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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://ascomanni.webs.com/"&gt;http://ascomanni.webs.com/&lt;/a&gt;</text>
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                <text>Ascomanni Medieval Re-enactment Society</text>
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                <text>Anglo-Saxons, Ascomanni Medieval Re-enactment Society, Battle of Hastings, Battle of Stamford Bridge, combat, costume, Launceston, living history, Normans, Oseberg Ship Burial, Oseberg Tapestry, re-creation, re-enactment, Saxons, Tas, Tasmania, Viking Age, Vikings, website.</text>
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                <text>&lt;p&gt;Ascomanni Medieval Re-enactment Society is a living history group based in the Tasmanian city of Launceston. The group focus on Anglo-Saxons, Normans, and Vikings during the later Viking Age, specifically the period 966-1066 ending with the Norwegian defeat at Stamford Bridge and the Norman victory at Hastings. Ascomanni (a term used for the Vikings by the eleventh-century German chronicler Adam of Bremen) focus both on the daily life and martial aspects of the Viking Age.&lt;/p&gt;&#13;
&lt;p&gt;Their website banner is an image of the reconstructed Oseberg Tapestry which was found in the Oseberg ship burial in Norway, c. 834.&lt;/p&gt;&#13;
&lt;p&gt;For their website see http://ascomanni.webs.com/&lt;/p&gt;</text>
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                <text>Ascomanni Medieval Re-enactment Society</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Ascomanni Medieval Re-enactment Society, Copyright Â©2011</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.redbubble.com/people/wdonaldson/art/7206159-the-warrior?c=62571-medieval"&gt;http://www.redbubble.com/people/wdonaldson/art/7206159-the-warrior?c=62571-medieval&lt;/a&gt;</text>
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                <text>â€˜The Warriorâ€™</text>
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                <text>Adelaide Hills, Anglo-Saxons, arms, armor, armour, axe, Battle of Hastings, Bayeux Tapestry, chain mail, chainmail, francisca, Franks, gloves, Gumeracha Medieval Fair, knife, long knife, medieval fair, mitons, Normans, re-enactment, reenactment, SA, seax, South Australia, throwing axe, Wendi Donaldson</text>
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                <text>This photo, taken by photographer Wendi Donaldson at the Gumeracha Medieval Fair in South Australia in May 2011, provides a unique glimpse of a â€˜livingâ€™ early medieval warrior (who could be from almost anywhere in Europe). It depicts a participant at the Fair wearing chain-mail gloves, known as mitons, and a â€˜Normanâ€™ style helmet complete with the distinctive nasal bar which was designed to protect the face from injury. He carries a francisca throwing axe, which is a weapon that was developed by the Franks but also used by early Anglo-Saxons, in one hand and a second weapon that is not clear but that is probably a long knife known as a seax (given the sheath tied to his belt) in the other. Great care is taken by festival organisers and participants alike to ensure that costumes and weapons are within the recognised parameters of the era; however, this warrior does mix early medieval chronologies. For example, both Anglo-Saxons and Normans are depicted wearing this style of helmet in the Bayeaux Tapestry at the Battle of Hastings in 1066, but no-one in the Tapestry has chain-mail gloves. &#13;
The Gumeracha Medieval Fair is an annual event sponsored by the Adelaide Hills Council. The Fair features a host of re-enactment groups from around the world, including handcraft stallholders, wandering musicians and entertainers. This is just one of several interesting medieval events held throughout the country at different times of the year. &#13;
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                <text>Donaldson, Wendi</text>
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            <name>Date</name>
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                <text>May 2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18173">
                <text>Â© All images copyright Wendi Donaldson 2011</text>
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            </elementTextContainer>
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        <name>Gumeracha Medieval Fair</name>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="font-size: 10pt;" lang="EN-AU"&gt; &lt;a href="http://greycompany.com.au/" target="_blank"&gt;http://greycompany.com.au/&lt;/a&gt;&lt;/span&gt;</text>
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                <text>The Grey Company</text>
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                <text>Anglo-Saxons, armour, battle, Celts, clothing, combat, Crusades, Dark Ages, Grey Company, knights, Normans, Perth, re-enactment, Saracens, Templar Knights, Turks, Vikings, WA, weapons, Western Australia</text>
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                <text>The Grey Company are an historical re-enactment group based in Perth. They concentrate on the â€˜Dark Agesâ€™ or early medieval period and its various peoples, especially Anglo-Saxons, Celts, Normans, Saracens, and Vikings, but they also perform as gladiators, pirates, crusaders, and late medieval knights. Most of the clothing, weapons, and armour are made by members of the company, for which they hold workshops. The Grey Company often perform battles at public events.   </text>
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                <text>The Grey Company</text>
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            <name>Date</name>
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                <text>6 October 2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11903">
                <text>The Grey Company</text>
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                <text>English</text>
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        <name>Crusades</name>
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        <name>Dark Ages</name>
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        <name>Grey Company</name>
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        <name>knights</name>
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        <name>Normans</name>
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        <name>Saracens</name>
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        <name>templar knights</name>
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                  <text>Medievalism in the Classroom</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>&lt;p class="MsoNormal" style="margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;The unit outline can be found at &lt;/span&gt;&lt;a href="http://www.flinders.edu.au/ehl/fms/english_files/handbooks/2011%20English%20Upper%20Level%20Handbook.pdf" target="_blank"&gt;&lt;span style="font-family: Arial; font-size: small;"&gt;http://www.flinders.edu.au/ehl/fms/english_files/handbooks/2011%20English%20Upper%20Level%20Handbook.pdf&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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                <text>'The Anglo-Saxon World' Unit</text>
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                <text>Adelaide, Anglo-Saxons, Anglo-Saxon, England, fantasy, Flinders University, Graham Tulloch, pop culture, popular culture, South Australia, The Hobbit, Tolkien, J.R.R. Tolkien, universities, university</text>
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                <text>Second year undergraduate unit â€˜The Anglo-Saxon Worldâ€™ coordinated by G.J. Tulloch at Flinders University. Although the unit focuses on Anglo-Saxon literature of the eighth to eleventh centuries, including an introduction to the Old English language, an aspect of medievalism is apparent by the inclusion of J.R.R. Tolkienâ€™s â€˜The Hobbitâ€™ on the reading list, along with selections from some of his other works. A number of Tolkienâ€™s works present a world similar to that of Anglo-Saxon England. </text>
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                <text>Tulloch, Graham</text>
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                <text>Flinders University</text>
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                <text>Flinders University</text>
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                <text>17 June 2011</text>
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                <text>Graham Tulloch, Flinders University</text>
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