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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://www.freewebs.com/coffsmedguild/"&gt;http://www.freewebs.com/coffsmedguild/&lt;/a&gt;&lt;/span&gt;</text>
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                <text>&lt;p&gt;Korffs Haven Medieval Guild are a re-enactment group based in Coffs Harbour, or Korffs Haven, in New South Wales. The group concentrate on the period 1066-1166 and such peoples as Anglo-Saxons, Anglo-Normans, Crusaders, Highlanders (of Scotland), and Vikings. Combat and weapon training with swords, spears, staves, shields, slingshots, archery, chain mail, and helmets is carried out. Other medieval activities are also re-created, including cooking, clothes-making, feasting, games, and craft (woodwork, leatherwork, felting, embroidery, dyeing, sewing etc.). The group&amp;rsquo;s website features a useful section on making medieval clothes, including patterns.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.freewebs.com/coffsmedguild/"&gt;http://www.freewebs.com/coffsmedguild/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Â©2007 Korffs Haven Medieval Guild</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="text-decoration: underline;"&gt;&lt;span style="color: #2567e8; line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: Calibri; mso-ansi-language: EN-AU; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;"&gt;&lt;a href="http://youtu.be/ggy-p6VtPrs" target="_blank"&gt;&lt;span style="color: #0066cc; text-decoration: none; text-underline: none;"&gt;http://youtu.be/ggy-p6VtPrs&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>Celtic Blood, James John Loftus</text>
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                <text>Advertisement, Anglo-Norman, Celtic, Celtic Blood, Highlanders, knights, literature, James John Loftus, MacBeth, novel, Scotland, William Shakespeare, witchcraft.</text>
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                <text>&lt;p&gt;&lt;em&gt;Celtic Blood&lt;/em&gt; is the debut novel by Australian author James John Loftus, published in July, 2011. The novel is set in 13&lt;sup&gt;th&lt;/sup&gt; century Scotland and the conflict between Anglo-Norman-influenced royal knights living in the lowlands, and independent Highlanders. Witchcraft and the powers behind the powerful are sub-themes of the plot. The novel was in part inspired by William Shakespeare&amp;rsquo;s play set during Scotland&amp;rsquo;s medieval period, MacBeth.&lt;/p&gt;&#13;
&lt;p&gt;For an advertisement for the novel see &lt;span style="text-decoration: underline;"&gt;&lt;a href="http://youtu.be/ggy-p6VtPrs" target="_blank"&gt;http://youtu.be/ggy-p6VtPrs&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>James John Loftus</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Neo-Romanesque Apse, Christ Church, North Adelaide</text>
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                <text>Anglican, Anglicanism, Anglo-Norman design, Anglo-Norman, Christian, Christianity, arch, architecture, bishop, Bishop Augustus Short (1802-1883), church, Church of England, churches, building, ecclesiastical, ecclesiastical building, gable, gables, Henry Stuckey, Henry Stuckey (1821-1851), limestone, neo-romanesque, North Adelaide, red brick, rounded arch, SA, sandstone, semi-circular arch, South Australia, stained glass, Victorian Romanesque style</text>
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                <text>A view of the neo-romanesque apse at Christ Church, North Adelaide. An apse is an octagonal or semi-circular domed recess that protrudes from the Eastern wall of a church. They were popular additions to transepts in medieval Romanesque architecture. The apse at Christ Church was added in 1851. It is constructed from limestone and red brick with a sandstone trim around the windows.&#13;
&#13;
About Christ Church:&#13;
&#13;
Christ Church is an Anglican church located in North Adelaide. The foundation stone was laid by Augustus Short, the Bishop of Adelaide, in 1848 and the church, which originally consisted of only the choir and the transept, was consecrated the following year in 1849. It was later extended in 1851 (the apse), 1855 and 1884. Bishop Short had arrived from England with three different building plans, but the Anglo-Norman design of the resulting church has been credited to local architect Henry Stuckey. The buildingâ€™s Victorian Romanesque features include the relatively small window openings compared to the wall area, the machiolation motif and the semi-circular rounded arches.&#13;
&#13;
For more on Christ Church, North Adelaide, see E. J. R. Morgan &amp; S. H. Gilbert, Early Adelaide Architecture: 1836-1886, Oxford University Press, London, 1969, pp.104-105.</text>
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                <text>Dorey, Margaret</text>
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                <text>3 July 2011</text>
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                <text>Dorey, Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #476, &lt;a href="../../../items/show/476" target="_blank"&gt;http://ausmed.arts.uwa.edu.au/items/show/476&lt;/a&gt;&lt;br /&gt; &lt;br /&gt;Dorey, Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #475, &lt;a href="../../../items/show/475" target="_blank"&gt;http://ausmed.arts.uwa.edu.au/items/show/475&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Dorey, Margaret, "Neo-Romanesque Apse at Christ Church, North Adelaide,"  in Medievalism in Australian Cultural Memory, Item #478, &lt;a href="../../../items/show/478"&gt;http://ausmed.arts.uwa.edu.au/items/show/478&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Dorey, Margaret, "Apse, Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #479, &lt;a href="../../../items/show/479"&gt;http://ausmed.arts.uwa.edu.au/items/show/479&lt;/a&gt;</text>
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Christ Church is an Anglican church located in North Adelaide. The foundation stone was laid by Augustus Short, the Bishop of Adelaide, in 1848 and the church, which originally consisted of only the choir and the transept, was consecrated the following year in 1849. It was later extended in 1851 (the apse), 1855 and 1884. Bishop Short had arrived from England with three different building plans, but the Anglo-Norman design of the resulting church has been credited to local architect Henry Stuckey. The buildingâ€™s Victorian Romanesque features include the relatively small window openings compared to the wall area, the machiolation motif and the semi-circular rounded arches.&#13;
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