1 8 4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1. Go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_self">http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2. Search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'St Francis beaten by his Father', by Arthur Boyd Subject The topic of the resource art, Assisi, beating, business, Catholicism, Christianity, church, cloth merchant, drawing, family, father, Francis of Assisi, Franciscan Order, modern art, patrimony, poverty, preacher, preaching, religious order, repairs, saint, Saint Francis of Assisi, San Damiano, St Francis of Assisi, The Poor Clares, violence, work. Description An account of the resource This work by Arthur Boyd was acquired by the Art Gallery of South Australia in 1969 with funds from the Morgan Thomas Bequest. It depicts St Francis of Assisi being beaten by his father, who is known to have objected to Francisâ€™ religious inclinations and specifically to have reprimanded him for selling cloth from his shop to fund church repairs. St Francis (Giovanni Francesco do Bernadone) was born in Assisi around 1181. After an adolescence spent learning his fatherâ€™s cloth business and aspiring to be a noble knight, he received his religious calling in his twenties when he was praying at San Damiano and heard Christ telling him to repair the church. Following a dispute with his father after selling cloth to raise money for the task, Francis returned every stitch of clothing his father had ever given him and renounced his patrimony. He turned to a life of poverty and religious work. He founded the Franciscan Order, a religious order devoted to poverty, work and preaching, which was authorised by Pope Innocent III in 1210 and quickly grew in popularity from a few followers to a large network of Franciscan preachers and missionaries (administered by Cardinal Ugolini, later Pope Gregory IX) and an enclosed order for women, The Poor Clares. In 1224 St Francis received the stigmata. He died in 1226, and was pronounced a saint only two years later by Pope Gregory IX. Creator An entity primarily responsible for making the resource Arthur Boyd, 1920-1999 Source A related resource from which the described resource is derived Art Gallery of South Australia: <a href="http://www.artgallery.sa.gov.au/agsa/home/" target="_self">http://www.artgallery.sa.gov.au/agsa/home/</a> Date A point or period of time associated with an event in the lifecycle of the resource 1965 Rights Information about rights held in and over the resource Art Gallery of South Australia, with permission of the Bundanon Trust Format The file format, physical medium, or dimensions of the resource Lithograph on Paper, 47.9cm x 60.3cm art Assisi beating business Catholicism Christianity Church cloth merchant drawing family father Francis of Assisi Franciscan Order modern art patrimony poverty preacher preaching religious order repairs saint Saint Francis of Assisi San Damiano St Francis of Assisi The Poor Clares violence work Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.michaelgalovic.com/Pop/StFrancis.html" target="_self">http://www.michaelgalovic.com/Pop/StFrancis.html</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜St Francis and the Birdsâ€™, by Michael Galovic Subject The topic of the resource Animals, art, Assisi, Bevagna, birds, Cardinal Ugolini, Catholicism, Christianity, Francis of Assisi, Franciscan, Giovanni Francesco do Bernadone, icon, iconography, modern art, Pope Gregory IX, Pope Innocent III, Portiuncula, poverty, preacher, preaching, religious art, religious order, saint, Saint Francis of Assisi, St Francis of Assisi, The Little Flowers of St Francis, The Poor Clares, work, â€˜new iconsâ€™. Description An account of the resource This artwork by Yugoslavian-Australian artist Michael Galovic depicts St Francis of Assisi, the thirteenth-century religious reformer, preaching to birds in his characteristic brown habit. It is an example of the artist’s modern religious artwork in which he seeks to create new versions of traditional icons, often featuring medieval figures such as St Francis or Hildegard of Bingen (see <a href="http://www.michaelgalovic.com/galleryintro.html" target="_self">http://www.michaelgalovic.com/galleryintro.html</a>). St Francis (Giovanni Francesco do Bernadone) was born in Assisi around 1181 to a wealthy cloth merchant. Following a dispute with his father in his twenties, he returned every stitch of clothing his father had ever given him and turned to a life of poverty and religious work, particularly by helping to rebuild churches. He founded the Franciscan Order, a religious order devoted to poverty, work and preaching, which was authorised by Pope Innocent III in 1210 and quickly grew in popularity from a few followers to a large network of Franciscan preachers and missionaries (administered by Cardinal Ugolini, later Pope Gregory IX) and an enclosed order for women, The Poor Clares. In 1224 St Francis received the stigmata. He died in 1226 and only two years later he was pronounced a saint by Pope Gregory IX. Among many well-known stories about St Francis and animals is the scene depicted in this painting, which is described in The Little Flowers of St Francis: So solace-filled he left them, and full well, To penitence disposed, and, parting thence, Betwixt Carmano and Bevagna came. And, ardently as ever journeying on, He raised his eyes and certain trees beheld Fast by the way-side, on whose boughs were perched A multitude of birds innumerable, So that Saint Francis was amazed thereat, And said to his companions: “In the road Ye shall await me here, whole I go preach Unto the birds my sisters”: and he went Within the field, and to the birds ‘gan preach That on the ground were sitting; and at once Those that were on the trees did come to him, And, one and all, stayed motionless until Saint Francis had done preaching, and e’en then Departed not till he had given them His Benediction. (James Rhoades, The Little Flowers of St Francis: Rendered into English Verse, London, 1904, pp.88-89). Creator An entity primarily responsible for making the resource Michael Galovic Source A related resource from which the described resource is derived <a href="http://www.michaelgalovic.com" target="_self">http://www.michaelgalovic.com</a> Date A point or period of time associated with an event in the lifecycle of the resource 1998 Rights Information about rights held in and over the resource Michael Galovic Format The file format, physical medium, or dimensions of the resource Gessoed board, with egg tempera and gold leaf, mixed technique assemblage, 100cm x 70cm â€˜new iconsâ€™ Animals art Assisi Bevagna birds Cardinal Ugolini Catholicism Christianity Francis of Assisi Francsciscan Giovanni Francesco do Bernadone icon iconography modern art Pope Gregory IX Pope Innocent III Portiuncula poverty preacher preaching religious art religious order saint Saint Francis of Assisi St Francis of Assisi The Little Flowers of St Francis The Poor Clares work https://ausmed.arts.uwa.edu.au/files/original/54865f0eed8a2635475e7ba7cda10b8d.jpg 9a44dc5f54d98385c2cda498d879d515 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 526 Width 480 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rose Window, Winthrop Hall, the University of Western Australia Subject The topic of the resource architecture, architect, Assisi, thirteenth century, Rodney Alsop, Basilica of San Francesco, Crawley, dais, great hall, Italian influence, organ, Romanesque style, rose window, Sir John Winthrop Hackett (1848-1916), The University of Western Australia, Western Australia, UWA, WA, window, window tracery, Winthrop Hall Description An account of the resource <div class="element-text"> A view of the large rose window on the eastern wall of Winthrop Hall at The University of Western Australia. Inside the hall, the rose window is a focal point above the dais. Rose windows were popular decorative features of Romanesque and especially Gothic architecture in England and Europe by the thirteenth century. About Winthrop Hall: Winthrop Hall was designed by Melbourne architect Rodney Alsop. It was built in a Romanesque style, typified by its rounded arches, columns, arcading, sturdy walls (they are 9ft thick) and large square tower. The architect described the style as being of Italian ancestry, but notably “anglicised and adapted to the local conditions” (See Western Mail, 21 April 1932, pp.14: <a href="http://nla.gov.au/nla.news-article38891565" target="_blank">http://nla.gov.au/nla.news-article38891565</a>). Winthrop Hall, Hackett Hall to its east, and the Great Gate and the Arts and Administration Building to its west were designed and built together as a group of University Buildings. They were funded by a bequest from The University of Western Australia’s first Chancellor, Sir John Winthrop Hackett (1848-1916), and were officially opened at a ceremony on 13 April 1932. Based on photographs taken by Rodney Alsop, Winthrop Hall’s architect, in Italy in 1925, the design for the rose window is likely to be based on one at the Basilica of San Francesco in Assisi. (See R. J. Ferguson, Crawley Campus: The Planning and Architecture of the University of Western Australia, University of Western Australia Press, Perth, 1993, p.41).The Basilica of San Francesco was built between 1228 and 1253. For an image of its rose window, visit: <a href="http://www.therosewindow.com/index-rose2.htm" target="_blank">http://www.therosewindow.com/index-rose2.htm</a></div> Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 28 January 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG architect architecture Assisi Basilica of San Francesco Crawley dais Great Hall Italian influence organ Rodney Alsop Romanesque style rose window Sir John Winthrop Hackett (1848-1916) The University of Western Australia thirteenth century UWA WA Western Australia window window tracery Winthrop Hall https://ausmed.arts.uwa.edu.au/files/original/uwa_winthrop-hall_reduced-f_1847c24267.jpg e90affc986bdcfc5f6563b9374353445 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 427 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rose Window, Winthrop Hall, the University of Western Australia Subject The topic of the resource architecture, architect, Assisi, thirteenth century, Rodney Alsop, Basilica of San Francesco, Crawley, dais, great hall, Italian influence, organ, Romanesque style, rose window, Sir John Winthrop Hackett (1848-1916), The University of Western Australia, Western Australia, UWA, WA, window, window tracery, Winthrop Hall Description An account of the resource A view of the large rose window on the eastern wall of Winthrop Hall at The University of Western Australia. Inside the hall, the rose window is a focal point above the dais. Rose windows were popular decorative features of Romanesque and especially Gothic architecture in England and Europe by the thirteenth century. About Winthrop Hall: Winthrop Hall was designed by Melbourne architect Rodney Alsop. It was built in a Romanesque style, typified by its rounded arches, columns, arcading, sturdy walls (they are 9ft thick) and large square tower. The architect described the style as being of Italian ancestry, but notably “anglicised and adapted to the local conditions” (See Western Mail, 21 April 1932, pp.14: <a href="http://nla.gov.au/nla.news-article38891565" target="_blank">http://nla.gov.au/nla.news-article38891565</a>). Winthrop Hall, Hackett Hall to its east, and the Great Gate and the Arts and Administration Building to its west were designed and built together as a group of University Buildings. They were funded by a bequest from The University of Western Australia’s first Chancellor, Sir John Winthrop Hackett (1848-1916), and were officially opened at a ceremony on 13 April 1932. Based on photographs taken by Rodney Alsop, Winthrop Hall’s architect, in Italy in 1925, the design for the rose window is likely to be based on one at the Basilica of San Francesco in Assisi. (See R. J. Ferguson, Crawley Campus: The Planning and Architecture of the University of Western Australia, University of Western Australia Press, Perth, 1993, p.41).The Basilica of San Francesco was built between 1228 and 1253. For an image of its rose window, visit: <a href="http://www.therosewindow.com/index-rose2.htm" target="_blank">http://www.therosewindow.com/index-rose2.htm</a> Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 28 January 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG architecture Assisi Basilica of San Francesco Crawley dais gothic architecture Gothic Revival Great Hall Italian influence neo-Gothic organ Rodney Alsop Romanesque style rose window Sir John Winthrop Hackett (1848-1916) The University of Western Australia UWA WA Western Australia window window tracery Winthrop Hall