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                <text>&lt;p&gt;St Mark&amp;rsquo;s Church of England (now Anglican) is in the small Tasmanian town of Pontville. The ashlar stone church was built between 1839 and 1841 by Joseph Moir and the foundation stone (no longer visible) is thought to have been laid by Governor Sir John Franklin (1786-1847). Due to a dispute over the ownership of the land the church was not consecrated until 1884. St Mark&amp;rsquo;s was designed by the convict architect James Blackburn (1803-1854) in the Romanesque Revival, or Neo-Norman, style. It is one of the oldest remaining buildings in the style in Australia. It features semi-circular arches on the doorways and windows, Celtic crosses at each gable end, four small square corner towers with arrow slits and pyramid-shaped roofs of iron, stained glass, and buttresses along the sides of the building. Additional features at the rear of the building are blind doorways with semi-circular arches on the towers, a large stained glass window (with protective covering), and an unusual Romanesque square garden feature (or tomb?) in the cemetery with columns and semi-circular arches.&lt;/p&gt;&#13;
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&lt;p&gt;For the rest of the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1233"&gt;http://ausmed.arts.uwa.edu.au/items/show/1233&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;St Mark&amp;rsquo;s Church of England (now Anglican) is in the small Tasmanian town of Pontville. The ashlar stone church was built between 1839 and 1841 by Joseph Moir and the foundation stone (no longer visible) is thought to have been laid by Governor Sir John Franklin (1786-1847). Due to a dispute over the ownership of the land the church was not consecrated until 1884. St Mark&amp;rsquo;s was designed by the convict architect James Blackburn (1803-1854) in a distinctive Romanesque Revival, or Neo-Norman, style. It is one of the oldest remaining buildings in the style in Australia. It features semi-circular arches on the doorways and windows, Celtic crosses at each gable end, four small square corner towers with arrow slits and pyramid-shaped roofs of iron, stained glass, and buttresses along the sides of the building. Of particular note is the entrance, consisting of a decorated semi-circular entrance arch supported by two substantial columns with capitals, and smaller arches and columns forming an arcade on either side of the entrance. Above the entrance are two trefoil windows.&lt;/p&gt;&#13;
&lt;p&gt;Romanesque Revival architecture is sometimes referred to as Neo-Norman due to the Normans influence in spreading the Romanesque style through England after their conquest in 1066.&lt;/p&gt;&#13;
&lt;p&gt;For the rear of the building see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1238"&gt;http://ausmed.arts.uwa.edu.au/items/show/1238&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>&lt;p&gt;Europa Re-Enactment Association Inc. are a living history group based at Springwood in the Blue Mountains, New South Wales. The group focus on the period of Viking rule of the city of Jorvik (York) in northern England from 876-954. They re-enact such cultural activities as craft, cooking, clothing, combat, building construction, and weapon making. Combat includes archery, swords, shields, armour, and helmets. The group also performs for school groups and at re-enactment events. Their website, made by Wiccy, includes basic maps on Viking settlement in England, a gallery, and useful articles on making such things as Viking ovens, huts, and shields, a Bibliography for those wanting more information about Viking life, and a comprehensive 'Links' page.&lt;/p&gt;&#13;
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&lt;p&gt;For their website see &lt;a href="http://europa-reenactment.org/"&gt;http://europa-reenactment.org/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;p&gt;The Keith Sydney Isles (1902-1977) memorial window is in St David&amp;rsquo;s Anglican Cathedral, Hobart. The window is made up of three lancet windows with a figure in each. The figure in the tall central window is a knight in late medieval armour and helmet holding a spear and shield. Above the knight is a ring-headed (Celtic) cross, a style common in Ireland, Scotland, the Isle of Man, Wales, and England from c. 750-1200. Below the each of the figures are two heraldic shields.&lt;/p&gt;&#13;
&lt;p&gt;For the interior of the Cathedral see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1198"&gt;http://ausmed.arts.uwa.edu.au/items/show/1198&lt;/a&gt;</text>
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                <text>St Lukeâ€™s Church interior, Bothwell, Tasmania </text>
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                <text>Anglican, John Lee Archer, George Arthur, Bothwell, Celtic, Celtic cross, convict, Gothic, Gothic Revival, lancet window, pointed arch, Presbyterian, St Lukeâ€™s Church, stained glass, Tas, Tasmania, Uniting Church.</text>
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                <text>&lt;p&gt;St Luke&amp;rsquo;s Church is in the small town of Bothwell in Tasmania. Built by the government under the direction of Lieutenant Governor George Arthur (1784-1854), St Luke&amp;rsquo;s originally held combined services for Anglicans and Presbyterians, before the Anglicans built their own church in 1891. It is now a Uniting Church. It was designed in 1828 by John Lee Archer (1791-1852) and was opened in 1830. Apparently the building was supposed to have Romanesque semi-circular windows but George Arthur directed Archer to change them to the pointed Gothic style as he considered rounded windows unchristian (!). The simple interior of the church shows these Gothic windows, consisting of two lancet windows parallel and more recent stained glass. Some of the stained glass feature ring-headed &amp;lsquo;Celtic&amp;rsquo; crosses that originated during the early medieval period in Ireland. The design is more commonly found in Catholic churches but such stylistic barriers between the denominations are now less common.&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1146"&gt;http://ausmed.arts.uwa.edu.au/items/show/1146&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the Celtic heads see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1147"&gt;http://ausmed.arts.uwa.edu.au/items/show/1147&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1147"&gt;http://ausmed.arts.uwa.edu.au/items/show/1147&lt;/a&gt;&lt;/p&gt;</text>
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        <name>Celtic</name>
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        <name>Presbyterian</name>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>â€˜Celticâ€™ Cross, Longford, Tasmania</text>
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                <text>James Appleyard, Celtic, Celtic cross, Christ Church, churchyard, Longford, memorial, Tas, Tasmania. </text>
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                <text>This memorial cross can be found in the churchyard of Christ Church in Longford. It is a ring-headed &amp;lsquo;Celtic&amp;rsquo; style cross. The 1899 cross commemorates James Appleyard who designed the churchyard and planted its trees. Free-standing ring-headed high crosses were common in medieval Ireland, and also occur in Scotland, the Isle of Man, Wales, Cornwall, and northern England, primarily between the 8th and 12th centuries before the style became popular again in the 19th century. For Christ Church, Longford, see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1027"&gt;http://ausmed.arts.uwa.edu.au/items/show/1027&lt;/a&gt;</text>
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                <text>McLeod, Shane</text>
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&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Digital Photograph</text>
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        <name>Tas</name>
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        <name>Tasmania.</name>
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