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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The former Mortuary Station is located behind Sydneyâ€™s Central Station in the inner-city suburb of Chippendale on Regent Street, after which it was renamed. The station was designed by James Barnet and completed in 1869. It was part of the Rookwood Cemetery railway line, whereby special funeral trains transported bodies from the city centre to the cemetery for burial. The station is in the Gothic Revival style, in particular the 14th-century Venetian Gothic, and was deliberately designed to appear like a church (Indeed, one of the former stations on the line was dismantled and rebuilt in Canberra where it is now a church). The Venetian Gothic style combined elements from Gothic, Byzantine, and Moorish architecture. Mortuary Station features columns topped with decorated capitals, small lancet windows, pointed arches, a pointed-arch ticket window, decorated chimney, a spire, and bas-relief sculpture including a foliage motif and cherubs&#13;
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                <text>McLeod, Shane</text>
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                <text>&lt;p&gt;The Launceston Post Office is in the centre of the Tasmanian city of Launceston, and is one of four Heritage Property Showcase buildings of Australia Post for 2012. It was designed by architect William W. Eldridge (1850-1933) in 1885 with some alterations made by architects Lesley Gordon Corrie (1859-1918) and Alexander North (1858-1945) in 1890, the year the building opened. The red brick and freestone Post Office is in the Federation Queen Anne style, and incorporating elements of Free Romanesque. The Romanesque elements are obvious in the unusual interior which features an internal quadrangle (now glassed in) with balconies and windows. These elements include prominent use of semi-circular arches in the doorways and windows, and a pattern of alternating red brick and freestone, also known as &amp;lsquo;blood and bandage&amp;rsquo;, to highlight these features. The interior also includes leadlight windows.&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1237"&gt;http://ausmed.arts.uwa.edu.au/items/show/1237&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1242"&gt;http://ausmed.arts.uwa.edu.au/items/show/1242&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the Australian Heritage Database entry on the building see &lt;a href="http://www.environment.gov.au/cgi-bin/ahdb/search.pl?mode=place_detail;search=place_name%3Dlaunceston%2520post%2520office%3Btown%3Dlaunceston%3Bstate%3DTAS%3Bkeyword_PD%3Don%3Bkeyword_SS%3Don%3Bkeyword_PH%3Don%3Blatitude_1dir%3DS%3Blongitude_1dir%3DE%3Blongitude_2dir%3DE%3Blatitude_2dir%3DS%3Bin_region%3Dpart;place_id=105210"&gt;http://www.environment.gov.au/cgi-bin/ahdb/search.pl?mode=place_detail;search=place_name%3Dlaunceston%2520post%2520office%3Btown%3Dlaunceston%3Bstate%3DTAS%3Bkeyword_PD%3Don%3Bkeyword_SS%3Don%3Bkeyword_PH%3Don%3Blatitude_1dir%3DS%3Blongitude_1dir%3DE%3Blongitude_2dir%3DE%3Blatitude_2dir%3DS%3Bin_region%3Dpart;place_id=105210&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;The Launceston Post Office is in the centre of the Tasmanian city of Launceston, and is one of four Heritage Property Showcase buildings of Australia Post for 2012. It was designed by architect William W. Eldridge (1850-1933) in 1885 with some alterations made by architects Lesley Gordon Corrie (1859-1918) and Alexander North (1858-1945) in 1890, the year the building opened. The Post Office is in the Federation Queen Anne style, and incorporating elements of Free Romanesque and the Arts and Crafts Movement. The Romanesque elements of the building are in evidence on its semi-circular arched entrance doorway. The arch is supported by two shaped columns and the alternating bands of red brick and light-coloured stone (particularly apparent on the photograph of the inside entrance doorway) is reminiscent of Byzantine buildings. Immediately above the arch are bas-relief in the Arts and Crafts style of Australian foliage and two shields displaying the Union Jack. The second storey above the entrance has two windows with semi-circular arched windows supported by columns with capitals. Above this is an oval window attic window with lead lighting.&lt;/p&gt;&#13;
&lt;p&gt;For more of the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1242"&gt;http://ausmed.arts.uwa.edu.au/items/show/1242&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1252"&gt;http://ausmed.arts.uwa.edu.au/items/show/1252&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the Australian Heritage Database entry on the building see &lt;a href="http://www.environment.gov.au/cgi-bin/ahdb/search.pl?mode=place_detail;search=place_name%3Dlaunceston%2520post%2520office%3Btown%3Dlaunceston%3Bstate%3DTAS%3Bkeyword_PD%3Don%3Bkeyword_SS%3Don%3Bkeyword_PH%3Don%3Blatitude_1dir%3DS%3Blongitude_1dir%3DE%3Blongitude_2dir%3DE%3Blatitude_2dir%3DS%3Bin_region%3Dpart;place_id=105210"&gt;http://www.environment.gov.au/cgi-bin/ahdb/search.pl?mode=place_detail;search=place_name%3Dlaunceston%2520post%2520office%3Btown%3Dlaunceston%3Bstate%3DTAS%3Bkeyword_PD%3Don%3Bkeyword_SS%3Don%3Bkeyword_PH%3Don%3Blatitude_1dir%3DS%3Blongitude_1dir%3DE%3Blongitude_2dir%3DE%3Blatitude_2dir%3DS%3Bin_region%3Dpart;place_id=105210&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1252"&gt;http://ausmed.arts.uwa.edu.au/items/show/1252&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;The Great Synagogue on Elizabeth Street in central Sydney opened in 1878, when it was described as a mix of Romanesque, Gothic, Byzantine, and Moorish motifs (according to the official website &amp;ndash; link provided below). The architectural style has also been described as Transitional French Gothic. The synagogue was designed by Sydney architect Thomas Rowe. These two photographs show the much less elaborate rear of the building with Romanesque rounded-arch windows on Castlereagh Street. This section of the synagogue housed a school and Beadle&amp;rsquo;s (caretaker) residence, but only the fa&amp;ccedil;ade at the rear is original. &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
For more on the Great Synagogue see &lt;a href="http://www.greatsynagogue.org.au/Home.aspx" target="_blank"&gt;http://www.greatsynagogue.org.au/Home.aspx&lt;/a&gt;</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Rear of the Great Synagogue, Sydney</text>
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                <text>Arched windows, Beadle, Byzantine, Castlereagh Street, Gothic, Great Synagogue, Judaism, Moorish, New South Wales, NSW, Romanesque, Thomas Rowe, school, Sydney, Synagogue, Transition French Gothic</text>
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                <text>&lt;p&gt;The Great Synagogue on Elizabeth Street in central Sydney opened in 1878, when it was described as a mix of Romanesque, Gothic, Byzantine, and Moorish motifs (according to the official website &amp;ndash; link provided below). The architectural style has also been described as Transitional French Gothic. The synagogue was designed by Sydney architect Thomas Rowe. These two photographs show the much less elaborate rear of the building with Romanesque rounded-arch windows on Castlereagh Street. This section of the synagogue housed a school and Beadle&amp;rsquo;s (caretaker) residence, but only the fa&amp;ccedil;ade at the rear is original. &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
For more on the Great Synagogue see &lt;a href="http://www.greatsynagogue.org.au/Home.aspx" target="_blank"&gt;http://www.greatsynagogue.org.au/Home.aspx&lt;/a&gt;</text>
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                <text>McLeod, Shane</text>
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            <name>Date</name>
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                <text>February 4, 2012</text>
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                <text>No Copyright</text>
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            <name>Format</name>
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                <text>Digital Photograph; JPEG</text>
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        <name>arched windows</name>
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        <name>Synagogue</name>
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        <name>Thomas Rowe</name>
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