Subject
The topic of the resource
Anglican, Charles Bromby, Cloisters, Colm Cille, Gothic, Gothic Revival, Hobart, Iona, Ireland, kite shield, lancet window, memorial, Picts, St Alban, St Columba, St David’s Cathedral, Scotland, shield, stained glass, Tas, Tasmania, tracery.
Description
An account of the resource
<p>This stained glass window is one of many in the Cloisters of St David’s Anglican Cathedral, Hobart. It is a memorial to Charles Henry Bromby (1814-1907), Bishop of Tasmania from 1864-1882. The tracery window features lancet windows of Sts Alban and Columba. St Alban was martyred in 3rd century Britain during Roman rule, and is suitably dressed in the window as a Roman soldier. However he carries a kite shield used in medieval Europe primarily in the 10th to 12th centuries. St Columba (521-597), also known as Colm Cille, was an early medieval Irish missionary monk who preached to the Picts in what is now Scotland. He established the monastery at Iona in the Inner Hebrides of western Scotland. St David’s Anglican Cathedral was designed by English architect George Frederick Bodley (1827-1907), Bishop Bromby’s brother-in-law, in 1865 in the Gothic Revival style, with further revisions in 1891. As the foundation stone for the Cloisters and Tower were not laid until 1892 they are likely to have been part of those revisions. They were completed and consecrated in 1936, long after the nave had been consecrated in 1874.</p>
<p> For the artefacts inside the cloisters see <a href="http://ausmed.arts.uwa.edu.au/items/show/1160">http://ausmed.arts.uwa.edu.au/items/show/1160</a></p>
<p>For the Cathedral interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
October 6, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<p><span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold; mso-ansi-language: EN-AU; mso-bidi-language: AR-SA;"><a href="http://ausmed.arts.uwa.edu.au/items/show/1160">http://ausmed.arts.uwa.edu.au/items/show/1160</a></span></p>
<p><span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-fareast-language: EN-AU; mso-bidi-font-weight: bold; mso-ansi-language: EN-AU; mso-bidi-language: AR-SA;"><a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a></span></p>
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph
Anglican
Charles Bromby
Cloisters
Colm Cille
Gothic
Gothic Revival
Hobart
Iona
Ireland
kite shield
lancet window
memorial
Picts
Scotland
shield
St Alban
St Columba
St David’s Cathedral
stained glass
Tas
Tasmania
tracery.
-
https://ausmed.arts.uwa.edu.au/files/original/14319166c8fb33e1460ff1a48a20e547.JPG
b127307708c86bcfcf5929bc6a20f09d
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
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d31d3bd7cbeee0bbc844d3f7ac4edad9
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
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Height
1944
Width
2592
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
St David’s Cathedral Cloisters, Hobart, Tasmania
Subject
The topic of the resource
Anglican, blind arcading, George Frederick Bodley, buttress, Cloisters, crenellation, Gothic, Gothic Revival, Hobart, lancet window, parapet, St David’s Cathedral, stained glass, Tas, Tasmania, tracery, Alan Cameron Walker.
Description
An account of the resource
<p>St David’s Anglican Cathedral, Hobart, was designed by English architect George Frederick Bodley (1827-1907)<br />in 1865 in the Gothic Revival style, with further revisions in 1891. As the foundation stone for the Cloisters and Tower were not laid until 1892 they are likely to have been part of those revisions.However, Hobart architect Alan Cameron Walker (1864-1931) was also involved in their design. They were completed and consecrated in 1936. The Cloisters building links the cathedral to the tower and are topped by a crenelated parapet. The also feature buttresses, and lancet windows with blind arcading, tracery and stained glass. </p>
<p>For the artefacts inside the cloisters see <a href="http://ausmed.arts.uwa.edu.au/items/show/1160">http://ausmed.arts.uwa.edu.au/items/show/1160</a></p>
<p>For the cathedral tower see <a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a></p>
<p>For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
October 6, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1160">http://ausmed.arts.uwa.edu.au/items/show/1160</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1145">http://ausmed.arts.uwa.edu.au/items/show/1145</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a></p>
Format
The file format, physical medium, or dimensions of the resource
2xDigital Photograph
Alan Cameron Walker
Anglican
blind arcading
buttress
Cloisters
crenellation
George Frederick Bodley
Gothic
Gothic Revival
Hobart
lancet window
parapet
St David’s Cathedral
stained glass
Tas
Tasmania
tracery.
-
https://ausmed.arts.uwa.edu.au/files/original/3ab350409ca554bbfd16ea4cc4c6279b.JPG
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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https://ausmed.arts.uwa.edu.au/files/original/d208edbccba1acb1f93d73730a5f89ec.JPG
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
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3
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https://ausmed.arts.uwa.edu.au/files/original/d9d96c62a850a98144c1c811f535677f.JPG
39f405c2288f09e39e14b49a794ea9d9
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
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2592
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https://ausmed.arts.uwa.edu.au/files/original/23302e03ce025b4b2878a168bde5c1fd.JPG
a1216875f25e46bb133f89ec284717b4
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
2592
Width
1944
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medieval artefacts, St David’s Cathedral, Hobart, Tasmania
Subject
The topic of the resource
Anglican, artefact, George Frederick Bodley, Cloisters, Dublin, England, Gothic, Gothic Revival, Hobart, Ireland, pillar, Salisbury Cathedral, St David’s Cathedral, St Patrick’s Cathedral, spire, Tas, Tasmania, Tudor Rose, Wales, Westminster Hall.
Description
An account of the resource
<p>St David’s Cathedral, Hobart, was designed by English architect George Frederick Bodley (1827-1907) in 1865 in the Gothic Revival style, with further revisions in 1891. As the foundation stone for the Cloisters and Tower were not laid until 1892 they are likely to have been part of those revisions. They were completed and consecrated in 1936. The Cloisters building acts as a museum and features a number of original medieval artefacts on its walls. The photographs below are of four of the items: a sculpture of a head from the wall of the twelfth-century St Patrick’s Cathedral in Dublin, a pillar from a spire on the fourteenth-century Salisbury Cathedral in England, a fifteenth-century Tudor Rose stone from the eleventh-century Westminster Hall in London, and a stone from the sixth-century St David’s Cathedral in Wales. The artefacts in the Cloisters provide a good opportunity for the public to interact with medieval material culture.</p>
<p>For the exterior of the cloisters see <a href="http://ausmed.arts.uwa.edu.au/items/show/1163">http://ausmed.arts.uwa.edu.au/items/show/1163</a></p>
<p>For the interior see <a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
October 6, 2012
Rights
Information about rights held in and over the resource
No Copyright
Relation
A related resource
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1163">http://ausmed.arts.uwa.edu.au/items/show/1163</a></p>
<p><a href="http://ausmed.arts.uwa.edu.au/items/show/1198">http://ausmed.arts.uwa.edu.au/items/show/1198</a></p>
Format
The file format, physical medium, or dimensions of the resource
4xDigital Photograph
Anglican
artefact
Cloisters
Dublin
England
George Frederick Bodley
Gothic
Gothic Revival
Hobart
Ireland
pillar
Salisbury Cathedral
spire
St David’s Cathedral
St Patrick’s Cathedral
Tas
Tasmania
Tudor Rose
Wales
Westminster Hall.
-
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6062fbf5ab816f5ea35ee354c721db83
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
580
Width
1048
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Cloisters, Perth, Western Australia.
Subject
The topic of the resource
Anglican, Battlements, Bishop Mathew Hale, blind arch, castellation, Cloisters, convict, crenellation, Gothic, Perth, Perth Church of England Collegiate School, Richard Rosch Jewell, school, tower, Tudor, Victorian Tudor style, WA, Western Australia
Description
An account of the resource
An image of The Cloisters building in Perth. The brick building was designed by Richard Rosch Jewell for Perth’s first Anglican Bishop, Mathew Hale. It was built by convicts in 1858 as the colony’s first secondary school, the Perth Church of England Collegiate School. The building has Gothic and Victorian Tudor style features including crenellation, a central tower, blind arch, and Gothic arcading.
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
16 June 2011
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
Anglican
battlements
Bishop Mathew Hale
blind arch
castellation
Cloisters
convict
crenellation
Gothic
Perth
Perth Church of England Collegiate School
Richard Rosch Jewell
school
tower
Tudor
Victorian Tudor style
WA
Western Australia
-
https://ausmed.arts.uwa.edu.au/files/original/hacket-buildings_the-architects-description_western-mail_21-april-1932_pp13-14_93621bff86.pdf
6f65ccecfa4b4d0acc701df6301845a1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Newspaper Article taken from <em>The Western Mail:<br /><br /></em><a href="http://nla.gov.au/nla.news-article38891565" target="_blank"><span lang="EN">http://nla.gov.au/nla.news-article38891565</span></a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Hackett Buildings. The Architect’s Description.
Subject
The topic of the resource
architecture, architect, gothic architecture, gothic revival, neo-gothic, Arts and Administration Building, cloisters, commemoration, coogee stone, Court of Honour, dais, George Benson, Great Gate, great hall, Hackett Hall, jarrah flooring, library, marble flooring, monument, Mervyn Napier Wallace, Rodney Alsop, Romanesque style, rose window, Sir John Winthrop Hackett (1848-1916), The University of Western Australia, vaulted ceilings, Winthrop Hall
Description
An account of the resource
This article provides a description of Winthrop Hall and the Hackett Buildings at the University of Western Australia by the architect, Rodney Alsop, shortly after they were opened in 1932. Alsop describes the guidelines he was set, namely that there was to be a multi-functional hall capable of seating a large number of people, two other buildings that would house lecture rooms, offices, the University administration, the Guild and a refectory, and that the buildings were to be monumental in order to adequately commemorate their founder, Sir John Winthrop Hackett (1848-1916). Alsop explains his rationale for the lay out of the buildings along three sides of the Court of Honour, (with the fourth side open to what was then known as the Perth-Fremantle road) and the addition of ‘cloisters’ along the front of the Hackett Hall and the Arts and Administration Building as an attempt to unify the different buildings. He refers to Winthrop Hall repeatedly as a ‘great hall’ and describes its shape as rectangular with transepts at the ends of the dais “after the tradition of the halls of Englandâ€. He also describes some of its main features, including the rose window and elaborately patterned ceiling in the hall, and the vaulted ceiling, marble floor and colourful mosaics in the foyer.
The architecture is influenced by the Romanesque style of the medieval period, which is suggested by the semi-circular arches, stone columns, arcading, thick walls and large square tower. However, the architect stops short of saying this definitively. On the style from which the architectural design for the buildings was developed, Alsop initially states that “it arose as the natural outcome of the planning, combined with the study of the architecture of older countries, with climate and other conditions not unlike those in Western Australiaâ€. Later in the article, he elaborates slightly: “While the ancestry of the style used is undoubtedly Italian, it has been anglicised and adapted to the local conditions, and cannot be called Italian, Spanish, or any other foreign style. It is my conception of architecture suitable for the University of Western Australia.â€
Creator
An entity primarily responsible for making the resource
Anon.
Source
A related resource from which the described resource is derived
National Library of Australia
Publisher
An entity responsible for making the resource available
The Western Mail
Date
A point or period of time associated with an event in the lifecycle of the resource
21 April 1932, pp.13-14.
Rights
Information about rights held in and over the resource
The Western Mail
Format
The file format, physical medium, or dimensions of the resource
Newspaper Article
Language
A language of the resource
English
architect
architecture
Arts and Administration Building
Cloisters
commemoration
coogee stone
Court of Honour
dais
George Benson
gothic architecture
Gothic Revival
Great Gate
Great Hall
Hackett Hall
jarrah flooring
library
marble flooring
Mervyn Napier Wallace
monument
neo-Gothic
Rodney Alsop
Romanesque style
rose window
Sir John Winthrop Hackett (1848-1916)
The University of Western Australia
vaulted ceilings
Winthrop Hall
-
https://ausmed.arts.uwa.edu.au/files/original/9572d81659214852f2250cc1df6c8dbb.pdf
df8b894b031a74f9458170c75d3cef10
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
"Australian War Memorial: Largest Stone Building in the Southern Hemisphere."
Subject
The topic of the resource
ACT, architecture, Australian Capital Territory, Australian War Memorial, Canberra, cloisters, Court of Honour, gargoyles, Hall of Memory, loggia, medieval architecture, memorial, monument, sandstone, stone building, Tower, war, war memorial.
Description
An account of the resource
This article from The Canberra Times in 1941 provides an update on the building of the Australian War Memorial in Canberra. Construction had begun in 1937, and the Memorial was set to be the largest stone building in the southern hemisphere. A description of the memorial is provided, from which it is apparent that some of its features are based on medieval architecture. This includes a row of decorative gargoyles lining the Court of Honour, and the inclusion of loggia and cloisters in the overall design. Cloisters were a common feature of medieval monasteries, while gargoyles were used in gothic architecture to direct water away from buildings.
Creator
An entity primarily responsible for making the resource
Unknown
Source
A related resource from which the described resource is derived
The National Library of Australia: <a href="http://nla.gov.au/nla.news-article2561830" target="_blank">http://nla.gov.au/nla.news-article2561830</a>
Publisher
An entity responsible for making the resource available
The Canberra Times
Date
A point or period of time associated with an event in the lifecycle of the resource
15 July 1941
Rights
Information about rights held in and over the resource
National Library of Australia
Type
The nature or genre of the resource
Newspaper Article
ACT
architecture
Australian Capital Territory
Australian War Memorial
Canberra
Cloisters
Court of Honour
gargoyles
Hall of Memory
loggia
medieval architecture
memorial
monument
sandstone
stone building
tower
war
war memorial
-
https://ausmed.arts.uwa.edu.au/files/original/550253e55bbd831bf9cc9af2d9bec887.pdf
f551577d1ba654b09f71a772596c8906
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism in the Classroom
Description
An account of the resource
This Collection traces the development of academic medievalism in Australia’s universities, and explores the discipline’s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.
Document
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Dublin Core
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Title
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Modelling Display by Student Teachers
Subject
The topic of the resource
bell tower, class, classroom, cloisters, curriculum, display, ecclesiastical building, education, exhibition, medieval monastery, modelling, replica, school, student, student teachers, Teachers Training College
Description
An account of the resource
This photograph of a replica medieval monastery was featured in Melbourne newspaper The Argus in 1937. It was constructed by student teachers at the Teachers Training College as part of an exhibition of works, and was designed as a modelling task for school children. The cloisters and bell tower common of medieval monasteries are featured in the model.
Creator
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Unknown
Source
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National Library of Australia: <a href="http://nla.gov.au/nla.news-article11094482" target="_blank">http://nla.gov.au/nla.news-article11094482</a>
Publisher
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The Argus
Date
A point or period of time associated with an event in the lifecycle of the resource
4 September 1937
Rights
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No Copyright
Type
The nature or genre of the resource
Newspaper article
bell tower
children
class
classroom
Cloisters
college
curriculum
display
ecclesiastical building
education
exhibition
medieval monastery
modelling
school
student teachers
students
Teachers Training College