1 8 5 https://ausmed.arts.uwa.edu.au/files/original/3d043195540c025dfaa4bd2a62cf135b.jpg 43ab22c4f65921567f85967f2bdda535 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3507 Width 2051 https://ausmed.arts.uwa.edu.au/files/original/7ccf4a00a810154af2765bf2027afae8.jpg 094fe4f9bdb76096eee4829dde997ae5 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2852 Width 2468 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Journal (Microfilm) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ‘The Australian Jubilee Peerage: A Detailed Scheme for the Institution of Various Long-Needed Australian Orders of Nobility’, The Bulletin, 25 June 1887 Subject The topic of the resource ‘pedigree hunting,’ Australian politics, Britain, heraldry, honours, Jubilee, knight, knighthood, Livingston York Hopkins (1846-1927), Melbourne, nobility, peerage, politics, political figures, Queen Victoria, social mobility, Victoria, VIC, White Knight of Kerry Description An account of the resource This full-page illustration by the Bulletin’s American-born cartoonist Livingston Hopkins (aka ‘Hop’), pokes fun at some of Australia’s prominent political figures. The 25 June 1887 issue of the Bulletin reviewed Queen Victoria’s Golden Jubilee, and Hop’s cartoon “lampooned the jubilee peerages that had been bestowed” on the distant British outpost (Louise D'Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910, Turnhout: Brepols, 2011, p.21). It seems that Australians from all backgrounds and social milieu desired these honours from the British monarch: a search for long-forgotten (aka ‘illustrious’) forbears was relentlessly pursued by public figures, and the claiming of heraldic devices (if obtainable) was de rigueur. As a result, Burke’s Peerage was forced to devote two volumes in 1891 and 1895 to “Colonial Gentry” (D'Arcens, p.24). Hop’s cartoon offered Bulletin readers a tongue-in-cheek selection of new honours, including ‘The Order of P.G.’ to be “conferred only upon the old and true colonial aristocracy” (Bulletin,p .18). “P.G.” is a reference to “the convict inmates of Pinchgut, the notoriously punitive prison-island in Sydney Cove (better known today as Fort Denison)”. It also serves as a timely reminder to those with ‘blinkered’ memories “of the decidedly ignoble origins” of many of the Colony’s original European settlers (D’Arcens, p.23). Creator An entity primarily responsible for making the resource Livingston Hopkins ('Hop') Source A related resource from which the described resource is derived The Bulletin Publisher An entity responsible for making the resource available The Bulletin Date A point or period of time associated with an event in the lifecycle of the resource 25 June 1887 (p. 18). Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Journal (Microfilm) ‘pedigree hunting ’ Australian politics Britain heraldry honours Jubilee knight knighthood Livingston York Hopkins (1846-1927) Melbourne nobility peerage political figures politics Queen Victoria social mobility Vic Victoria White Knight of Kerry https://ausmed.arts.uwa.edu.au/files/original/8d01263ff8f2bf2082363cf3c7879fb2.JPG 697309f2e3c641db9c0d39a174879a70 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 972 Width 648 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Shield, Balingup Medieval Carnivale Subject The topic of the resource Axe, Balingup, Balingup Medieval Carnivale, Battersea Shield, blacksmith, Britain, British, British Museum, carnival, Celt, Celtic, fair, London, recreation, Shire of Donnybrook-Balingup, South-West WA, Thames, WA, Western Australia Description An account of the resource <p>A photograph of a shield and axe in the blacksmith&rsquo;s workshop at the Balingup Medieval Carnivale. The shield is reminiscent of one found in the river Thames at Battersea, London. The shield is from pre-Roman Britain and is one of the best examples of British, or Celtic, art. Its appearance at a medieval carnival is perhaps an example of how almost anything from the pre-Modern era is part of an imagined medieval past. The original can be seen in the British Museum.</p> <p>For information on the original shield see <a href="http://www.britishmuseum.org/explore/highlights/highlight_objects/pe_prb/t/the_battersea_shield.aspx" target="_blank">http://www.britishmuseum.org/explore/highlights/highlight_objects/pe_prb/t/the_battersea_shield.aspx</a></p> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 27 August 2011 Rights Information about rights held in and over the resource No copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG axe Balingup Balingup Medieval Carnivale Battersea Shield blacksmith Britain British British Museum carnival Celt Celtic fair London recreation Shire of Donnybrook-Balingup South-West WA Thames WA Western Australia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://catalogue.slwa.wa.gov.au/record=b2198159%7ES2" target="_blank">http://catalogue.slwa.wa.gov.au/record=b2198159~S2</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Druids Procession, Nedlands Subject The topic of the resource Battle, Britain, British resistance, Britons, Caractacus, Caratacus, Cartimandua, Catuvellauni tribe, Celtic, Celtic revival, chieftain, Claudius (10BCE-54CE), conquest, druids, druidism, Emperor, execution, exoneration, float, imprisonment, invasion, Izzy Orloff (1891-1983), military prisoner, Nedlands, neo-druidism, pagan, parade, pardon, procession, Roman Emperor, Roman Senate, Rome, speech, Togodumnus, trial, WA, Western Australia Description An account of the resource This black and white photograph, taken by WA photographer Izzy Orloff in 1924, depicts a horse-drawn float taking part in a <span class="il">Druids</span> procession in Perth in 1924. Being re-enacted on the float, the banner suggests, was the trial of Caractacus before the Roman Emperor. Caractacus was a chieftain of the British Catuvellauni tribe who, with his brother Togodumnus (until he was killed in battle), led the resistance to Roman Conquest in the first century AD. Following Claudius&rsquo; successful invasion of Britain in 43AD, Caractacus went into exile. He was imprisoned years later by Cartimandua in Wales and handed over to the Romans, who sentenced him to execution. Caractacus was allowed to address the Roman Senate before his execution and is reputed to have made such an impression on Emperor Claudius that he was pardoned and permitted to live peacefully in Rome. The Roman invasion of Britain sought to stamp out druidism. However, there is some evidence that <span class="il">druids</span>, or members of the priestly class in Celtic society, continued to exist in Ireland at least throughout the early medieval period (See for example, Philip Freeman, "<span class="il">Druids</span>" in The Oxford Encyclopedia of Ancient Greece and Rome, Michael Gagarin (ed.), Oxford University Press, 2010, &lt;<a href="http://www.oxford-greecerome.com/entry?entry=t294.e401" target="_blank">http://www.oxford-greecerome.com/entry?entry=t294.e401</a>&gt;, Accessed 6 May 2011). Creator An entity primarily responsible for making the resource Orloff, Izzy Source A related resource from which the described resource is derived State Library of Western Australia Publisher An entity responsible for making the resource available Izzy Orloff collection; BA1059/929, State Library of Western Australia, online media reference 012135D. Date A point or period of time associated with an event in the lifecycle of the resource 1924 Rights Information about rights held in and over the resource State Library of Western Australia Format The file format, physical medium, or dimensions of the resource Photographic Print battle Britain British resistance Britons Caractacus Caratacus Cartimandua Catuvellauni tribe Celtic Celtic revival chieftain Claudius (10BCE-54CE) conquest druidism druids Emperor execution exoneration float imprisonment invasion Izzy Orloff (1891-1983) military prisoner Nedlands neo-druidism pagan parade pardon procession Roman Emperor Roman Senate Rome speech Togodumnus trial WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/e09f22981ce72bda42e0f7a80e6c5e21.jpg 5cc02f9d3e2d6db9bf63afda98c8cf0c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 330 Width 212 https://ausmed.arts.uwa.edu.au/files/original/9037fa1f6c1e111e8e9bef03ab2ff528.jpg 4f03ef1452bf603f8c6692693f1a8b2d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 386 Width 306 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 2 x Digital Photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gog and Magog, Royal Arcade, Melbourne Subject The topic of the resource arcade, Britain, Brutus, Corineus, gateway, Gaunt’s Clock, Geoffrey of Monmouth (d.1154/5), giants, Gog, Gogmagog, guardian, Guildhall, Historia Regum Britanniae, legend, London, Magog, medieval folklore, Melbourne, myth, mythology, porter, Royal Arcade, statues, time, Trojan army Description An account of the resource Close-up images of the statutes of Gog and Magog, who strike the time hourly on Gaunt’s Clock in Melbourne’s Royal Arcade. According to the legend cited in the description under the clock, the mythological giants Gog and Magog were captured by Brutus and forced to serve as porters at the gateway of a palace on the site of the Guildhall in London. They are indeed guardians of the City of London, and wooden statutes of the figures were installed at the Guildhall in the early eighteenth century. These statues replaced large wicker models of the giants that had been paraded in the Lord Mayor’s Procession since the time of Henry V (r.1413-1422), but that were destroyed in the Great Fire. The description reads: “These two 7-feet giants have been striking the time on Gaunt's clock since 1892. They were carved from clear pine and modelled on the figures erected in Guildhall, London, in 1708 to symbolise the conflict between the ancient Britons and the Trojan invaders. Mythology tells of the giants Gog and Magog (also known as Corineus and Gogmagog) having been captured in battle by the Trojans and made to serve as porters at the gateway of an ancient palace on a site later occupied by the Guildhall. It is traditional for Gog to stand to the north and Magog to the south.” However, although the description lists Corineus was an alternate name for Gog, Geoffrey of Monmouth describes Corineus as an ally of Brutus in his twelfth-century Historia Regum Britanniae, and credits him with slaying the giant Goëmagot (by throwing him into the sea). Creator An entity primarily responsible for making the resource Lynch, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 29 January 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arcade Britain Brutus Corineus gateway Gaunt’s Clock Geoffrey of Monmouth (d.1154/5) giants Gog Gogmagog guardian Guildhall Historia Regum Britanniae legend London Magog medieval folklore Melbourne myth mythology porter Royal Arcade statues time Trojan army https://ausmed.arts.uwa.edu.au/files/original/809766644f32b2fe1b0659349ecf381d.jpg a812ee45ec9825a556b5cf249ccd344d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 336 Width 382 https://ausmed.arts.uwa.edu.au/files/original/3a7367d7e08844dc7f14838136f04958.jpg c62cec716267b793239254a1ce457b06 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 268 Width 448 https://ausmed.arts.uwa.edu.au/files/original/422890dbf6e4d10947269f9dbb397032.jpg dbde0b07c103f119a2e1b7de925a3490 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 183 Width 544 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 3 x Digital Photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gaunt's Clock, Royal Arcade, Melbourne Subject The topic of the resource arcade, Britain, Brutus, Corineus, Gaunt’s Clock, Geoffrey of Monmouth (d.1154/5), giants, Gog, Gogmagog, guardian, Guildhall, Historia Regum Britanniae, legend, London, Magog, medieval folklore, Melbourne, myth, mythology, porter, Royal Arcade, statues, time, Trojan army Description An account of the resource A view of Gaunt’s Clock in Royal Arcade, Melbourne. Royal Arcade was designed by architect Charles Webb and was completed in 1870. Gaunt’s Clock was added in 1892. On either side of the clock is a statute of the mythical giants Gog and Magog, who symbolically strike chimes every hour. According to the legend cited in the description under the clock, Gog and Magog were captured by Brutus and forced to serve as porters at the gateway of a palace on the site of the Guildhall in London. They are indeed guardians of the City of London, and wooden statutes of the figures were installed at the Guildhall in the early eighteenth century. These statues replaced large wicker models of the giants that had been paraded in the Lord Mayor’s Procession since the time of Henry V (r.1414-1422), but that were destroyed in the Great Fire. The description under the clock reads: “These two 7-feet giants have been striking the time on Gaunt's clock since 1892. They were carved from clear pine and modelled on the figures erected in Guildhall, London, in 1708 to symbolise the conflict between the ancient Britons and the Trojan invaders. Mythology tells of the giants Gog and Magog (also known as Corineus and Gogmagog) having been captured in battle by the Trojans and made to serve as porters at the gateway of an ancient palace on a site later occupied by the Guildhall. It is traditional for Gog to stand to the north and Magog to the south.” However, although the description lists Corineus was an alternate name for Gog, Geoffrey of Monmouth describes Corineus as an ally of Brutus in his twelfth-century Historia Regum Britanniae, and credits him with slaying the giant Goëmagot (by throwing him into the sea). Creator An entity primarily responsible for making the resource Lynch, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 29 January 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arcade Britain Brutus Corineus Gaunt’s Clock Geoffrey of Monmouth (d.1154/5) giants Gog Gogmagog guardian Guildhall Historia Regum Britanniae legend London Magog medieval folklore Melbourne myth mythology porter Royal Arcade statues time Trojan army