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                <text>Celtic, clan, combat, cooking, craft, Elizabeth (Hlif), Gall-GhÃ idheil, Galloway Bay, games, The Happy Viking, Hiberno-Norse, logo, Maleny, Norse, Qld, Queensland, re-enactment, ring-knot, Scotland, trade, Viking, Ulf, Ulveflokk, website.</text>
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                <text>Ulveflokk are a Viking re-enactment group based in Maleny, Queensland. It was established by Elizabeth (Hlif) of The Happy Viking store and Ulf. The group concentrate on the period 800-1100 and the interaction between Norse/Viking and Scottish Celtic culture in Galloway Bay (Galloway derives its name from the Gall-Gh&amp;agrave;idheil or foreign(Norse)-Gaels) which led to a hybrid culture often referred to as Hiberno-Norse. The group, or clan, re-create all aspects of daily life, including craft, cooking, trade, combat, and games. Ulveflokk is Norwegian for &amp;lsquo;wolf-pack&amp;rsquo;. Their logo features the heads of two wolfs joined by a Norse-style ring-knot. Information is available at http://ulveflokkvikings.webs.com and http://thehappyviking.com.au/2012/07/19/viking-re-enactment-ulveflokk/</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1161"&gt;http://ausmed.arts.uwa.edu.au/items/show/1161&lt;/a&gt;</text>
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              <text>&lt;a href="http://thehappyviking.com.au/"&gt;http://thehappyviking.com.au/&lt;/a&gt;</text>
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                <text>&lt;p&gt;The Happy Viking: Leatherwork and craft of the Viking and Medieval Age is an online store which opened in 2012. It is owned by Elizabeth (Hlif), a re-enactor from Maleny, Queensland. The hand-made Australian products include leatherwork, pottery, jewellery, weaving, braiding, and cards. All of the products feature medieval-inspired motifs, including Viking ring-knot motifs,Celtic spirals and crosses, and images derived from medieval artefacts, such as the eighth-century helmet from Valsg&amp;auml;rde, Sweden. The range includes both medieval &amp;ndash; braids, knife sheaf, pouches &amp;ndash; and modern &amp;ndash; laptop and mobile phone cases &amp;ndash; products.&lt;/p&gt;&#13;
&lt;p&gt;The page also includes information on re-enactment and and Viking-related facts and stories.&lt;/p&gt;&#13;
&lt;p&gt;The store is available at http://thehappyviking.com.au/&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Lukeâ€™s Church interior, Bothwell, Tasmania </text>
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                <text>Anglican, John Lee Archer, George Arthur, Bothwell, Celtic, Celtic cross, convict, Gothic, Gothic Revival, lancet window, pointed arch, Presbyterian, St Lukeâ€™s Church, stained glass, Tas, Tasmania, Uniting Church.</text>
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                <text>&lt;p&gt;St Luke&amp;rsquo;s Church is in the small town of Bothwell in Tasmania. Built by the government under the direction of Lieutenant Governor George Arthur (1784-1854), St Luke&amp;rsquo;s originally held combined services for Anglicans and Presbyterians, before the Anglicans built their own church in 1891. It is now a Uniting Church. It was designed in 1828 by John Lee Archer (1791-1852) and was opened in 1830. Apparently the building was supposed to have Romanesque semi-circular windows but George Arthur directed Archer to change them to the pointed Gothic style as he considered rounded windows unchristian (!). The simple interior of the church shows these Gothic windows, consisting of two lancet windows parallel and more recent stained glass. Some of the stained glass feature ring-headed &amp;lsquo;Celtic&amp;rsquo; crosses that originated during the early medieval period in Ireland. The design is more commonly found in Catholic churches but such stylistic barriers between the denominations are now less common.&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1146"&gt;http://ausmed.arts.uwa.edu.au/items/show/1146&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the Celtic heads see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1147"&gt;http://ausmed.arts.uwa.edu.au/items/show/1147&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1147"&gt;http://ausmed.arts.uwa.edu.au/items/show/1147&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;St Luke&amp;rsquo;s Church is in the small town of Bothwell in Tasmania. Built by the government under the direction of Lieutenant Governor George Arthur (1784-1854), St Luke&amp;rsquo;s originally held combined services for Anglicans and Presbyterians, before the Anglicans built their own church in 1891. It is now a Uniting Church. It was designed in 1828 by John Lee Archer (1791-1852) and was opened in 1830. The pointed arch molding around the doorway ends in two heads reputedly carved by the convict sculptor Daniel Herbert (1802-1868). The heads possibly depict a Celtic god and goddess.&lt;/p&gt;&#13;
&lt;p&gt;For the church exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1146"&gt;http://ausmed.arts.uwa.edu.au/items/show/1146&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1146"&gt;http://ausmed.arts.uwa.edu.au/items/show/1146&lt;/a&gt;</text>
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                <text>&lt;p&gt;&lt;em&gt;Celtic Blood&lt;/em&gt; is the debut novel by Australian author James John Loftus, published in July, 2011. The novel is set in 13&lt;sup&gt;th&lt;/sup&gt; century Scotland and the conflict between Anglo-Norman-influenced royal knights living in the lowlands, and independent Highlanders. Witchcraft and the powers behind the powerful are sub-themes of the plot. The novel was in part inspired by William Shakespeare&amp;rsquo;s play set during Scotland&amp;rsquo;s medieval period, MacBeth.&lt;/p&gt;&#13;
&lt;p&gt;For an advertisement for the novel see &lt;span style="text-decoration: underline;"&gt;&lt;a href="http://youtu.be/ggy-p6VtPrs" target="_blank"&gt;http://youtu.be/ggy-p6VtPrs&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      </elementSetContainer>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="25220">
              <text>Digital Photograph;JPEG</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>â€˜Celticâ€™ Cross, Longford, Tasmania</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>James Appleyard, Celtic, Celtic cross, Christ Church, churchyard, Longford, memorial, Tas, Tasmania. </text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This memorial cross can be found in the churchyard of Christ Church in Longford. It is a ring-headed &amp;lsquo;Celtic&amp;rsquo; style cross. The 1899 cross commemorates James Appleyard who designed the churchyard and planted its trees. Free-standing ring-headed high crosses were common in medieval Ireland, and also occur in Scotland, the Isle of Man, Wales, Cornwall, and northern England, primarily between the 8th and 12th centuries before the style became popular again in the 19th century. For Christ Church, Longford, see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1027"&gt;http://ausmed.arts.uwa.edu.au/items/show/1027&lt;/a&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="25215">
                <text>McLeod, Shane</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="25216">
                <text>August 31, 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="25217">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
            <name>Relation</name>
            <description>A related resource</description>
            <elementTextContainer>
              <elementText elementTextId="25218">
                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1027"&gt;http://ausmed.arts.uwa.edu.au/items/show/1027&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="25219">
                <text>Digital Photograph</text>
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      <tag tagId="2036">
        <name>Celtic</name>
      </tag>
      <tag tagId="5280">
        <name>Celtic cross</name>
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      <tag tagId="2227">
        <name>Christ Church</name>
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      <tag tagId="5281">
        <name>churchyard</name>
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      <tag tagId="5279">
        <name>James Appleyard</name>
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      <tag tagId="5274">
        <name>Longford</name>
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      <tag tagId="1891">
        <name>memorial</name>
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      <tag tagId="3222">
        <name>Tas</name>
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      <tag tagId="4809">
        <name>Tasmania.</name>
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  </item>
  <item itemId="889" public="1" featured="0">
    <collection collectionId="6">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34460">
                  <text>Medievalism on the Page</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
                </elementText>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
      <elementContainer>
        <element elementId="28">
          <name>URL</name>
          <description/>
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            <elementText elementTextId="21519">
              <text>&lt;p&gt;&lt;a href="http://www.themercury.com.au/article/2012/06/17/337741_tasmania-news.html"&gt;http://www.themercury.com.au/article/2012/06/17/337741_tasmania-news.html&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21511">
                <text>â€˜The bride woreâ€¦ a swordâ€™</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21512">
                <text>Celtic, costume, Hobart, Hannah Martin, Medievalist wedding, The Mercury, newspaper, Port Arthur, re-enactment, SCA, Society for Creative Anachronism, sword, Tas, Tasmania, The bride woreâ€¦ a sword, torc, wedding.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21513">
                <text>&lt;p&gt;The article &amp;lsquo;The bride wore&amp;hellip; a sword&amp;rsquo; by reporter Hannah Martin appeared in the online version of the Tasmanian newspaper The Mercury. The article reports on a medieval &amp;lsquo;Celtic&amp;rsquo;-style wedding of two members of the Society of Creative Anachronism. The Hobart couple were married at Port Arthur wearing specially made medieval costumes and brandishing a sword each. The also wore torcs, or neck-rings, an item occasionally found in the medieval period but more common earlier. Many of the guests also wore medieval costumes.&lt;/p&gt;&#13;
&lt;p&gt;For the article, including photographs, see &lt;a href="http://www.themercury.com.au/article/2012/06/17/337741_tasmania-news.html"&gt;http://www.themercury.com.au/article/2012/06/17/337741_tasmania-news.html&lt;/a&gt;&lt;/p&gt;</text>
              </elementText>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21514">
                <text>Martin, Hannah</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="21515">
                <text>The Mercury</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="21516">
                <text>The Mercury</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21517">
                <text>June 17, 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21518">
                <text>The Mercury, Hannah Martin</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="2036">
        <name>Celtic</name>
      </tag>
      <tag tagId="1409">
        <name>costume</name>
      </tag>
      <tag tagId="4822">
        <name>Hannah Martin</name>
      </tag>
      <tag tagId="320">
        <name>Hobart</name>
      </tag>
      <tag tagId="4823">
        <name>Medievalist wedding</name>
      </tag>
      <tag tagId="109">
        <name>newspaper</name>
      </tag>
      <tag tagId="1120">
        <name>Port Arthur</name>
      </tag>
      <tag tagId="173">
        <name>re-enactment</name>
      </tag>
      <tag tagId="167">
        <name>SCA</name>
      </tag>
      <tag tagId="568">
        <name>Society for Creative Anachronism</name>
      </tag>
      <tag tagId="363">
        <name>sword</name>
      </tag>
      <tag tagId="3222">
        <name>Tas</name>
      </tag>
      <tag tagId="643">
        <name>Tasmania</name>
      </tag>
      <tag tagId="4824">
        <name>The bride woreâ€¦ a sword</name>
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      <tag tagId="3220">
        <name>The Mercury</name>
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      <tag tagId="4825">
        <name>torc</name>
      </tag>
      <tag tagId="4826">
        <name>wedding.</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="774" public="1" featured="0">
    <collection collectionId="5">
      <elementSetContainer>
        <elementSet elementSetId="1">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34458">
                  <text>Medievalism at the Foundations</text>
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              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="11">
      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
      <elementContainer>
        <element elementId="28">
          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="19176">
              <text>&lt;p&gt;This image and several others related to Longerenong homestead can be viewed on pages 71-76 of Miles Lewis&amp;rsquo;s 702675 Australian Building Analysis: Stained glass and specialist finishes, available as a pdf download:&lt;/p&gt;&#13;
&lt;p&gt;Go to: &lt;a href="http://mileslewis.net/illustrated-contents/10-australian-building.html" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://mileslewis.net/illustrated-contents/10-australian-building.html&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&#13;
Select: Stained Glass (pdf.)</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19169">
                <text>â€˜Heraldicâ€™ domestic pattern window, Front entrance, Longerenong homestead, Longerenong, Victoria</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19170">
                <text>Celtic, Ferguson &amp; Urie, floral grid pattern, flowers, harp, heraldry, John Lyon, Longerenong homestead, medieval design, Samuel Wilson, Stained glass, Victoria, VIC, window</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19171">
                <text>This â€˜heraldicâ€™ pattern transom hangs over the doorway at Longerenong homestead in Victoria. Central to the design is a golden Celtic harp on blue shield (c. 13th century) representing owner Samuel Wilsonâ€™s Irish roots. This is flanked by his initials (S W), and the year (AD 1862). A â€˜diaperedâ€™ medieval floral grid pattern dominates the background, and alternate blue and white flowers attached to golden stems and leaves, occupy the red outer borders. Beverley Sherry points out that, â€œThe nineteenth-century pioneers of Victoriaâ€™s pastoral districts had a strong sense of family pride and this was [often] expressed in stained glassâ€ (Australiaâ€™s Historic Stained Glass, Sydney, Murray Child, 1991, p.37). The colourful â€˜Longerenongâ€™ window provides an excellent example of such expression.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19172">
                <text>Lewis, Miles (digital image)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19173">
                <text>2009 - 2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19174">
                <text>Â© Miles Lewis and University of Melbourne </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19175">
                <text>Hyperlink</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
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    <tagContainer>
      <tag tagId="2036">
        <name>Celtic</name>
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      <tag tagId="4334">
        <name>Ferguson &amp; Urie</name>
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      <tag tagId="4428">
        <name>floral grid pattern</name>
      </tag>
      <tag tagId="1364">
        <name>flowers</name>
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      <tag tagId="629">
        <name>harp</name>
      </tag>
      <tag tagId="362">
        <name>heraldry</name>
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      <tag tagId="4429">
        <name>John Lyon</name>
      </tag>
      <tag tagId="4430">
        <name>Longerenong homestead</name>
      </tag>
      <tag tagId="553">
        <name>medieval design</name>
      </tag>
      <tag tagId="4431">
        <name>Samuel Wilson</name>
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      <tag tagId="693">
        <name>stained glass</name>
      </tag>
      <tag tagId="2984">
        <name>Vic</name>
      </tag>
      <tag tagId="890">
        <name>Victoria</name>
      </tag>
      <tag tagId="128">
        <name>window</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
