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                <text>&lt;em&gt;Arthur! And the Square Knights of the Round Table&lt;/em&gt; Children's Cartoon series</text>
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                <text>&lt;em&gt;Arthur! And the Square Knights of the Round Table&lt;/em&gt; was an animated Australian cartoon series written by Melbourne playwright Alex Buzo with Rod Hull, Lyle Martin, John Palmer and M. Robinson. It was produced between 1966 and 1968. Based on Arthurian legend, the cartoons feature characters such as King Arthur, Guinevere, Lancelot, Merlin, a Black Knight and Morgan le Fay. The opening jingle (available at &lt;a href="http://www.youtube.com/watch?v=q7O7NgjWPeM" target="_self"&gt;http://www.youtube.com/watch?v=q7O7NgjWPeM&lt;/a&gt;) provides a good overview of the Arthurian themes and motifs in the cartoons, in verse! For example, the pastimes of the hero Arthur &amp;ndash; &amp;lsquo;the king of Camelot, who likes to joust a lot&amp;rsquo; &amp;ndash; are identified as jousting, dragon-slaying, wooing Guinevere, foiling the evil plans of the Black Knight, rescuing damsels in distress, drawing swords from stones, making tables round, and convening meetings of his bravest knights.</text>
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                <text>â€˜The Questâ€™ Range Wine Labels, Chalice Bridge Estate</text>
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                <text>â€˜The Questâ€™, Arthurian legend, beverage, chainmail, Chalice Bridge Estate, Holy Grail, knight, label, Margaret River, medieval imagery, military order, Order of the Temple, shield, St George cross, sword, Templar Knights, WA, Western Australia, wine.</text>
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                <text>&lt;p&gt;&amp;lsquo;The Quest&amp;rsquo; is a wine range produced by Chalice Bridge Estate winery in Margaret River, Western Australia. The name evokes the Arthurian legend of the Quest for the Holy Grail, and this medieval association is enhanced by the elaborately illustrated Templar Knights that feature on the five individualised labels contained within the series. The Knights Templar formed what was probably the most powerful and well-known of the Christian military orders in the medieval period. The order was endorsed by the Catholic Church in the early twelfth century and was particularly active during the Crusades, before it was forcefully disbanded in the early fourteenth century. The immense power of the Order at its height and speculation about it&amp;rsquo;s suppression fuelled rumours that members of the Order had discovered (and re-located) the Holy Grail. Each of &amp;lsquo;The Quest&amp;rsquo; wine labels depicts a knight dressed in the distinctive outfit of the Knights Templar &amp;ndash; the red Cross of St George on the breast of a white tunics &amp;ndash; complete with chainmail, a sword and a shield that also features the red cross. Each of the knights strikes a different pose; three are engaged in combat and two are resting.&lt;/p&gt;&#13;
&lt;p&gt;The Chalice Bridge Estate can be found at &lt;a href="http://chalicebridge.com.au/" target="_blank"&gt;http://chalicebridge.com.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;Designer: Daniel McKeating, Studio Lost &amp;amp; Found, Western Australia: &lt;a href="http://www.studiolostandfound.com" target="_blank"&gt;http://www.studiolostandfound.com&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Illustrator: Skye Ogden - Tokyo, Japan: &lt;a href="http://www.skyeogden.com" target="_blank"&gt;http://www.skyeogden.com&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>Chalice Bridge Estate Limited, Margaret River, Western Australia (&lt;a href="http://www.chalicebridge.com.au/" target="_blank"&gt;http://www.chalicebridge.com.au/&lt;/a&gt;)</text>
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                <text>â€˜The Chaliceâ€™, Arthurian legend, beverage, chalice, Chalice Bridge Estate, ChrÃ©tien de Troyes, Holy Grail, King Arthur, knight, label, legend, mantle, Margaret River, medieval imagery, military order, Order of the Temple, quest, Templar Knights, vessel, WA, Western Australia, wine, Wolfram von Eschenbach.</text>
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                <text>&lt;p&gt;&amp;lsquo;The Chalice&amp;rsquo; is a limited release, reserve wine range produced by Chalice Bridge Estate winery in Margaret River, Western Australia. The name evokes the legends of the Quest for the Holy Grail, and this medieval association is enhanced by the illustrations on the bottle labels. The label features a chalice, or goblet/footed cup, surrounded by a floral design. A chalice is often depicted as the vessel of the Holy Grail, although during the medieval period it was also sometimes depicted as a platter. The Quest for the Holy Grail was a popular part of the legendary Arthurian cycle involving Lancelot and/or Galahad during the medieval period, particularly in the work of Chr&amp;eacute;tien de Troyes and Wolfram von Eschenbach. Now, however, the Quest is often more readily associated with the Knights Templar, for example in the 1989 film &lt;em&gt;Indiana Jones and the Last Crusade&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p&gt;Chalice Bridge Estate can be found at &lt;a href="http://chalicebridge.com.au/" target="_blank"&gt;http://chalicebridge.com.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;Designer: Daniel McKeating, Studio Lost &amp;amp; Found, Western Australia (&lt;a href="http://www.studiolostandfound.com/" target="_blank"&gt;http://www.studiolostandfound.com/&lt;/a&gt;)&lt;/p&gt;</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21135">
                <text>Chalice Bridge Estate Limited, Margaret River, Western Australia (&lt;a href="http://chalicebridge.com.au/" target="_blank"&gt;http://www.chalicebridge.com.au/&lt;/a&gt;)</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="21136">
                <text>Wine bottle label</text>
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        <name>â€˜The Chaliceâ€™</name>
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        <name>beverage</name>
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        <name>ChrÃ©tien de Troyes</name>
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        <name>Holy Grail</name>
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        <name>King Arthur</name>
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        <name>medieval imagery</name>
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        <name>Order of the Temple</name>
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        <name>Wolfram von Eschenbach.</name>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;To view this image,&lt;/p&gt;&#13;
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&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;2.&amp;nbsp;&amp;nbsp; search by artist or title. &lt;br /&gt;&lt;/span&gt;</text>
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                <text>Alfred Lord Tennyson (1809-1892), Art, Arthur, Arthurian, Arthurian legend, Arthurian romance, chivalric, chivalry, Galahad, gallantry, Holy Grail, Idylls of a King, illustration, knight, Le Morte dâ€™Arthur, legend, Mabinogion, narrative poem, nostalgia, nun, piety, poem, purity, Sir Galahad, Sir Thomas Malory (1405-1471), Victorian revival</text>
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            <description>An account of the resource</description>
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                <text>This photograph, taken by Julia Margaret Cameron in 1874, is held by the Art Gallery of South Australia. It depicts Sir Galahad, one of the Knights of the Round Table in Arthurian legend, and a nun. The illegitimate son of Lancelot and Elaine of Corbenic, Galahad was raised in a convent under the care of the Abbess, his Great Aunt. He was one of only 3 Knights to see the Holy Grail, and is renowned in legend for his gallantry, his piety and his purity. He was a popular character in the Victorian revival of Arthurian myth, and these qualities were emphasised in Alfred Lord Tennysonâ€™s 1842 poem â€˜Sir Galahadâ€™. This particular photograph appeared as Plate IX in Alfred Lord Tennysonâ€™s Idylls of the King and Other Poems, a collection of 12 narrative poems retelling the King Arthur legend published between 1856 and 1885. Tennysonâ€™s version was based primarily on two well-known medieval texts: Sir Thomas Maloryâ€™s Le Morte dâ€™Arthur and the Mabinogion. </text>
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                <text>Cameron, Julia Margaret</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="20519">
                <text>Art Gallery of South Australia</text>
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            <name>Date</name>
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                <text>1874</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="20521">
                <text>Art Gallery of South Australia</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="20522">
                <text>Albumen-silver photograph, 33.4 x 27.2 cm;&#13;
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        <name>Arthur</name>
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        <name>Arthurian romance</name>
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        <name>chivalric</name>
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        <name>chivalry</name>
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        <name>Galahad</name>
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      <tag tagId="3560">
        <name>Holy Grail</name>
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      <tag tagId="3864">
        <name>Idylls of a King</name>
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      <tag tagId="2059">
        <name>illustration</name>
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      <tag tagId="96">
        <name>knight</name>
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      <tag tagId="3865">
        <name>Le Morte dâ€™Arthur</name>
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      <tag tagId="1219">
        <name>legend</name>
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      <tag tagId="3866">
        <name>Mabinogion</name>
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        <name>nun</name>
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        <name>purity</name>
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        <name>Sir Galahad</name>
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      <tag tagId="3871">
        <name>Sir Thomas Malory (1405-1471)</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/711c410eb6bf180a60cb872c9ba54e48.jpg</src>
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            <description>The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.</description>
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                <name>Bit Depth</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Medievalism on the Page</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Digital Photograph; JPEG</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Gandalf at the Perth Medieval Fayre</text>
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            <description>The topic of the resource</description>
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                <text>Arthurian legend, legend, Arthur, Arthurian, Costume, fantasy fiction, Gandalf, J. R. R. Tolkien, Tolkien, Lord of the Rings, medievalism, Merlin, Norse mythology, Norse, mythology, myth, Perth, Perth Medieval Fayre, Peter Jackson, power, re-creation, recreation, popular culture, sage, Sir Ian McKellen, Western Australia, wisdom, wizard, wizards, wizardry</text>
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                <text>A member of the public dressed as the iconic wizard Gandalf from J. R. R. Tolkienâ€™s Lord of the Rings at the Perth Medieval Fayre. Like the Merlin figure in Arthurian legend, the character of Gandalf is a sage. He harbours power through wisdom and knowledge. The name â€˜Gandalfâ€™ was taken from Norse mythology. In Peter Jacksonâ€™s 2001-2003 screen adaptation of the Lord of the Rings trilogy, Gandalf was played by Sir Ian McKellen.&#13;
&#13;
The Perth Medieval Fayre is organised and run by the Western Australian Medieval Alliance. In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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JPEG</text>
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                <text>This article from the Western Mail offers a positive review of Edwin Arlington Robinsonâ€™s long narrative poem â€˜Tristramâ€™, published in 1927. Following poems titled â€˜Merlinâ€™ in 1917 and â€˜Lancelotâ€™ in 1920, this poem is the third instalment in a trilogy by Robinson based on Arthurian legends. â€˜Tristramâ€™ is a retelling, in blank verse, of BÃ©roulâ€™s late twelfth-century medieval romance â€˜Tristram and Iseultâ€™. The story of Tristram and Iseult is a tale of adulterous love between a Cornish Knight and the Irish bride of his uncle, King Mark. Robinson was awarded a Pulitzer prize for his â€˜Tristramâ€™ in 1928.</text>
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            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="6771">
                <text>Anon.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="6772">
                <text>National Library of Australia</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="6773">
                <text>The Western Mail</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="6774">
                <text>4 August 1927, p. 8</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6775">
                <text>The Western Mail</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6776">
                <text>Newspaper Article;&#13;
PDF</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6777">
                <text>English</text>
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        <name>â€˜Lancelotâ€™</name>
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        <name>â€˜Merlinâ€™</name>
      </tag>
      <tag tagId="2115">
        <name>â€˜Tristram and Iseultâ€™</name>
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      <tag tagId="346">
        <name>Arthur</name>
      </tag>
      <tag tagId="1164">
        <name>Arthurian</name>
      </tag>
      <tag tagId="2096">
        <name>Arthurian legend</name>
      </tag>
      <tag tagId="2097">
        <name>Arthurian romance</name>
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        <name>Celtic legend</name>
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      <tag tagId="2100">
        <name>Cornwall</name>
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      <tag tagId="2101">
        <name>Edwin Arlington Robinson (1869-1935)</name>
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        <name>Iseult</name>
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      <tag tagId="2103">
        <name>Isolde</name>
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      <tag tagId="2104">
        <name>Isolt</name>
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      <tag tagId="96">
        <name>knight</name>
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      <tag tagId="1219">
        <name>legend</name>
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      <tag tagId="2106">
        <name>mark</name>
      </tag>
      <tag tagId="1270">
        <name>medieval poetry</name>
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      <tag tagId="2108">
        <name>narrative poem</name>
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      <tag tagId="2109">
        <name>Norman poem</name>
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      <tag tagId="2110">
        <name>Pictish king</name>
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      <tag tagId="1595">
        <name>poem</name>
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      <tag tagId="1272">
        <name>poetry</name>
      </tag>
      <tag tagId="2111">
        <name>review</name>
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      <tag tagId="2098">
        <name>romance</name>
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      <tag tagId="2112">
        <name>trilogy</name>
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      <tag tagId="2113">
        <name>Tristan</name>
      </tag>
      <tag tagId="2114">
        <name>Tristram</name>
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      <tag tagId="2116">
        <name>Tristran</name>
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      <tag tagId="2117">
        <name>Tristrem</name>
      </tag>
      <tag tagId="2118">
        <name>Yseult</name>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34454">
                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="4098">
              <text>photograph : b&amp;w, gelatin silver</text>
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          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image.</description>
          <elementTextContainer>
            <elementText elementTextId="4099">
              <text>21.4 x 16 cm. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="28">
          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="14484">
              <text>&lt;a href="http://nla.gov.au/nla.pic-an22828015"&gt;http://nla.gov.au/nla.pic-an22828015&lt;/a&gt;</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14475">
                <text>Laurie Payne &amp; Tony Hughes in Costume for Camelot</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14476">
                <text>actors, armor, armour, Arthur, Arthurian, Arthuriana, Camelot, chivalric, chivalry, costume, entertainment, Guinevere, King Arthur, knight, knighthood, Lancelot, Laurie Payne, musical, performance, popular culture, Round Table, stage, stage performance, Tony Hughes</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14477">
                <text>In this black and white photograph from the Laurie Payne Collection of Theatrical Photographs (held by the National Library of Australia), actors Laurie Payne and Tony Hughes in their costumes for the musical Camelot are pictured with an unnamed man in in street clothes. Payne and Hughes are dressed in suits of armour. The musical, written by Alan Jay Lerner in 1960, is based on Arthurian legend and tells the story of Arthurâ€™s marriage to Guinevere, his establishment of the Round Table, the love triangle that ensued between Arthur, Guinevere and Lancelot and the rescue of Guinevere by Lancelot when she was sentenced to death for her adultery.</text>
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            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14478">
                <text>Stafford, N.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="14479">
                <text>National Library of Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="14480">
                <text>National Library of Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14481">
                <text>1966</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14482">
                <text>National Library of Australia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14483">
                <text>Hyperlink</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="3676">
        <name>Alan Jay Lerner</name>
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      <tag tagId="3393">
        <name>Armor</name>
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      <tag tagId="153">
        <name>Armour</name>
      </tag>
      <tag tagId="346">
        <name>Arthur</name>
      </tag>
      <tag tagId="2096">
        <name>Arthurian legend</name>
      </tag>
      <tag tagId="349">
        <name>Arthuriana</name>
      </tag>
      <tag tagId="347">
        <name>Camelot</name>
      </tag>
      <tag tagId="140">
        <name>chainmail</name>
      </tag>
      <tag tagId="3678">
        <name>chivalric</name>
      </tag>
      <tag tagId="138">
        <name>chivalry</name>
      </tag>
      <tag tagId="1409">
        <name>costume</name>
      </tag>
      <tag tagId="344">
        <name>entertainment</name>
      </tag>
      <tag tagId="3439">
        <name>Guinevere</name>
      </tag>
      <tag tagId="1175">
        <name>King Arthur</name>
      </tag>
      <tag tagId="96">
        <name>knight</name>
      </tag>
      <tag tagId="139">
        <name>knighthood</name>
      </tag>
      <tag tagId="3679">
        <name>Lancelot</name>
      </tag>
      <tag tagId="238">
        <name>musical</name>
      </tag>
      <tag tagId="350">
        <name>performance</name>
      </tag>
      <tag tagId="1172">
        <name>popular culture</name>
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        <name>stage performance</name>
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        <name>theatre</name>
      </tag>
      <tag tagId="3684">
        <name>Tony Hughes</name>
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  </item>
</itemContainer>
