1 8 18 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.youtube.com/watch?v=q7O7NgjWPeM" target="_self">http://www.youtube.com/watch?v=q7O7NgjWPeM</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arthur! And the Square Knights of the Round Table Children's Cartoon series Subject The topic of the resource Animation, armour, Arthur, Arthurian legend, Black Knight, cartoon, childrenâ€™s series, chivalry, damsel in distress, dragon, excalibur, Guinevere, jousting, knight, Lancelot, maiden, Merlin, Morgan Le Fay, rescue, round table, song, sword, television, TV. Description An account of the resource Arthur! And the Square Knights of the Round Table was an animated Australian cartoon series written by Melbourne playwright Alex Buzo with Rod Hull, Lyle Martin, John Palmer and M. Robinson. It was produced between 1966 and 1968. Based on Arthurian legend, the cartoons feature characters such as King Arthur, Guinevere, Lancelot, Merlin, a Black Knight and Morgan le Fay. The opening jingle (available at <a href="http://www.youtube.com/watch?v=q7O7NgjWPeM" target="_self">http://www.youtube.com/watch?v=q7O7NgjWPeM</a>) provides a good overview of the Arthurian themes and motifs in the cartoons, in verse! For example, the pastimes of the hero Arthur – ‘the king of Camelot, who likes to joust a lot’ – are identified as jousting, dragon-slaying, wooing Guinevere, foiling the evil plans of the Black Knight, rescuing damsels in distress, drawing swords from stones, making tables round, and convening meetings of his bravest knights. Creator An entity primarily responsible for making the resource Written by Alex Buzo with Rod Hull, Lyle Martin, M. Robinson & John Palmer Produced by Walter J. Hucker Source A related resource from which the described resource is derived You Tube Publisher An entity responsible for making the resource available Air Programs International (API) Date A point or period of time associated with an event in the lifecycle of the resource 1966-1968 Rights Information about rights held in and over the resource Air Programs International (API) Format The file format, physical medium, or dimensions of the resource URL Animation Armour Arthur Arthurian legend Black Knight cartoon childrenâ€™s series chivalry damsel in distress dragon Excalibur Guinevere jousting knight Lancelot maiden Merlin Morgan Le Fay rescue round table song sword television tv Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1. go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"> http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2. search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Queen Guenever as a nun Subject The topic of the resource Abbess, Almesbury, art, Arthur, Arthurian, Aubrey Beardsley (1872-1898), convent, death, Guenever, Guinevere, illustration, J.M. Dent & Sons, Le Morte dâ€™Arthur, nun, nunnery, penance, queen, SA, South Australia, Thomas Malory Description An account of the resource This work was gifted to the Art Gallery of South Australia in 1960 by Mrs R.A. Haste. It is a line-block reproduction on paper depicting a scene from Thomas Maloryâ€™s fifteenth-century canonical Arthurian text Le Morte dâ€™Arthur. Upon hearing of Arthurâ€™s death in the final book, his queen Guinevere goes with five ladies to a nunnery at Almesbury. Here she leads a virtuous and penitential life of fasting and prayers, dressed in white and black, until her own death years later. The work was created by Aubrey Beardsley for a nineteenth-century illustrated edition of Le Morte dâ€™Arthur, which was issued in 12 parts between 1893 and 1984 by London publisher J.M. Dent & Sons. Creator An entity primarily responsible for making the resource Beardsley, Aubrey Source A related resource from which the described resource is derived Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource c. 1893 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource line-block reproduction on paper, 20.8 x 16.0 cm; Hyperlink Language A language of the resource English Abbess Almesbury art Arthur Arthurian Aubrey Beardsley (1872-1898) convent death Guenever Guinevere illustration J.M. Dent & Sons Le Morte dâ€™Arthur nun nunnery penance queen SA South Australia Thomas Malory Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1. go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"> http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2. search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource How Sir Bedivere cast the Sword Excalibur into the Water Subject The topic of the resource art, Arthur, Arthurian, Arthuriana, legend, legends, myth, mythology, Aubrey Beardsley (1872-1898), Avalon, death, Excalibur, illustration, J.M. Dent & Sons, king, knight, lake, Le Morte dâ€™Arthur, SA, Sir Bedivere, South Australia, sword, Thomas Malory, wounded king Description An account of the resource This work was gifted to the Art Gallery of South Australia in 1960 by Mrs R.A. Haste. It is a line-block reproduction on paper depicting a scene from Thomas Maloryâ€™s fifteenth-century canonical Arthurian text Le Morte dâ€™Arthur. Following the battle at Barnham Down where Arthur is mortally wounded, he commands Sir Bedivere (at this point the only knight left standing) to take his sword Excalibur to the water and cast it in, and then to return and tell him what he has seen. Sir Bedivere twice takes the sword to the waterside but hides it rather than throw it to waste. Upon his return he tells Arthur that nothing unusual transpired when he threw the sword in and Arthur knows he is lying. On his third visit he casts the sword into the water, and a hand appears from the water to grab hold of it. Sir Bedivere afterwards takes Arthur to the lake, where a barge appears to take him to Avalon. The work was created by Aubrey Beardsley for a nineteenth-century illustrated edition of Le Morte dâ€™Arthur, which was issued in 12 parts between 1893 and 1984 by London publisher J.M. Dent & Sons. Creator An entity primarily responsible for making the resource Beardsley, Aubrey Source A related resource from which the described resource is derived Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource c. 1873 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource Hyperlink art Arthur Arthurian Arthuriana Aubrey Beardsley (1872-1898) Avalon death Excalibur illustration J.M. Dent & Sons king knight lake Le Morte dâ€™Arthur legend legends myth mythology SA Sir Bedivere South Australia sword Thomas Malory wounded king Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.artgalleryofballarat.com.au/collection/australian-collection/waller,-christian.aspx" target="_blank">http://www.artgalleryofballarat.com.au/collection/australian-collection/waller,-christian.aspx</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morgan Le Fay Subject The topic of the resource Accalan, Accolon, Art, Arthur, Arthurian, Avalon, Ballarat, ChrÃ©tien de Troyes, Christian Waller (1894-1954), Excalibur, healer, healing, keys, king, King Arthur, knight, lance, Le Morte dâ€™Arthur, legend, Morgan Le Fay, power, shield, Thomas Malory, VIC, Victoria watercolour, wounded king Description An account of the resource This watercolour by Australian artist Christian Waller was gifted to the Art Gallery of Ballarat in 1933 by the Women’s Association. It depicts a woman in medieval dress whom the title identifies as Morgan Le Fay. Morgan Le Fay is a sorceress/healer in Arthurian legend. Starting with Chrétien de Troyes in the late twelfth century, she is often named as Arthur’s half-sister (by his mother Igerne). She plays a key adversarial role in much Arthurian literature; she is often depicted trying to expose the adulterous liaisons of Lancelot and Guinevere, and attempting to bring about Arthur’s downfall. She does this by using her magic powers to give Arthur’s sword, Excalibur, to her lover Accolon (while leaving Arthur unknowingly with a counterfeit), and by throwing Excalibur into the lake. At the end of Thomas Malory’s fifteenth-century text Le Morte d’Arthur, however, she resumes her healing role by taking Arthur to Avalon and tending to the wounded king. For a copy of Le Morte d’Arthur, see: <a href="http://ebooks.adelaide.edu.au/m/malory/thomas/m25m/" target="_blank"> http://ebooks.adelaide.edu.au/m/malory/thomas/m25m/</a>. In the background of Waller’s painting are numerous medieval references: a lance, a heraldic shield, a helmet, a picture of a knight riding a horse, and a set of highly symbolic keys given Morgan Le Fay’s power in Arthurian legend. About Christian Waller: Christian Waller was born Christian Marjory Emily Carlyle Yandell in 1894 in Castlemaine, Victoria. In 1910 she moved to Melbourne with her family. There she attended the National Gallery Schools and won acclaim from a young age, receiving a number of student prizes, exhibiting her work with the Victorian Artists Society and featuring in illustrated publications such as Franklin Petersons Melba’s Gift Book of Australian Art and Literature in 1915. In 1915 she married fellow artist Mervyn Napier Waller. He lost his right arm the following year serving on the Western Front, and Christian supported him upon his return to Australia by working as a commercial artist. During the 1920s she became a book illustrator, and her work from this period has been described as reflecting “Classical, Medieval, Pre-Raphaelite and Art Nouveau influences” (See Thomas, David, 'Waller, Christian Marjory Emily Carlyle (1894–1954)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, <a href="http://adb.anu.edu.au/biography/waller-christian-marjory-emily-carlyle-11944/text21407" target="_blank">http://adb.anu.edu.au/biography/waller-christian-marjory-emily-carlyle-11944/text21407</a>, accessed 4 February 2012). From 1928 Waller started designing stained glass windows. This was an artistic medium in which she was prolific, and for which she became well known, during the 1930s and 40s. Creator An entity primarily responsible for making the resource Waller, Christian (1894-1954) Source A related resource from which the described resource is derived Art Gallery of Ballarat Date A point or period of time associated with an event in the lifecycle of the resource 1920 Rights Information about rights held in and over the resource Art Gallery of Ballarat Format The file format, physical medium, or dimensions of the resource Watercolour, 33.3cm x 21.4cm; Hyperlink Accalan Accolon art Arthur Arthurian Avalon Ballarat ChrÃ©tien de Troyes Christian Waller (1894-1954) Excalibur healer healing keys king King Arthur knight lance Le Morte dâ€™Arthur legend Morgan Le Fay power shield Thomas Malory Vic Victoria watercolour wounded king Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1.  go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank">http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2.   search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sir Galahad and the Pale Nun Subject The topic of the resource Alfred Lord Tennyson (1809-1892), Art, Arthur, Arthurian, Arthurian legend, Arthurian romance, chivalric, chivalry, Galahad, gallantry, Holy Grail, Idylls of a King, illustration, knight, Le Morte dâ€™Arthur, legend, Mabinogion, narrative poem, nostalgia, nun, piety, poem, purity, Sir Galahad, Sir Thomas Malory (1405-1471), Victorian revival Description An account of the resource This photograph, taken by Julia Margaret Cameron in 1874, is held by the Art Gallery of South Australia. It depicts Sir Galahad, one of the Knights of the Round Table in Arthurian legend, and a nun. The illegitimate son of Lancelot and Elaine of Corbenic, Galahad was raised in a convent under the care of the Abbess, his Great Aunt. He was one of only 3 Knights to see the Holy Grail, and is renowned in legend for his gallantry, his piety and his purity. He was a popular character in the Victorian revival of Arthurian myth, and these qualities were emphasised in Alfred Lord Tennysonâ€™s 1842 poem â€˜Sir Galahadâ€™. This particular photograph appeared as Plate IX in Alfred Lord Tennysonâ€™s Idylls of the King and Other Poems, a collection of 12 narrative poems retelling the King Arthur legend published between 1856 and 1885. Tennysonâ€™s version was based primarily on two well-known medieval texts: Sir Thomas Maloryâ€™s Le Morte dâ€™Arthur and the Mabinogion. Creator An entity primarily responsible for making the resource Cameron, Julia Margaret Source A related resource from which the described resource is derived Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource 1874 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource Albumen-silver photograph, 33.4 x 27.2 cm; Hyperlink Alfred Lord Tennyson (1809-1892) art Arthur Arthurian Arthurian legend Arthurian romance chivalric chivalry Galahad gallantry Holy Grail Idylls of a King illustration knight Le Morte dâ€™Arthur legend Mabinogion narrative poem nostalgia nun piety poem purity Sir Galahad Sir Thomas Malory (1405-1471) Victorian revival https://ausmed.arts.uwa.edu.au/files/original/b1d046f64b7c50c62639d1b6c0ea1376.jpg 57a414787e2a6d067e25d638c80a54e9 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 952 Width 780 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Camelot": The Original Motion Picture Soundtrack Subject The topic of the resource record, records, music, orchestra, orchestral, Alan Jay Lerner, Arthur, Arthurian, Arthuriana, Camelot, chivalric, chivalry, cinema, entertainment, film, Franco Nero, Guinevere, Hoyts Century Theatre, York, King Arthur, knight, knighthood, Lancelot, movie, New South Wales, NSW, popular culture, Richard Harris, Round Table, Sydney, theatre, theatres, Vanessa Redgrave Description An account of the resource An image of a record found in a York secondhand store featuring the soundtrack to the popular 1967 film "Camelot." An example of the popularity, commerciality and timelessness of Arthurian legends, the film was a box office hit in the West. The film was a screen adaptation of the 1960 musical of the same name by Alan Jay Lerner. It starred Richard Harris as King Arthur, Vanessa Redgrave as Guinevere and Franco Nero as Lancelot. For more information about the film, consult <a href="http://www.imdb.com/title/tt0061439/">http://www.imdb.com/title/tt0061439/. </a> Creator An entity primarily responsible for making the resource Carter, Bree Date A point or period of time associated with an event in the lifecycle of the resource 27 November 2011 Rights Information about rights held in and over the resource No Copyright Relation A related resource “Crowd outside the Hoyts Century Theatre at the Preview of Camelot, Sydney,” Medievalism in Australian Cultural Memory, accessed November 28, 2011, <a href="../../../items/show/26">http://ausmed.arts.uwa.edu.au/items/show/26 </a> Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Alan Jay Lerner Arthur Arthurian Arthuriana Camelot chivalric chivalry cinema entertainment film Franco Nero Guinevere Hoyts Century Theatre King Arthur knight knighthood Lancelot movie music New South Wales NSW orchestra orchestral popular culture record records Richard Harris round table Sydney theatre theatres Vanessa Redgrave York Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/7370157/under-merlins-spell/" target="_blank">http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/7370157/under-merlins-spell/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜Under Merlinâ€™s Spellâ€™ Subject The topic of the resource Arthur, Australian television, BBC series, broadcasting, Camelot, Channel 10, dragon, entertainment, film, folklore, Gaius, Guinevere, Johnny Capps, magic, medieval legend, Merlin, Morgana, mythology, re-interpretation, romance, Shine Drama, television series, wizard Description An account of the resource This entertainment piece from The West Australianâ€™s online edition reviews the BBC series Merlin (2008). At the time the article was written in 2010, the second season of the series was being aired on Australian television by Channel 10. The characters and setting of the show are based on figures and places from Arthurian legend, however, the plot focuses on the lives of the characters prior to the mythologised events of the medieval legend. The characters include Merlin, Arthur, Guinevere, Gaius and Morgana, and the story is set in Camelot. Merlinâ€™s Producer, Johnny Capps, is quoted as saying that they needed a mythological tale and he thought that Merlin â€œjust seemed to be right for re-interpretation for a 21st- century audienceâ€. On the motivation for the plot, he continued: â€œWe decided to start before they were famous because what appealed to us was a story of empowerment. What if we had a young Arthur who was not yet King and Merlin as a young wizard, coping with trying to be a teenager and at the same time his destiny and extraordinary power? And we subverted the expectation around Guinevere by making her a lowly servant girl." Creator An entity primarily responsible for making the resource Saunders, Amanda Source A related resource from which the described resource is derived <a href="http://thewest.com.au/" target="_blank">Thewest.com.au</a> Publisher An entity responsible for making the resource available The West Australian Date A point or period of time associated with an event in the lifecycle of the resource 9 June 2010 Rights Information about rights held in and over the resource The West Australian Format The file format, physical medium, or dimensions of the resource Online newspaper article; URL Language A language of the resource English Arthur Australian television BBC series broadcasting Camelot Channel 10 dragon entertainment film folklore Gaius Guinevere Johnny Capps magic medieval legend Merlin Morgana mythology re-interpretation romance Shine Drama television series wizard Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism in the Classroom Description An account of the resource This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts. Hyperlink Title, URL, Description or annotation. URL <a href="http://units.handbooks.uwa.edu.au/units/engl/engl2238" target="_blank">http://units.handbooks.uwa.edu.au/units/engl/engl2238</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medieval in the Modern World Subject The topic of the resource Arthur, Arthurian, Beowulf, Jorge-Luis Borges, Robert Bresson, cinema, fantasy, mythology, myth, legend, legends, myths, films, film, Neil Gaiman, John Gardner, Guy Gavriel Kay, Seamus Heaney, Geoffrey Hill, literature, Andrew Lynch, Monty Python, Perth, poetry, Randolph Stow, Alfred Tennyson, Mark Twain, UWA, university, universities, University of Western Australia, WA, Western Australia, Robert Zemeckis Description An account of the resource A second and third year undergraduate unit taught at The University of Western Australia. The unit was created by Andrew Lynch and features novels, poetry and film from the nineteenth, twentieth and twenty-first centuries that reinterpreted medieval literature and themes. Texts include Tennysonâ€™s â€˜The Passing of Arthurâ€™, the film â€˜Monty Python and the Holy Grailâ€™, Twainâ€™s â€˜A Connecticut Yankee in King Arthurâ€™s Courtâ€™, Gardnerâ€™s â€˜Grendelâ€™, the Zemeckis/Gaiman film â€˜Beowulfâ€™, poetry by Borges, Hill, and Heaney, Bressonâ€™s â€˜Lancelot du Lacâ€™, and Gavriel Kayâ€™s â€˜A Song for Arbonneâ€™. Of particular note is the inclusion of works by Australian authors: Kate Forsythâ€™s â€˜Morgan of the Fayâ€™, Maggie Hamiltonâ€™s â€˜Merlinâ€™, Juliet Marillerâ€™s â€˜Son of the Shadowsâ€™, â€˜The Girl Green as Elderflowerâ€™ by Randolph Stow, and Jules Watsonâ€™s â€˜The White Mareâ€™. Creator An entity primarily responsible for making the resource Lynch, Andrew Source A related resource from which the described resource is derived The University of Western Australia Publisher An entity responsible for making the resource available The University of Western Australia Date A point or period of time associated with an event in the lifecycle of the resource February 2009 Rights Information about rights held in and over the resource Andrew Lynch, the University of Western Australia Format The file format, physical medium, or dimensions of the resource Link to UWA Undergraduate Handbook Language A language of the resource English Alfred Tennyson Andrew Lynch Arthur Arthurian Beowulf cinema fantasy film films Geoffrey Hill Guy Gavriel Kay John Gardner Jorge-Luis Borges legend legends literature Mark Twain Monty Python myth mythology myths Neil Gaiman Perth poetry Randolph Stow Robert Bresson Robert Zemeckis Seamus Heaney universities university University of Western Australia UWA WA Western Australia