1 8 1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.artgallery.nsw.gov.au/collection/works/169.1984/" target="_self">http://www.artgallery.nsw.gov.au/collection/works/169.1984/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘The Marriage of the Arnolfini – After Jan van Eyck’ by Fiona Hall Subject The topic of the resource art, artwork, Bruges, Giovanni di Nicolao Arnolfini, insert, Jan van Eyck, marriage, merchant, modern art, New South Wales, NSW, photograph, portrait, The Arnolfini Portrait, The National Gallery, wedding. Description An account of the resource This photographic artwork by Australian artist Fiona Hall was purchased by the Art Gallery of New South Wales in 1984. In the photograph Hall has reconstructed her own version of the scene from medieval Dutch painter Jan van Eyck’s famous 1434 oil painting, “The Arnolfini Portrait”, by transposing the figures into a modern setting and replacing their faces. At the bottom of the frame is an insert of the original painting by Jan van Eyck. The figures in van Eyck’s painting are believed to be those of Gionvanni di Nicolao Arnolfini, a fifteenth-century Italian merchant living in the Flemish town of Bruges, and his wife. Creator An entity primarily responsible for making the resource Fiona Margaret Hall Source A related resource from which the described resource is derived The Art Gallery of New South Wales Date A point or period of time associated with an event in the lifecycle of the resource 1980 Rights Information about rights held in and over the resource The Art Gallery of New South Wales Format The file format, physical medium, or dimensions of the resource Photograph, 28cm x 35.5cm. art artwork Bruges Giovanni di Nicolao Arnolfini insert Jan van Eyck marriage merchant modern art New South Wales NSW photograph portrait The Arnolfini Portrait The National Gallery wedding