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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Barons, chain-mail, diorama, Stephen Langton, Magna Carta, Neil Glasser, John I, New South Wales, NSW, QVB, Queen Victoria Building, Royal Clock, spear, Sydney, Thwaites and Reed</text>
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                <text>The diorama of King John I (1166-1216) signing Magna Carta in 1215 is one of six revolving scenes devoted to English royalty that appear on the hour in the Royal Clock in Sydneyâ€™s Queen Victoria Building. The clock was designed by Neil Glasser and made by Thwaites and Reed in Hastings, England. In the scene John is shown sitting on a throne flanked by guards with spears and signing the document surrounded by the English barons (in chain-mail) who had revolted against him and the Archbishop of Canterbury Stephen Langton (1150-1228). &#13;
The signing of Magna Carta is considered an moment in the history of western democracy. Australia owns a medieval copy of Magna Carta, which is on display in Parliament House, Canberra.&#13;
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>Robin Da Hood</text>
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                <text>advertisement, advertisements, archery, banner, banners, barons, lute, maidens, Merry Men, mobile phone, pigeon racing, Robin Hood, Sherwood, telecommunications, telephone, Virgin Mobile Australia</text>
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                <text>An online advertisement by Virgin Mobile Australia. The advert plays on the popular image of Robin Hood, complete with images of archery, a lute being played, and a group of Merry Men. Robin Hood is now Robin da Hood, wearing a red (the colour associated with Virgin) hooded tracksuit top and red tights, riding a red dragster bike, and dancing with scantily clad â€˜maidensâ€™. He promises to deliver a fair deal for Australians who have suffered injustice at the hands of telecommunications barons. The interactive advert includes an exploration of Sherwood (a suburb of Brisbane rather than the forest near Nottingham), and information on a pigeon race that will be held there on August 16, 2011. The text of the advert is written in mock Ye Olde English, and is presented on red medieval shaped banners.</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Newspaper Article: &lt;a href="http://nla.gov.au/nla.news-article49052406" target="_blank"&gt;http://nla.gov.au/nla.news-article49052406&lt;/a&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Commoners Invoked Magna Carta</text>
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                <text>Administrative system, Archbishop Stephen Langton, barons, boroughs, British Commonwealth, Bruton School, Charter, church, cities, commoners, commonwealth, Crown, crusades, feudal system, free trial, Great Charter (1215), human rights, inspeximus copy, judicial system, justice, King John (r.1199-1216), law, legal judgement, liberty, Library Committee, Lincoln Cathedral, Magna Carta, medieval law, medieval people, merchants, National Library, parliament, Professor Murdoch, rights, Robert Fitzwalter (d.1235), subjects, towns, trial by ordeal, United States, villein, weights and measures, William de Braioise</text>
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                <text>In this article rebutting criticisms levelled at the Australian Government for its decision to purchase an inspeximus copy (1297) of Magna Carta in 1952, the author begins by reminding readers that the important medieval document would be placed on display in the National Library, where it could be viewed by members of the public. He goes on to explain the significance of Magna Carta, stating that it did not function merely to protect the rights of barons as was often thought, but also those of â€˜the Church, merchants, cities, towns and boroughsâ€™. Additionally, he continues, it set up a judicial and administrative system and established precedents to guarantee the liberty of all subjects. Examples are then provided to support the authorâ€™s claim that medieval people recognised the wider remit of Magna Carta, including that of a villein who invoked the Charter to sue a Prior and a tenantâ€™s widow who invoked it against an Earl.</text>
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                <text>Kim E. Beazley, M.H.R.</text>
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                <text>The West Australian</text>
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                <text>13 September 1952, p 2.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>National Library of Australia</text>
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