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                  <text>Medievalism in the Classroom</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>&lt;span&gt;&lt;span style="font-family: tahoma; font-size: x-small;"&gt;&lt;span style="line-height: 115%; font-size: 10pt;"&gt;&lt;a href="https://www.courses.uq.edu.au/student_section_loader.php?section=1&amp;amp;profileId=42451" target="_blank"&gt;https://www.courses.uq.edu.au/student_section_loader.php?section=1&amp;amp;profileId=42451&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>Adaptation: Studies in Transmission between Cultures and Forms </text>
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                <text>Brisbane, fiction, literature, The Lord of the Rings, QLD, Queensland, J.R.R. Tolkien, The University of Queensland, Tolkien, university, universities</text>
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                <text>A 2011 undergraduate unit run by Associate Professor Frances Bonner in the School of English, Media and Art History at the St Lucia campus of The University of Queensland. Week 7 of the unit uses Tolkienâ€™s books informed by the early medieval world, The Lord of the Rings, as its case study.   </text>
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                <text>Bonner, Frances</text>
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                <text>The University of Queensland</text>
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                <text>The University of Queensland</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>The Viking Breed</text>
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                <text>An article on page 4 of The Brisbane Courier newspaper on April 6, 1909. The article reports on an official welcome in Sydney Town Hall for returned Antarctic explorer Professor (Sir) Edgeworth David. In recounting the achievements of the expedition the anonymous author takes the opportunity to compare the adventures to earlier voyages of exploration by the Norsemen recounted in Sagas and Eddas. The article also manages to mention the Norse god Thor, noting that it was fortunate the his hammer did not â€˜descend in wrath and blizzardâ€™, allowing Professor David to return home and do â€˜honour both to science and the Empireâ€™.  </text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>Viking Tales: Olafâ€™s Farm</text>
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                <text>An illustrated story on page 48? Of the Brisbane newspaper, The Queenslander, published on 23 November, 1907. The story by Jennie Hall is about a young Viking from Denmark named Olaf who, as the youngest son, has to â€˜go a-Vikingâ€™ (raiding) in order to accumulate wealth. He builds a ship with a dragon prow and leads a crew to Norway where they successfully raid along the coast. After forcing themselves upon a local farming household the Danes end up having a pleasant evening with the farmer and his family and reward them richly with gifts the following morning. The crew are then defeated in a naval battle by the fleet of king Halfdan and all die except Olaf who becomes a â€˜thrallâ€™ (servant) of Halfdan. The characters also invoke aspects Norse mythology, including Valhalla and the gods Odin and Thor. The story was taken from â€˜Prairie Farmerâ€™ and includes an illustration of the armed Vikings bursting into the farmhouse.</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&lt;p&gt;A short article on page 2 of Queensland&amp;rsquo;s &amp;lsquo;The Brisbane Courier&amp;rsquo; newspaper on August 12, 1908. The uncredited article reports on a Viking &amp;lsquo;Dragon Ship&amp;rsquo;, probably a replica or recreation of a Viking-Age ship with a carved animal head on the bow. The ship was on display in St Paul&amp;rsquo;s Hall and was accompanied by an evening programme of entertainment.&lt;/p&gt;&#13;
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="11837">
                <text>No Copyright</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>Brisbane, brooch, Lady Chelmsford, Christiana, dragon, Ivar, Norway, QLD, Queensland, The Queenslander, recreation, shield, ship, Viking, Vikings</text>
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                <text>A newspaper article about a Viking Dragon Ship on page 29 of the Brisbane newspaper The Queenslander on 18 July, 1908. The recreation ship filled up most of St Paul&amp;rsquo;s Hall and included shields with emblems along its sides, a prow consisting of a dragon with &amp;lsquo;open mouth, blazing eye-balls, and golden horns&amp;rsquo;. Another shield (perhaps in place of a sail) was on a pole in the centre of the ship and hoisted during the opening ceremony. Stalls draped in Viking colours were set up around the sides of the ship. Accompanying the ship were people in Viking dress and pseudonyms. The opening was presided over by Lady Chelmsford, who had seen a real Viking ship in Christiana, Norway. The article states that the Viking dead were placed in ships and the whole then set on fire. After accepting a Viking brooch from &amp;lsquo;Ivar&amp;rsquo;, the Vikings gave a war-cry and Lady Chelmsford thanked Ivar in Norwegian.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15021">
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              </elementText>
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            <name>Format</name>
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            <name>Language</name>
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        <name>Ivar</name>
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        <name>Lady Chelmsford</name>
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        <name>Norway</name>
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        <name>Qld</name>
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        <name>Queensland</name>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;span&gt;&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;a href="http://nla.gov.au/nla.news-article19531625" target="_blank"&gt;&lt;span style="color: #0000ff; font-family: Calibri; font-size: small;"&gt;http://nla.gov.au/nla.news-article19531625&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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            <description>The topic of the resource</description>
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                <text>A newspaper article on page 7 of the Queensland newspaper The Brisbane Courier on 11 August, 1908. The article reports on the reopening of the Viking Dragon Ship at St Paulâ€™s Hall, and the accompanying entertainment. Described as a â€˜Viking entertainmentâ€™, this included Ulfhednar, Wizard of the North, Grjotgurd the Nimble, Elfski, Hauk the Strong, and a wrestling demonstration.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15054">
                <text>No Copyright</text>
              </elementText>
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            <description>A language of the resource</description>
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        <name>The Brisbane Courier</name>
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        <name>viking</name>
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        <name>wizard</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <name>URL</name>
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              <text>&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;" lang="EN-AU"&gt; &lt;a href="http://www.qlhf.org.au/" target="_blank"&gt;http://www.qlhf.org.au/&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Queensland Living History Federation</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Brisbane, Fort Lytton National Park, History Alive, living history, Lytton, QLD, QLHF, Queensland, Queensland Living History Federation, re-enactment</text>
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                <text>The Queensland Living History Federation (QLHF) are an umbrella group based in Brisbane for 54 smaller historical re-enactment, or living historian, groups in Queensland. QLHF formed in 1997 and its members re-enact time periods from the Roman Empire to the Vietnam War. Within this broad time frame are a number of groups who focus on the medieval period. The main event of QLHF is the History Alive weekend (see separate entry).</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Queensland Living History Federation</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="18074">
                <text>Queensland Living History Federation</text>
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            <name>Date</name>
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                <text>6 January 2012</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="18076">
                <text>Queensland Living History Federation</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="18077">
                <text>Hyperlink</text>
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        <name>History Alive</name>
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        <name>living history</name>
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        <name>Lytton</name>
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      <tag tagId="1350">
        <name>Qld</name>
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      <tag tagId="4062">
        <name>QLHF</name>
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      <tag tagId="475">
        <name>Queensland</name>
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      <tag tagId="4063">
        <name>Queensland Living History Federation</name>
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      <tag tagId="173">
        <name>re-enactment</name>
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