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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>This window display was in an Elizabeth Street, Sydney, window of the David Jones department store. It shows a medieval-style castle topped with a crenelated parapet being guarded by mice carrying spears and wearing helmets. A lion wearing a crown and a cloak (the king) is standing in the doorway. David Jones banners also hang from the castle. The mistletoe above the doorway indicates that this was a Christmas window display.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Spirit of Festival: What Lies Behind the Carol, &lt;em&gt;The West Australian&lt;/em&gt;, 24 December 1937</text>
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                <text>This article from &lt;em&gt;The West Australian&lt;/em&gt; traces the history of Christmas carols back to the medieval period. It dates their origin to the beginning of the thirteenth century, when Francis of Assisi taught children to dance around a model of the manger in the Italian village of Greccio. Subsequently, they were introduced into England through the Mystery and Miracle plays. Although religious in content, the article notes with amusement that the carols were often set to the tune of drinking songs, presumably because they were familiar. Carols and the dances that accompanied them remained popular, the article claims, until Puritan edicts forbade Christmas festivities and all manner of celebration in the seventeenth century. Their survival is credited here to two nineteenth-century English clergymen, who translated a Swedish book of medieval melodies in 1853 and succeeded in reviving interest in carols and old folk songs more generally.</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>&lt;p&gt;Members of the Perth Medieval and Renaissance Group in medieval costume posing for photos at the PMRG Christmas Party in 2003.&lt;/p&gt;&#13;
&lt;p&gt;The Perth Medieval and Renaissance group was founded in 1981. Its  membership is comprised of staff, graduates and postgraduates of Western  Australian universities, and also members of the general public with an  interest in the culture, life and history of medieval and early modern  Europe. PMRG offers a forum to showcase local, national and  international scholarship in the field by hosting seminar papers and  presentations by local and visiting scholars throughout the year. For  more information on PMRG, see: &lt;a href="http://www.pmrg.arts.uwa.edu.au/Creator/Contributor" target="_blank"&gt;http://www.pmrg.arts.uwa.edu.au/&lt;/a&gt;&lt;/p&gt;</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article32971917" target="_blank"&gt;http://nla.gov.au/nla.news-article32971917&lt;/a&gt;</text>
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                <text>Christmas Pudding. Its Medieval Origin.</text>
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                <text>In this newspaper article, the author traces the origin of Christmas pudding to the popular medieval dish of â€œplum porridgeâ€, a savoury dish combining mixed meats, fruits and spices. It suggests that this traditional medieval dish was forbidden during the seventeenth century as heathenish and papistical, but regained its popularity after the restoration of Charles II. Finally, the article suggests that the firm, round, brandy covered dessert now known as a Christmas pudding was a Victorian invention, although this conception sometimes imaginatively imposed into pictures of medieval gatherings. </text>
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                <text>The West Australian&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.news-article32971917" target="_blank"&gt;http://nla.gov.au/nla.news-article32971917&lt;/a&gt;</text>
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