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&lt;p&gt;The windows of St Joseph&amp;rsquo;s are a mixture of the early gothic style single (or standalone), lancet windows, collections of two or three single windows positioned side by side, and also the later gothic trend of enclosing multiple lancet windows beneath one arch and separating them with mullions to form larger windows and allow for more light to enter the church.&lt;/p&gt;&#13;
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&lt;p&gt;St. Joseph&amp;rsquo;s Roman Catholic Church in Subiaco, Western Australia was designed by architect Edgar L. B. Henderson and built by C. W. Arnot between 1933 and 1937. It is constructed from red brick and pressed cement in an inter-war gothic style common of the 1920s and 1930s. It exhibits many features common to gothic architecture, including pointed gothic arches, lancet windows, elaborate bar tracery in the stained glass windows and blind tracery on the tympana of the doorways, and a large tower and spire.&lt;/p&gt;&#13;
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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&lt;p&gt;St. Joseph&amp;rsquo;s Roman Catholic Church in Subiaco, Western Australia was designed by architect Edgar L. B. Henderson and built by C. W. Arnot between 1933 and 1937. It is constructed from red brick and pressed cement in an inter-war gothic style common of the 1920s and 1930s. It exhibits many features common to gothic architecture, including pointed gothic arches, lancet windows, elaborate bar tracery in the stained glass windows and blind tracery on the tympana of the doorways, and a large tower and spire.&lt;/p&gt;&#13;
&lt;p&gt;The windows of St Joseph&amp;rsquo;s are a mixture of the early gothic style single (or standalone), lancet windows, collections of two or three single windows positioned side by side, and also the later gothic trend of enclosing multiple lancet windows beneath one arch and separating them with mullions to form larger windows and allow for more light to enter the church.&lt;/p&gt;&#13;
&lt;p&gt;In 2001, the church and presbytery were placed on the Heritage list for WA.&lt;/p&gt;&#13;
For a timeline of the church's history, see &lt;a href="http://www.stjosephssubiaco.org.au/our-parish/history/"&gt;http://www.stjosephssubiaco.org.au/our-parish&lt;/a&gt;&lt;/div&gt;</text>
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                <text>A view of the Redemptorist Church in North Perth, Western Australia. This image is of the large traceried window containing five stained glass and lead light panels, which dominate the churchâ€™s appearance. &#13;
&#13;
This Federation Gothic Style church and the adjoining monastery were designed by Michael and James Cavanagh in 1902 for the Redemptorist Order of the Catholic Church, which had been newly established in WA in 1899. The church was opened by Bishop Gibney and Abbot Torres (from New Norcia) on 13 September 1903 and is dedicated to Saints Peter and Paul. An additional monastery wing was added in 1912 and a chapel and transept in 1922. The monastery and church together were added to the WA Heritage register in 2006.</text>
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                <text>An image of the Redemptorist Monastery in North Perth, Western Australia. This Federation Gothic Style Monastery and the adjoining church were designed by Michael and James Cavanagh in 1902 for the Redemptorist Order of the Catholic Church, which had been established in WA in 1899. The building was opened by Bishop Gibney and Abbot Torres (from New Norcia) on 13 September 1903, and an additional monastery wing was added in 1912. The monastery and church were added to the WA Heritage Register in 2006.&#13;
&#13;
The monastery is a three-storey building constructed from Cottesloe limestone. The arches around the main doorway are decorated with an acanthus leaf design matching the door to the Church. The entrance is flanked by two hexagonal columns that extend beyond the rooftop to form crenellated turrets. The upper level is also distinctive for its decorative stone corbels and false machiolations, and the elaborate blind tracery adorning the gables and pinnacles.</text>
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                <text>A view of a flying buttress at the Basilica of St Patrickâ€™s in Fremantle, Western Australia. Flying buttresses were one of the most notable developments of gothic architecture in the medieval period. By means of a flying buttress, weight from a load bearing wall could be transferred to a non-adjacent buttress by means of a segmental or quadrant arch. Because this alleviated the need for a large stone buttress to directly adjoin the part of the building requiring support, flying buttresses meant that building design could become less bulky. They were often used, as in this case, to support the high or vaulted ceilings of churches where the addition of aisles with lower ceilings had moved buttresses outwards and created a gap between them and the central core of the building.&#13;
&#13;
About St Patrickâ€™s Basilica:&#13;
&#13;
St Patrickâ€™s Basilica is a Roman Catholic Church located in Fremantle, Western Australia. It was designed by Adelaide architect Michael Cavanagh and constructed from local limestone and Sydney freestone in a Federation Gothic style. The church was commissioned by Thomas Ryan OMI as a place of worship for Oblates of Mary Immaculate, who had arrived in Fremantle in 1894 as missionaries. It was completed and consecrated in June 1900. A presbytery was also built on the site in 1916. The Vatican issued St Patrickâ€™s with the status of a minor basilica in 1994. </text>
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                <text>&lt;p&gt;A view of the chapel interior at St Gertrude&amp;rsquo;s College, New Norcia. St  Gertrude was a thirteenth-century Benedictine nun and mystic in Helfta,  Germany. She entered the convent aged only 5 and was entrusted by the  Abbess, Gertrude of Hackerborn, to the care of St Mechtilde. In her  mid-twenties, Gertrude began having mystical visions and dedicated the  remainder of her life to the study and teaching of the scriptures and  theology. In the painting on the domed ceiling, she can be seen  ascending to Heaven to meet Jesus.&lt;/p&gt;&#13;
&lt;p&gt;About New Norcia:&lt;br /&gt; New Norcia is a monastic town located 132 km north of Perth in Western  Australia. The town is owned and run by a community of Benedictine monks  and houses one of only three Benedictine monasteries (for men) in  Australia. At its height the monastery housed approximately 80 monks,  but currently there are only seven in residence. The Benedictines are  part of a religious order within the Catholic Church known as the Order  of St Benedict (OSB). Benedictines live in small, largely autonomous  communities and base their way of life on the Rule of St Benedict, which  prioritises a balance of prayer and work and calls for promises of  stability, obedience and a conversion of life. The first Benedictine  community was established in the sixth-century in Italy by St Benedict  of Nursia (c.480-547).&lt;br /&gt; Originally intended as a mission to evangelise and educate the  indigenous peoples of the Victoria Plains, the site at New Norcia was  founded in 1847 by two Spanish Benedictine missionaries, Dom Jos&amp;eacute; Benito  Serra and Dom Rosendo Salvado. Serra&amp;rsquo;s involvement in the missionary  activities at new Norcia decreased following his appointment as  Co-adjutor Bishop of Perth in 1849, while Salvado (1814-1900) committed  himself wholly to developing the mission and leading the monastic  community. He subsequently became the key figure in the first 50 years  of New Norcia&amp;rsquo;s history. He made numerous fundraising trips to Europe,  which provided him with the means to purchase books, vestments, artwork  and equipment for the community and also to oversee the construction of  new buildings. He died in Rome in 1900 and his body was returned to New  Norcia. Under Salvado&amp;rsquo;s successor, Bishop Fulgentius Torres (1861-1914),  New Norcia became more like a traditional monastic settlement. An  increased focus on education and artistic pursuits led to the  establishment of two schools and improvements to many of the town&amp;rsquo;s  buildings. St Gertrude&amp;rsquo;s opened in 1908 and originally functioned as a  convent boarding school for girls. It was staffed by Josephite sisters,  the first of whom were to New Norcia by Mary Mackillop at the request of  Bishop Fulgentius Torres. The school closed in 1991 and is now used  primarily as a venue for school camps. For more information on New  Norcia, see the New Norcia Benedictine Community website: &lt;a href="http://newnorcia.wa.edu.au/" target="_blank"&gt;http://newnorcia.wa.edu.au/&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>Cathedral of St. Francis Xavier, Geraldton, Western Australia </text>
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                <text>architect, architecture, Bishop Richard Ryan, Bishop William Bernard Kelly, Brunelleschi, California, chÃ¢teau, church, Catholic, Catholicism, Catholic church, clergy, Florence, French Renaissance, French Romanesque, Geraldton, Geraldton diocese, Monsignor John Cyril Hawes, outback, priest, Renaissance, Romanesque style, Spanish mission style, stone, WA, Western Australia, Western Australian outback, Saint Francis Xavier, St. Francis Xavier, St Francis Xavier, Francis Xavier, Geraldton</text>
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                <text>St Francis Xavier Church in Geraldton, Western Australia, designed by Monsignor John Cyril Hawes, has a mixture of Romanesque and Spanish mission style architecture. The first stone was laid in 1916, but following the death of Bishop Kelly the cathedral was not completed until 1938 due to a lack of funds and lack of enthusiasm from Kellyâ€™s replacement, Bishop Ryan.&#13;
&#13;
The cathedral is an interesting mix of styles. The twin towers at the front are similar to the Spanish mission style architecture (eg. The Mission Church of Santa Barbara in California), the central doorway is French Romanesque, the dome has echoes of Brunelleschiâ€™s cupola in Florence, and the cone-roofed tower at the rear is similar to those found on French Renaissance chÃ¢teaux. The interior features Romanesque columns, timbered ceiling, and zebra striping on the walls and arches.&#13;
&#13;
For more information on Monsignor John Cyril Hawes, see A. G. Evans, 'Hawes, John Cyril (1876-1956)', Australian Dictionary of Biography, Volume 9, Melbourne University Press, 1983, pp.229-230; John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956, (University of Western Australia Press, Perth, 2001).</text>
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